At the V&A
Nicholas Penny: Donatello, 18 May 2023
“... for niches and may thus be regarded as a sort of high relief. The earlier free-standing marble David with which the exhibition opens is awkward in articulation and not only (though most obviously) in his impossibly flexed wrist, being also unresolved in expression, and with attempted movement impeded by the narrow block. Towards the end of the exhibition ... ”