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“... beliefs and conservative temperament, and religious and secular, as a congregant of Rev. Jeremiah Wright and a product of Harvard Law School. It wasn’t simply that he had experienced the variety of American life: he embodied it, so that his becoming president would be an act of healing, for the country and for himself. It is striking how often he runs these ...”

“... separated the theatres, one behind the other, on a vast paved piazza. But something there is, as Robert Frost says, that does not like a wall. From any angle, these schemes suggested disguised factories for making some plebeian product – meat pies, perhaps – inexplicably thrusting out of the harbour, the same problem that had inspired the soon to be ...”

“... may fail, but an overlooked one will not succeed. According to the Thomas Theorem popularised by Robert Merton: ‘If men define situations as real, they are real in their consequences.’ David Edgerton’s The Shock of the Old, with its ironic echoes of bestsellers by Robert Hughes and Alvin Toffler, is not an attack on ...”

“... Trakl, and Decline, his pamphlet of 1952, was not reprinted. There was a larger selection by James Wright and Robert Bly in 1961; and Hamburger’s sometime collaborator Christopher Middleton edited another in the much missed Cape Editions in 1968. Yet these did not gain Trakl the attention he deserves. It is odd that an ...”

“... artist Joseph Nash, not the architect John; the authority on Hadrian’s Wall is Robin Birley, not Robert; William III’s historiographer was Thomas Rymer, not Edward; it was in the ruins of the Capitol, not the Colosseum, that Gibbon conceived the idea of the Decline and Fall; and Rothesay is not an island. It would be wrong, however, to allow pedantic ...”

“... Wittgenstein’s famous Tractatus Logico-Philosophicus is written in a style that is austere and sometimes aphoristic. ‘The world is everything that is the case.’ ‘A picture presents a possible situation in logical space.’ ‘A logical picture of facts is a thought.’ ‘We cannot think of anything illogical, for to do so we should have to think illogically ...”

“... is a group photograph of the entire Modern Movement in architecture (the lot, bar Frank Lloyd Wright and Mies van der Rohe), and there’s Jim, modestly in the back row but practically in the middle. The progress (or retreat) of the Modern Movement in architecture from its Thirties role as a revolutionary cadre of the Popular Front to its recent disgrace ...”

“... are chapters on black authors (Ralph Ellison, Zora Neale Hurston, Toni Morrison, James Baldwin, Robert Hayden, Jay Wright) as well as on 12 women writers. Toni Morrison (‘a child of Faulkner’) is given shorter shrift than she deserves and told off for being ideological, but some of these chapters – particularly the ...”

“... in almost as many words, when I got into the fight myself. Another feature of the Congress was [Robert] Oppenheimer, who took me out to dinner and is, I discovered, completely and perhaps even dangerously mad. Paranoid megalomania and sense of divine mission ... [Oppenheimer] turned to Nicholas Nabokoff [sic]... and said the Congress was being run ...”

“... refer to Speier and Lederer. This is where the story of influence becomes tantalising. C. Wright Mills’s White Collar: The American Middle Classes appeared in 1951, making both Mills and the ‘white collar’ cultural news. Mills had studied and collaborated with Hans Gerth, a refugee sociologist at the University of Wisconsin. Gerth taught Mills ...”

“... for constructing such a complex urban environment. He was fortunate to find early masters, Robert Foote and then John Baird, and in all likelihood they introduced the aspiring architect to the ideas that were to transform his art and profession: historicism and comparative architectural history. In the years of Thomson’s apprenticeships in the ...”

“... difficulties. As I was reading these letters I also happened to be reading a fine new study by Robert Norton, The Beautiful Soul: Aesthetic Morality in the 18th Century.* The book traces the history of the concept of moral beauty from Plato and Plotinus, through Shaftesbury and Hutcheson, and into Kant, Schiller and Goethe. Norton explores the way this ...”

“... opens with the appearance on the Spokane reservation of a thin old black man who calls himself Robert Johnson – presumably the great Thirties bluesman, long dead in the world outside Alexei’s fiction. Here he’s in flight from someone called ‘The Gentleman’, with whom he has done a deal that would make him the best guitar-player the world had ever ...”

“... Something was supposed to stick, and stick it did thanks to the assiduous repetitions of Captain Robert Maxwell and his ‘Labour paper’. But the actual money, as Milne shows, cannot have and did not come from Libya. And the timing of its deployment and discovery was so exquisitely calibrated as to require the intervention of someone with knowledge gained ...”

“... underside to their natures. Perelman, who lived entirely off his wit, as scriptwriter, play-wright feuilletoniste, as he liked it to be called (‘a writer of little leaves’), normally appears in his own work as a wide-eyed naive, the easiest of marks to a swarm of fraudulent predators: so it is no surprise to be told in this first biography that he ...”