“... goes off on its own, creating its own object, a picture of itself rather than a prophecy. The bold self-portrait on the cover of Julian Symons’s excellent selection from Lewis’s work in a sense tells us all we need to know about his manner, which is a kind of distillation of Art Déco – fierce, highly-coloured, angular, ugly, but with a grotesque tactile ...”

“... note either this, or the military carriage, or the regulation side-whiskers, or ‘some amount of self-importance and a certain air of command’, or the manner in which the Marine held his head and swung his cane. As the Holmes saga developed, Conan Doyle came to see that it would be to the advantage of the stories that his readers should be afforded a clear ...”

“... used for desirable ends is certainly an extraordinarily unlikely eventuality and perhaps even a self-contradictory idea. Good nuclear weapons have to be weapons which are feared so deeply and so steadily that there is never a real danger of their being used. But weapons of which there is literally no danger of their being used cannot rationally be feared at ...”

“... you used to cook food or treat frost-bite. The tablets themselves represent another tribute to self-sufficiency. Writing on wood was common enough in the Greco-Roman world. Normally, to judge from the survivals and from the comments of their literary users, the flat surface of the tablet held a shallow central depression, which was filled with wax. Such ...”

“... needless to say, no respectable woman was allowed backstage, where only the entitled male – a self-declared ‘connoisseur’ of women, whether as lecher, or in rare cases, as painter – might tread. These baroque rules explain some painted facts: Degas had the freedom to place his focus anywhere in the theatre, the viewer’s nose and eye one moment ...”

“... disappeared as it has been surrounded and overlaid by successive Chinese visions of the modern. Robert Barnett’s experience of Lhasa does not go back as far as the Dalai Lama’s memory: he first visited in 1987, as a tourist on a not very profound search for enlightenment. He never got to the cave where he had planned a week of meditation. Instead, on ...”

“... depiction of Cameron in The Death of the Heart (1938), make of the characterisation of himself as Robert, the crypto-Nazi spy whose loyalty his lover Stella is gradually forced to question as the story unfolds until, at the end, unmasked, he falls or jumps to his death from the roof of her house? Much of what Bowen put into her letters of what she wanted to ...”

“... In May 1804, at the age of 18, Benjamin Robert Haydon left his home in Plymouth and set off for London to become a great artist. His mother was distraught, his father furious, but there was no doubt in Haydon’s mind either of his vocation or of his genius. He could have worked in his father’s bookshop and inherited a secure, independent income but he didn’t want to ...”

“... adds to a 75-year pile-up of biographies, movies, novels and documentaries. Writers including Robert Penn Warren and Sinclair Lewis (All the King’s Men and It Can’t Happen Here); the directors Robert Rossen, Ken Burns and Stephen Zaillian; and the actors John Goodman and Sean Penn have all grappled with the Kingfish ...”

“... funeral took place before the report came in, and, as the ceremony was ending, a man called Robert Burns – Shirley Ann’s uncle – took out a Beretta and shot the reverend three times in the head. There was no insurance, but Radney was quick to see fresh opportunities. Burns had done what half the town dreamed of doing, and few people wanted to see ...”

“... England’s shores. American writers simply did not have the time or energy to spare for all that self-scrutiny and existential doubt, that Eliotian difficulty. There was a job to be done, in that the young nation was still engaged in forging itself – as, indeed, it still is – and novelists saw themselves as the chief chroniclers of that process, in full ...”

“... with a powerful sense of historical destiny. John Lydgate’s Troy Book provided the defining self-image for Henry’s regime: the British, like the Romans, were refugees from the ruins of Troy and now, like the Romans, they would conquer an empire. This confident sense of imperial mission faded as victory turned to stalemate, but the classical idiom that ...”

“... are plain-living, selfless and even saintly, while others are envious, untrustworthy and self-seeking. Some anti-egalitarians are greedy, complacent and callous, while others are open-handed, fair-minded and genuinely committed to the well-being of their dependants and subordinates. But that commonplace observation is no help in the quest for a ...”

“... is useful to contextualise him. Stephen Calloway does this with deft authority in his essay ‘The Self-Fashioning of an Artist’. It’s in his milieu, the fluid fin-de-siècle of the 1890s, that Nicholson comes into focus as a personality and an artist. With Max Beerbohm, Edwin Lutyens (a close friend who was responsible for Nicholson’s trip to ...”

“... it seems likely that Orwell needed some symbolic manumission in order to emancipate his writing self. One notes, in support of this, the prominence in the novels of heroes like Gordon Comstock who break with their stultifying families. And it is interesting, in the light of the works reviewed here, that Patricia Highsmith also seems to have been one of ...”