“... A drunken American historian once lurched over to David Caute at a party and told him: ‘Having read your last novel, or part of it, I’d advise you to give up writing fiction – if you weren’t such a lousy historian.’ Caute, a connoisseur of masochism, tells the story against himself (in Contemporary Novelists, 1976 ...”

“... against the customer while pretending to do the reverse. For an industry which is supposed to be alert and quick on its feet, the press took a long time to appreciate the advantages of having a watchdog of its own with india-rubber teeth. A General Council of the Press was recommended in 1949 by the first postwar Royal ...”

“... Titian’s Diana and Actaeon and Diana and Callisto were described by Lucian Freud as ‘simply the most beautiful pictures in the world’. And not long ago, in an act of Alex Salmond-defying co-operation, the National Gallery of Scotland and the National Gallery of Great Britain raided their respective coffers – as well as the coffers of their respective, culturally estranged governments – to buy the pictures from the Duke of Sutherland ...”

“... Fifteen months ago in these pages I reviewed a book by Khidhir Hamza, who called himself ‘Saddam’s bombmaker’. At the same time I assessed the now notorious government dossier of September 2002 on Iraq’s weapons of mass destruction, together with the more restrained document published by the International Institute of Strategic Studies ...”

“... Rule for Ireland and of any showdown between the British Government and the Ulster Unionists, but by the end of the war the popular mood in Ireland, stirred by trauma of Easter Week 1916, was overwhelmingly in favour of some form of independence: Sinn Fein won 73 of 105 seats in the General Election of 1918, the last held ...”

“... a monument to improbable staying power. It’s more than two decades since Moss was photographed by Corinne Day for the Face, those instantly iconic black and white images of a skinny 16-year-old on Camber Sands, wearing no make-up and very few clothes, grinning through her freckles and pointy teeth, all at once so English, so ordinary and so glamorous. And ...”

“... Le Canard Enchaîné, went as follows: the young prince Felipe asks the king, whether there will be a public holiday when Franco dies. Yes, he replies. And, papa, will there be a holiday when you are declared king? Yes, says the king. And, papa, will there be a holiday when the Republic ...”

“... last years of Mrs Thatcher’s reign it was Perec, not Sollers, who – with the publication of David Bellos’s translation of Life: A User’s Manual – found a keen British audience. There were logics in these things, as we shall see. Perec’s reputation might easily have crossed the Channel two decades earlier. His first novel, Les Choses, was ...”

“... This is a gathering of David Lodge’s easy pieces: they are footnotes, shouldernotes and headnotes to the formal work in fiction and literary criticism he has published in the past twenty years. The book is in two parts. The first, ‘Personal and Descriptive’, includes a memoir of his first year in America, mostly a travel-year, 1964-65; his report on the turbulence at Berkeley in 1969; a trip to Poland in 1981; memories of a Catholic childhood; how he came to read Joyce; an introduction to his novel Small World; and his account of going to a Shakin’ Stevens concert in Birmingham ...”

“... power from disturbing it. In the 1980s, the foreign policy of every country is conditioned by the state of the nuclear balance of power, and Britain, like other small states, has very little opportunity to conduct an independent foreign policy on a world scale. British foreign policy today is ineluctably shaped ...”

“... fatalist acceptance: but the spheres of their sorrow are divided on strictly traditional lines by the gender of their authors – the cannon and the firing-squad against the drawing-room and the kitchen stove. At the end of David Pownall’s book the protagonist and his confidant are shot. At the end of John Hearne’s ...”

“... phrase corresponding exactly to our ‘terra incognita’, a label unknown to Chinese cartography. David Selbourne was probably unaware of these fakes when he embarked on his translation of the text he now entitles The City of Light, but it is worth pointing them out, just to make clear that the notion that Italian manuscripts concerning medieval Asian travel ...”

“... As a colleague of David Simpson at the University of California and a friend graciously thanked in his acknowledgments, can I pretend to have the disinterestedness necessary to write an objective review of his book? Or, as a reviewer opening with a confession of this sort – what in the lingo of our day is called a ‘full disclosure’ – have I then somehow neutralised my personal stake in such a way that I can offer my opinion as unbiased? Can such reflexivity work to undo the debilitating effects of situatedness? These are the kinds of question that agonise Simpson, who has written Situatedness in the hope of stemming the tide of what he calls, following Andrew Sullivan, ‘azza’ declarations – ‘as a colleague of David Simpson’; ‘as a white, middle-class male’ – in the age of identity politics ...”

“... because those that don’t go out of business. Backlists and post-mortem copyright dispose them to be historically minded about their dealings. It was only relatively recently, however, that libraries and other storehouses of scholarship first became aware of the cultural, literary, historical and scientific value of the intact publisher’s ...”

“... risks. The potential subject-matter is dauntingly multifarious. How could so vast a tragedy be focused and individualised? It was a war that fairly compels the commentator to take sides. Can the novelist do so without telling a one-sided story? Above all, could any outsider – Thomas Keneally is Australian – hope to capture the atmosphere, the ...”