At MoMA
Tony Wood: Wifredo Lam Reconsidered, 2 April 2026
“... that perhaps implied some unease over what exactly the painting was doing. For the poet and critic John Yau, the painting’s placement signalled its exclusion from the canon and by the same token Lam’s secondary status as a mere follower of Picasso or an imitator of Surrealism. MoMA’s current retrospective, When I Don’t Sleep, I Dream (until 12 ... ”