“... will look at the books in the rack with a new respect now that one knows their origins in Henry James and Nietzsche. The principle on which Mills & Boon runs its list is that the imprint is always greater than the author. Over the years, the firm has built up a stable of romancers several of whom (like Jean S. Macleod) have a hundred or more titles to their ...”

“... that anyone could refer to.’ This has been a great and perhaps painful discovery for him. Peter Strawson spoke for the opposite style of thinking when he wrote over thirty years ago in Individuals that ‘the idea of an “exhaustive description” is in fact quite meaningless in general, although sense may be given to it in a particular context of ...”

“... comedy without ever having much fun herself. Rather than a Modesty Blaise in the manner of Sir Peter Lely, a swaggering hedonist from the swinging 1660s, this is an Aphra for the soberly whiggish Nineties. The depressing thing is that Todd is often thoroughly convincing. On Behn’s reputation as a spy, for example, despite the publisher’s promise of ...”

“... But already by the Sixties and Seventies a new presentation of scientific self began to circulate. James Watson radically confessed that his thoughts strayed to ‘popsies’ even while working hard on the structure of DNA; Richard Feynman enjoyed having himself photographed playing the bongos, and, like Kary Mullis, broadcast his enthusiasm for topless ...”

“... reason, it does not allure or corrupt.’ It was partly such self-justifications that provoked James Thomson’s judgment on Bulwer-Lytton in 1874: ‘he was one of the most thorough and hollow humbugs of the age; false and flashy in everything; with pinchbeck poetry, pinchbeck learning, pinchbeck sentiment; stealing whatever good things he could lay his ...”

“... author (George Gilder), a leading radical economist (Tom Weisskopf) and the creator of Jaws (Peter Benchley). About a quarter of us had come to Harvard from one of ten famous boarding schools of the northeast, but about a half had attended public high schools across the country. With its massive endowments supporting extensive scholarships, Harvard had ...”

“... best English version of Pushkin’s poem. The title of his new book comes from a review by Clive James in the London Review of Books†; of both the Pushkin translation and a subsequent book, Poems and Journeys: ‘He is the faithful servant of Empire, who now emerges ... as its last poet.’ Talk about the Last Poet, Johnston’s response to this, is also ...”

“... the end not only of Haydon’s career, but of painting in ‘the tradition of Joshua Reynolds, James Barry and Benjamin West’. How convincing this argument is depends on how we view that ‘tradition’. Of the three artists only West, who found a royal patron with the necessary deep pockets and high ceilings, made a career as a history painter. Reynolds ...”

“... all-powerful poet envisioned by Emerson, who ‘re-attaches things to Nature and the whole’, to Peter Stillman, in Paul Auster’s City of Glass, crazedly attempting to re-create prelapsarian speech. Olson, it is often pointed out, is the first poet to have described himself as ‘Post-Modern’. That was in 1952. Five years before that he published his ...”

“... brutality of a relation brought into the open, unmentionable in that epoch of Brushwood Boys and Peter Pans. Jessie Chambers wrote her own version of events in a novel she called The Rathe Primrose (Milton’s ‘rathe primrose that forsaken dies’) which Frieda found touching and ‘lovable’, while even Lawrence said ‘it wasn’t bad’. This ‘faded ...”

“... of memoranda word by word. The platoon also has a section of biographers, with Robert Rhodes James, of C: A Study in Failure 1900-1939 and Lord Randolph Churchill, here present in a chatty round-up that is mere fluff; Paul Addison, who once worked with Randolph S. on editing the C papers, here useful on C and social reform; the navalist Richard ...”

“... this is precisely the reason they cannot be pineapples. The most they can do is create what Henry James called the ‘air of reality’ of pineapples. In this sense, all realist art is a kind of con trick – a fact that is most obvious when the artist includes details that are redundant to the narrative (the precise tint and curve of a moustache, let us ...”

“... days, having run away from the domestic constrictions of Portsmouth, she had worked as a clerk at Peter Jones, then in the firm’s furniture-painting studio, then as a secretary at the Medici Society, then for MGM as a reader. She used this period, the mid-1930s, as material for the best of her novels outside the trilogies, The Doves of Venus ...”

“... Doyle’s own roll-calls of the SPR’s most droppable names (Alfred Russel Wallace and William James belonged, and Freud was a corresponding member), Daniel Stashower doesn’t discuss the wider impact of the spiritualist subcultures that emerged in the wake of the war that cost Conan Doyle a son and a brother. Like other recent biographies, this one ...”

“... winter of discontent. Still, it was a much better piece than was generally allowed (Clive James and Richard Ingrams making particular fools of themselves) but it wasn’t what viewers had come to expect from me and so was unfamiliar, or too unfamiliar anyway, a little unfamiliarity often an ingredient of success at any rate with critics, as it enables ...”