“... more important, perhaps, than it seems to us today. He was shamelessly egotistic and his self-importance attracted readers to the theatrical excitements he publicised. In his autobiographical Ego books he was less candid than Hazlitt was, but then he risked imprisonment. James Harding reveals Agate as a reckless hunter after unlawful pleasures. It is ...”

“... Slugging it out with Diana Trilling in the pages of Commentary, Robert Lowell remarked: ‘Controversy is bad for the mind and worse for the heart.’ Mrs Trilling, for all the world like Dorothea Brooke or some other 19th-century heroine of the strenuously examined life, replied: ‘I have never thought controversy bad for either the mind or the heart ...”

“... many people left accounts of what she said and did; but it also meant, as her previous biographer, Robert Halsband, has demonstrated, that dubious anecdotes had a habit of attaching themselves to her. Though Grundy attempts to solve the problem of naming by reserving ‘Montagu’ for the literary career and ‘Lady Mary’ for the rest, the variousness of her ...”

“... included in Stranger Shores (2001), opens: ‘Born in the autumn years of the Habsburg Empire, Robert Musil served His Imperial and Royal Majesty in one bloody continental convulsion and died halfway through the even worse convulsion that followed.’ A Musil piece in Inner Workings, which takes up some material from the earlier essay ...”

“... Frenchmen, men of ‘absolute normality’. The typical Houellebecq hero is a bored, alienated, self-pitying man who is losing his place in society, at work and, worst of all, in the bedroom. In a ruthless, zero-sum sexual marketplace, he loses out to men who are more powerful or more virile. Houellebecq is notorious for his pornographic depictions of sex ...”

“... by periods of falling out and kissing and making up with England, episodes in which national self-interest was always prominent, whether in James’s opportunistic support for Perkin Warbeck against Henry VII in the 1490s or his acquisition of Margaret as Queen in the 1500s. In the run-up to Flodden, James lodged his claim to the English throne should ...”

“... crucial analytic concept after her: the Female Ovation Complex, perhaps. And indeed, why not? As Robert Gottlieb’s concise yet stylish new biography reminds us, the great actress’s sumptuously chequered life would have presented even the most dimwitted Viennese shrink with a veritable orchestra pit of things to quiz her about. Consider, Herr Doktor, some ...”

“... burning issues of our time: tenured radicals, date rape, the aesthetic evolution of Madonna. The self-styled genius and warrior woman seized public attention with her first book, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), a sweeping, Strindbergian analysis of culture as the war of the sexes. But what really made her famous ...”

“... Recession, that ‘we are all Keynesians now.’ If this is so, then Keynes’s great biographer, Robert Skidelsky, should have much to say about the recession, its causes and the appropriate cures. And so indeed he does. I share with Skidelsky the view that, while most of the blame for the crisis should reside with those in the financial markets, who did ...”

“... In the​ cold autumn of 1643 Susan Rodway wrote to ‘my king love’, her husband Robert. A candlemaker by trade, he was away fighting for Parliament and she hadn’t heard much from him, unlike her neighbours in the London parish of St Dunstan-in-the-West who all had news from their husbands. Their daughter, Hester, was just a baby and their young son, Willie, was sick ...”

“... for it. In England, reputed ‘conjurors’ like John Dee, Thomas Hariot, William Warner and Robert Fludd were engaged in important transitional research in such areas as engineering, optics, cartography, pharmacy and metallurgy. They were early technologists, though still working within an animistic, non-scientific context. A formative influence here ...”

“... period confront us from the back wall while in the middle of the floor, humped in silence, is Robert Morris’s big low cage of a steel sculpture of 1967 and to either side whitish paintings by Robert Ryman and Agnes Martin. No self-respecting museum would present a combination which ...”

“... a social one: she was proud of owning Anatole France but was not in the least gratified when Count Robert de Montesquiou, one of the originals of Charlus and a devastating snob himself, made up to her. All such matters had to be modified until they could become part of Proust’s world; and Painter shows how the complication and contingency of real lives were ...”

“... the eldest child in the family. His father was ‘rowdy, quarrelsome, awkward, improvident, busy, self-assertive and too clever by half’, in Urry’s estimate. He appears often in the local records, sometimes in positions of minor responsibility – warden of the Shoemakers’ Company, sidesman at the parish church, constable at Westgate – but more often ...”

“... research terrorist organisations. As he himself puts it, ‘this is an area of lies, deception and self-deception,’ with the inherent and ever-present personal danger of having to ask too many uncomfortable questions of those whose life’s work is to kill people. I recall a comment made by a member of a Loyalist paramilitary group to a journalist friend of ...”