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“... Stephen Spender was a visitor to the city of Hamburg both before the war and after, when he played a part in the work of occupation and recovery. He was well on his way to being the noted ex-communist poet, whose lyricism of the left spoke up in praise of pylons and the landing aeroplane, gliding over the suburbs, ‘more beautiful and soft than any moth ...”

“... the Hardwar of the Hindus, the Mecca of the Muslims, the Golden Temple of the Sikhs’. To be an Oxford man was to enjoy a ‘state of being’ akin to the sublime. He also learned that, of all the Oxford colleges, Balliol was the tops, the cream: it housed young men who would ...”

“... In other words, too good for their own good. No wonder we like them, as Kingsley Amis used to say, though not of course re soccer. On paper, certainly, with their expensive foreign stars, both teams ought to have done better in the Premiership contest, what we used to call the ...”

“... it about Maradona and his drugs, or Escobar’s calamitous own goal? Repeated time and again, as TV clips, on book jackets, or in the collages that decorate World Cup newspaper pieces, such moments are hardly ever moments of straightforward soccer action. Aside from Hurst’s third goal in 1966, or Banks’s save in 1970, I can’...”

“... tongue and wore only leaves. Tentatively named Tasaday after a nearby mountain, they seemed to be exclusively hunter-gatherers who knew nothing of agriculture and used stone tools to dig for wild yams. In keeping with the Edenic simplicity of their long hair and near-nudity, they were credited with having no knowledge ...”

“... and peculiar, essay arguing that Nelson was a great, and a modern, artist. His genius was to revolutionise ‘not the strategy or tactics of sea-warfare, but the very conception of victory itself’. In pursuing a total annihilation of the enemy, Nelson led the attack even at the risk that a contrary breeze would leave his ship isolated in the middle ...”

“... Publishers keep good records because those that don’t go out of business. Backlists and post-mortem copyright dispose them to be historically minded about their dealings. It was only relatively recently, however, that libraries and other storehouses of scholarship first became aware of the cultural, literary, historical and scientific value of the intact publisher’s archive, stretching back, as it might, over centuries and across many fields of intellectual endeavour ...”

“... rugged terrace-time I’d served, at Feethams, White Hart Lane, the Manor Ground. And when it came to the archival stuff, if you could spare the time, well, so could I. ‘Name three of the Spurs’ double side’s reserves,’ I’d say, or: ‘How many of the 1964 West Ham cupwinning team had names beginning with a B?’ Or it would be: ‘Pick an XI in ...”

“... Robert Lowell is not difficult to represent as the mad poet and justified sinner of the Romantic heritage. He is the dual personality who breaks the rules, kicks over the traces: he did this in the course of a series of manic highs which came and went from maturity, if not before, until the end of his life in 1977 at the age of 60 ...”

“... The Politicisation of poetry can sometimes bring back to vivid life the poet’s original outlook and preconceptions: it can also misunderstand them. A poem that comes off, and takes off, does so in terms of its own language, irrespective of ideological impulses and overtones. Time, as Auden observed, Worships language and forgives Everyone by whom it lives ...”

“... The Author’s Empty Purse, published in l968 – with the same quotation that Graham Watson uses to conclude his reminiscences of a lifetime spent in the profession: This is the age of the middleman. He is generally a parasite. He always flourishes. I have been forced to give him some little attention lately in my ...”

“... The titles of Desmond MacCarthy’s books must have seemed to him unassailably offhand – Remnants, Portraits, Experience: titles nicely in tune with his well-known view of himself as a chap who could surely have done better. One of his favourite lines of poetry was Hartley Coleridge’s ‘For I have lost the race I never ran’ and early on in his career he got used to being spoken of as having squandered a great gift ...”

“... a ‘lecturer at a Yorkshire polytechnic’. At first Stephen Highwood is suspicious. He doesn’t expect people to know who he is. His books have long been out of print and are not to be found in public libraries. In surveys of modern literature, his name barely rates a mention. ‘Are ...”

“... sections of this often amusing book offensive. Actually, more than offensive. I think I would want to do something pretty unpleasant to A. Waugh. But what? Go around London ‘whingeing’ about the awfulness of what he’d done to me? No good at all. He would hear about it from one of his ...”

“... could not conceivably support life. The Manx naturalist Edward Forbes coined the word ‘azoic’ to describe this self-evidently lifeless zone. By the 1870s he and other oceanographers were eating their words as improved sampling technology retrieved abundant evidence that, in cheerful defiance of human preconceptions, even the deepest abyss was teeming with ...”