“... I don’t quite know what to say about Angels and Insects. It consists of a pair of novellas, ‘Morpho Eugenia’ and ‘The Conjugial Angel’, which, like Possession, are set in Victorian England, and written in a free imitation of mid-19th-century literary English. My doubts are the obvious ones. It’s not that I can’t make up my mind about whether or not the work they do, of re-creation and creative imitation, is well done – much of the time it’s very well done, as well as I can imagine it could be ...”

“... Linda Colley’s new book is an attempt to discover and analyse the ingredients of British national identity as it was forged in the 18th century – ‘forged’ in the double sense of made up (for communities are imagined and imaginary things) and fashioned in the fire of battle. It is also an attempt to recover and understand the patriotism of ‘ordinary British people’, a patriotism she refuses to regard simply in terms of ideology, or as the result, for many, of variously mediated and unmediated forms of coercion, or as a primarily irrational response by the British to the experience of finding themselves members of the new nation created by the Act of Union between England and Scotland in 1707 ...”

“... The only time L.P. Hartley met E.M. Forster they did not get on. Too much politeness, and mutual wariness. And what a comedy in contrasting physiques: Forster sharp, quizzical and birdlike; Hartley plump, vacant, moustached and apologetic, half walrus and half melting snowman, pipe in mouth. But underneath they had a great deal in common, and chiefly the mysterious, almost unconscious knowledge of their own powers as natural artists ...”

“... Don Bradman did poorly by me in my youth: all I saw of him was his parting Oval duck in 1948, the most untimely nought in the history of cricket. It came on the first day of the fifth and last Test, with Australia three-nothing up, so whether our own side won or lost made small difference and we could watch the game as dilettantes instead of partisans, hoping that Bradman would bat, as he nearly always had, lavishly, or even brutally ...”

“... The Nature of Space and Time contains six lectures-three by Stephen Hawking, three by Roger Penrose – and a closing Hawking-Penrose debate. As Penrose indicates, it might be viewed as continuing the famous Bohr-Einstein exchange of some seventy years ago. Against the background of new cosmological theories, Hawking defends Bohr’s thesis that quantum theory has no radical incompleteness ...”

“... Future historians looking back at the Rodney King insurrection in South Central Los Angeles will not see (or not just see) another in the line of racial explosions which go back through Watts, the Zoot Suit riots, to the ‘Yellow Peril’ pogroms of the early 20th century. What distinguishes this particular affray by (and against) a Californian ethnic minority is that it was the first such to be entirely and comprehensively covered by television ...”

“... More did mean worse – although not quite in the way Kingsley Amis feared. He and his Black Paper colleagues misjudged what would happen to ‘standards’ after the expansionist Robbins Report. The British university product – the education of undergraduates and scholarly research – has never been better than it now is, nor its international reputation higher ...”

“... On the jacket of Playing the Game is a portrait of the man who played it: a portrait by William Strang (1859-1921), a Late Victorian artist now much undervalued. He did what is by far the best portrait of Hardy, and his special ability seems to have lain in pleasing his subjects and their public by making them look suitably grave and important, even a shade portentous, while at the same time revealing hidden traces of weakness, perhaps of meanness ...”

“... Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF, or Latest Foreign Fraud. By this he meant any thinker from abroad (Paris, nine times out of ten) whose alembicated ideas were being taken up with more excitement than he thought they – or, I daresay, any ideas – were worth ...”

“... Fama​ is a fickle goddess. In the early decades of the 20th century the French philosopher Henri Bergson was a worldwide celebrity, ranked as a thinker alongside Plato, Socrates, Descartes and Kant. William James thought Bergson’s work had wrought a Copernican revolution in philosophy. Lord Balfour read him with great care and attention; Teddy Roosevelt went so far as to write an article on his work ...”

“... and his fellow werewolves would assume lupine form three times a year – around Pentecost Eve, St John’s Eve and St Lucy’s Eve. Together, they would journey on foot to Hell, which could be entered through a local swamp. Hell itself was invisible to others, Thiess said, since it was beneath the ground and its entrance could be seen only by those who ...”

“... South Lake Avenue in Pasadena, a few hundred yards from where I’m sitting, is named for the now dried up stream that once ran from the San Gabriel mountains to the Los Angeles basin. It was always a handsome thoroughfare, and the city invested tens of millions in the late 1970s to make it into Pasadena’s own Rodeo Drive. The investment didn’t entirely pay off: South Lake still looks like a big, over-invested-in street in a small western American town ...”

“... Quarterly GDP data don’t, on the whole, tend to make the person studying them laugh out loud. The most recent set, however, are an exception, despite the fact that the general picture is of unrelieved and spreading economic gloom. Instead of the surge of rebounding growth which historically accompanies successful exit from a recession, we have the UK’s disappointing 0 ...”

“... What was the point of Nazism? Götz Aly, Germany’s most influential popular historian, has a new answer: it was for the good of the German people. In his view, the National Socialists were as much socialist as they were national, and they genuinely sought to better the lives of ordinary Germans. Aly makes compelling arguments to back up this unlikely thesis ...”

“... Important’ is a cant word in book reviewing: it usually means something like ‘slightly above average’, or ‘I was at university with her,’ or ‘I couldn’t be bothered to read it so I’m giving a quote instead.’ Very occasionally it might be stretched to mean ‘a book likely to be referred to in the future by other people who write about the same subject ...”