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“... Everything she says about him has to be taken on trust, since from the evidence of his work (and Patricia Morrisroe’s eye-opening biography) you get a rather different impression: that of a distinctly un-spiritual man, cold, aloof, a manipulative careerist. You might even argue that if or when his images work, it is because they insist not on the joyously ...”

“... make contact with the man who will take him to the man. Where are they to meet? He asks his wife, Patricia Arquette, and she says at the zoo in the script, at the roller-coaster in the film. They meet at the roller-coaster, talk business, take a ride. Slater, who has a shaggy black crew cut, and talks and grins like Jack Nicholson without a mind, is shown ...”

“... Truman Capote, in his letters, made many judgments. He recommended the young and unpublished Patricia Highsmith to Yaddo in 1948. In 1949 he recommended Angus Wilson’s first book to Cecil Beaton. That same year, however, when Arthur Miller won the Pulitzer for Death of a Salesman, he thought the news ‘quite tiresome’. Later in 1949, he described ...”

“... for him when he returned to make a war movie, The Thin Red Line (1998), which he adapted from James Jones’s novel about the Battle of Guadalcanal. A predatory crocodile slides and slowly sinks into green water to the sound of an ominously sustained chord. Then, over images of a jungle, with sunbeams peering through thick foliage, an unidentified voice ...”

“... the duality of a human sensibility’. In her biography of Arbus, first published in 1984, Patricia Bosworth notes ‘the freakishness in normalcy, the normalcy in freakishness’ in it. William Todd Schultz, in his An Emergency in Slow Motion: The Inner Life of Diane Arbus (2011), says that Arbus gave a print of the photograph to her therapist and ...”

“... looking for Irish traditional music as an ingredient of his own musical recreation of [James] Joyce’s work, and when he was told that Joe Heaney was “the king of Irish music”, he pursued him to Norwich, where Joe was on tour, and swept him off to IRCAM’s prestigious base, the Centre Pompidou’.The remote​ west of Ireland, so used to ...”

“... in 1967 of a drastically abbreviated and expurgated edition, incompetently edited by Robert Rhodes James, which was greeted with widespread ridicule and contemptuous comparison with Nicolson. After Coats died in 1990, the diaries passed to Channon’s son, Paul, who died in 2007. Now, with the encouragement of his children, three formidable volumes have ...”

“... the gallery owner Betty Parsons – even the kooky, spooky, more-than-a-little-ropey Patricia Highsmith, a gothic late-life pal, intriguingly, of Murphy’s. It’s true that the polyamorous de Acosta accounted for many, if not most, of the downright sexual conquests here. To read about her star-studded sex life is to be reminded of those ...”