“... brutality of a relation brought into the open, unmentionable in that epoch of Brushwood Boys and Peter Pans. Jessie Chambers wrote her own version of events in a novel she called The Rathe Primrose (Milton’s ‘rathe primrose that forsaken dies’) which Frieda found touching and ‘lovable’, while even Lawrence said ‘it wasn’t bad’. This ‘faded ...”

“... of memoranda word by word. The platoon also has a section of biographers, with Robert Rhodes James, of C: A Study in Failure 1900-1939 and Lord Randolph Churchill, here present in a chatty round-up that is mere fluff; Paul Addison, who once worked with Randolph S. on editing the C papers, here useful on C and social reform; the navalist Richard ...”

“... that anyone could refer to.’ This has been a great and perhaps painful discovery for him. Peter Strawson spoke for the opposite style of thinking when he wrote over thirty years ago in Individuals that ‘the idea of an “exhaustive description” is in fact quite meaningless in general, although sense may be given to it in a particular context of ...”

“... or internal security. Mexico, the largest and wealthiest of them, has come closest. Mexico, says Peter Smith, in his chapter in the Cambridge History, ‘stands out as a paragon of political stability within Latin America’. There have been no serious efforts to produce political destabilisation, either from without or from within, since the Revolution of ...”

“... will look at the books in the rack with a new respect now that one knows their origins in Henry James and Nietzsche. The principle on which Mills & Boon runs its list is that the imprint is always greater than the author. Over the years, the firm has built up a stable of romancers several of whom (like Jean S. Macleod) have a hundred or more titles to their ...”

“... all-powerful poet envisioned by Emerson, who ‘re-attaches things to Nature and the whole’, to Peter Stillman, in Paul Auster’s City of Glass, crazedly attempting to re-create prelapsarian speech. Olson, it is often pointed out, is the first poet to have described himself as ‘Post-Modern’. That was in 1952. Five years before that he published his ...”

“... author (George Gilder), a leading radical economist (Tom Weisskopf) and the creator of Jaws (Peter Benchley). About a quarter of us had come to Harvard from one of ten famous boarding schools of the northeast, but about a half had attended public high schools across the country. With its massive endowments supporting extensive scholarships, Harvard had ...”

“... the limitations of pure abstraction. A third text, The Perception of the Visual World (1950) by James J. Gibson, ‘a study of how motion affects a viewer in a three-dimensional space’, also played an important role in his art-making (Duchamp was interested in such questions too). During this period Hamilton spent many hours on the train from London to ...”

“... Queen’s Gallery’s absorbing historical survey of the reign of the second Charles (and that of James II, his brother and successor, no better a politician than their father) opens with the 1649 post-execution proclamation, which still has the power to challenge us: ‘The office of a king is unnecessary, burthensom and dangerous to the liberty, safety and ...”

“... days, having run away from the domestic constrictions of Portsmouth, she had worked as a clerk at Peter Jones, then in the firm’s furniture-painting studio, then as a secretary at the Medici Society, then for MGM as a reader. She used this period, the mid-1930s, as material for the best of her novels outside the trilogies, The Doves of Venus ...”

“... culture: folk songs, riddles, Anansi stories and especially the Psalms and Proverbs of the King James Bible. Johnson recalls these biblical cadences blending into the rhythms of everyday speech, and later into the language of reggae and dub poetry.In November 1963, Johnson went to join his mother, who had emigrated to England to work as a nurse. London, he ...”

“... best English version of Pushkin’s poem. The title of his new book comes from a review by Clive James in the London Review of Books†; of both the Pushkin translation and a subsequent book, Poems and Journeys: ‘He is the faithful servant of Empire, who now emerges ... as its last poet.’ Talk about the Last Poet, Johnston’s response to this, is also ...”

“... comedy without ever having much fun herself. Rather than a Modesty Blaise in the manner of Sir Peter Lely, a swaggering hedonist from the swinging 1660s, this is an Aphra for the soberly whiggish Nineties. The depressing thing is that Todd is often thoroughly convincing. On Behn’s reputation as a spy, for example, despite the publisher’s promise of ...”

“... and a contemporary woodcut from Germany labelled ‘the two great impostors’ shows him facing James Nayler, the messianic English Quaker. Nayler had entered Bristol like Jesus entering Jerusalem, on the back of an ass. His followers walked behind him and a sign proclaimed him King of the Jews. His movement had effects right across Europe, the Middle East ...”

“... But already by the Sixties and Seventies a new presentation of scientific self began to circulate. James Watson radically confessed that his thoughts strayed to ‘popsies’ even while working hard on the structure of DNA; Richard Feynman enjoyed having himself photographed playing the bongos, and, like Kary Mullis, broadcast his enthusiasm for topless ...”