“... In May 1804, at the age of 18, Benjamin Robert Haydon left his home in Plymouth and set off for London to become a great artist. His mother was distraught, his father furious, but there was no doubt in Haydon’s mind either of his vocation or of his genius. He could have worked in his father’s bookshop and inherited a secure, independent income but he didn’t want to ...”

“... with a powerful sense of historical destiny. John Lydgate’s Troy Book provided the defining self-image for Henry’s regime: the British, like the Romans, were refugees from the ruins of Troy and now, like the Romans, they would conquer an empire. This confident sense of imperial mission faded as victory turned to stalemate, but the classical idiom that ...”

“... are plain-living, selfless and even saintly, while others are envious, untrustworthy and self-seeking. Some anti-egalitarians are greedy, complacent and callous, while others are open-handed, fair-minded and genuinely committed to the well-being of their dependants and subordinates. But that commonplace observation is no help in the quest for a ...”

“... England’s shores. American writers simply did not have the time or energy to spare for all that self-scrutiny and existential doubt, that Eliotian difficulty. There was a job to be done, in that the young nation was still engaged in forging itself – as, indeed, it still is – and novelists saw themselves as the chief chroniclers of that process, in full ...”

“... it seems likely that Orwell needed some symbolic manumission in order to emancipate his writing self. One notes, in support of this, the prominence in the novels of heroes like Gordon Comstock who break with their stultifying families. And it is interesting, in the light of the works reviewed here, that Patricia Highsmith also seems to have been one of ...”

“... She concentrates on 17th-century Holland, where one particular stance – indicating, she thinks, self-possession – almost achieved the ‘status of a national attribute’. A surprisingly large proportion of militia company portraits include one or more figures with an arm pugnaciously akimbo: usually not the commanding officer, who might consider himself ...”

“... 19th-century American palaeontologist Joseph Leidy. Then there are ‘men who knew too much’ (Robert Hooke, Alan Turing, G.K. Chesterton and, predictably, Alfred Hitchcock) and those whose knowledge ‘changed everything’ (Shakespeare, Isaac Newton, James Clerk Maxwell). Everything-knowers are admired, though with qualifications: the ...”

“... to reinvent himself with every press interview) and those of his friend, the conductor and writer Robert Craft, who has passed off much of his own prose as the composer’s, and whose custodianship of the Stravinsky legacy Walsh regards as dubious. Then there is the mystifying role of Russia, where the Stravinsky archives were so long inaccessible, and whose ...”

“... and Hazlitt all this has gone out the window. At their hands the essay becomes an autonomous, a self-justifying genre; it is now literature. That is, it serves no ulterior purposes, performs no public function. Self-justifying means self-regarding. And where Charles Lamb is ...”

“... drinking, working, playing and the sheer ebullience of success, London remained all his life the self-made undergraduate, working his way through the college of manly experience and always ready for further deeds of initiation. His personality is far more sympathetic than Hemingway’s, though he has none of Hemingway’s unerring originality as a ...”

“... Washington the day before Martin Luther King was shot, and arrived in Los Angeles a week after Robert Kennedy’s assassination.’ In spite of these omissions, Sara Maitland has found in her own fiction ‘a pride in the Sixties’, a regret for ‘a period that was culturally significant, an explosion of energy’, which she contrasts with the shameful ...”

“... plotting: since the crime has already been committed (the abduction of Owen Kane, the killing of Robert, the RUC officer), the narratives are internalised – rueful accounts of the lives of good but guilty men. The action is economical, the characters entirely engaging: both novels were made into successful films, full of psychological insights, unravelling ...”

“... reasons’, to create an entire book in a largely seamless approximation of Moat’s tone: self-pitying, self-justifying, sentimental, with strong undercurrents of violence – like one long Geordie country and western song. ‘The aim,’ Hankinson writes in his author’s note, ‘was to stay within Raoul Moat’s ...”

“... there would have been too upsetting.’In The Jews of Vienna in the Age of Franz Joseph (1989), Robert Wistrich argues that for Roth ‘the world of the shtetl re-emerged as the ideal embodiment of a lost intimacy and innocence; the materialist values of the Western Bürgertum (Jewish and Gentile) represented its ...”

“... know that beneath all exteriors lie subterranean streams and caverns where the private, unknowable self contradicts the stated desires and achievements of the visible life. A biography, these days, must be a tale of the unexpected. Wouldn’t modern readers feel cheated to find that Antonia White and A.A. Milne were wise and devoted parents, or that Larkin ...”