“... I don’t quite know what to say about Angels and Insects. It consists of a pair of novellas, ‘Morpho Eugenia’ and ‘The Conjugial Angel’, which, like Possession, are set in Victorian England, and written in a free imitation of mid-19th-century literary English. My doubts are the obvious ones. It’s not that I can’t make up my mind about whether or not the work they do, of re-creation and creative imitation, is well done – much of the time it’s very well done, as well as I can imagine it could be ...”

“... Linda Colley’s new book is an attempt to discover and analyse the ingredients of British national identity as it was forged in the 18th century – ‘forged’ in the double sense of made up (for communities are imagined and imaginary things) and fashioned in the fire of battle. It is also an attempt to recover and understand the patriotism of ‘ordinary British people’, a patriotism she refuses to regard simply in terms of ideology, or as the result, for many, of variously mediated and unmediated forms of coercion, or as a primarily irrational response by the British to the experience of finding themselves members of the new nation created by the Act of Union between England and Scotland in 1707 ...”

“... More did mean worse – although not quite in the way Kingsley Amis feared. He and his Black Paper colleagues misjudged what would happen to ‘standards’ after the expansionist Robbins Report. The British university product – the education of undergraduates and scholarly research – has never been better than it now is, nor its international reputation higher ...”

“... The war in Bosnia has produced a number of historical myths, all of which have proved useful to those Serbs and Croats seeking to tear Bosnia apart, for they justify the inaction of the international community. These myths claim, basically, that Bosnia is an artificial entity, made up of three ethnic groups – Serbs, Croats and Muslims – who have been feuding with one another for centuries, so that the present conflict is simply the latest of these ethnic wars ...”

“... The first great Scaliger problem is that of distinguishing between father and son. When Swift, in his Treatise on Good Manners and Good Breeding, insisted that fiddlers, dancing-masters, heralds and masters of the ceremony were greater pedants ‘than Lipsius, or the elder Scaliger’, there must have been readers who asked themselves whether he wasn’t confusing Julius Caesar Scaliger, one of the 16th century’s most formidable literary scholars, and his son Joseph, who, as it happens, was successor to Lipsius at Leiden ...”

“... The consensus since the miners’ strike ended in March has been overwhelming: it was a disaster, most of all for the miners themselves. It is irresistible, in the interests of fairness at least, to look at the possibility that that verdict is wrong. Let us suppose – as Arthur Scargill invites us to – that it was forced upon them: that, as he also claims, it was a victory ...”

“... The volumes of the British Literary Magazines series (three out of four of which have now been published) are primarily works of ready reference. Alphabetically arranged within historical period, entries supply brief profiles of around four hundred ‘representative’ journals, together with some bare-bones factual data. The coverage is wider (but less full) than the 48 titles covered by the Wellesley Index to Victorian Periodicals; less wide (but fuller) than the Waterloo Directory of Victorian Periodicals which heroically aims (one day) to bring all the age’s thirty thousand journals under bibliographic control ...”

“... The relation between politics and letters is necessarily a dangerous liaison, and the questions which it raises are huge, blunt and disobliging. Acknowledged too readily, it is apt to highlight the less becoming features in each. But its potential for treachery is probably greatest when its existence is most vehemently denied. If imagination and the exercise of power were ever simple antinomies in human life, the relation could perhaps be avoided in principle ...”

“... It is now some twenty-two years since Camilla Gray’s The Great Experiment opened up for us the achievements of the Russian artistic avant-garde immediately before and after the Revolution; 13 since the ‘Art and Revolution’ exhibition at the Hayward Gallery in London. But the story of that avant-garde is only slowly becoming clear, and it remains at once deeply tragic and electrifyingly exciting ...”

“... For several years, until he became Labour leader and had to watch his entry more carefully, Neil Kinnock claimed in Who’s Who to be the author of an anthology of the writings and sayings of Aneurin Bevan entitled What Nye said: each year the supposed publication date was authoritatively amended, although the book has never appeared. When asked about it by G ...”

“... As with the sword or the bow and arrow, making up one’s mind responsibly about the Bomb is not an easy task. For anarchists or pacifists the exercise of violence by state powers throughout history has been intrinsically regrettable. But any style of political assessment which weights consequences more heavily than these do must recognise practical connections (sometimes of a surprising kind) between the history of civilised social life and that of repressive force ...”

“... The Siren’s Song is the first chance English readers have had to experience Maurice Blanchot. If it is the case, as Gabriel Josipovici pre-emptively asserts in his introduction, that Blanchot ‘is, with Walter Benjamin, the finest literary critic of the century’, then we have been grievously remiss in leaving him for so long untranslated. For Blanchot isn’t new: he is in his mid-seventies, he has been writing criticism for forty years, he has published 15 books and he is, in France, an undoubted star ...”

“... Quarterly GDP data don’t, on the whole, tend to make the person studying them laugh out loud. The most recent set, however, are an exception, despite the fact that the general picture is of unrelieved and spreading economic gloom. Instead of the surge of rebounding growth which historically accompanies successful exit from a recession, we have the UK’s disappointing 0 ...”

“... When we discuss novels, there is nothing easier or harder to talk about than characterisation. Nothing easier, in that unprofessional readers’ expressions of interest or aversion so often fix on a novel’s characters as vivid or pallid, believable or not. Nothing harder, in that academic critics (and their obedient students) have long since learned to steer away from the illusions of human reality conjured by fiction ...”

“... Broadcasting began as entertainment and only later took education and information into its scope. But by 1925 the General Strike brought the BBC up against the Government, or rather against Winston Churchill, since Baldwin did not support him in his attempt to take over the Company (which is what it then was) as an extension of the British Gazette, the sole medium of communication between the Government and the people ...”