“... myth to interrogate – and how much more so is it for us today. As art historians such as T.J. Clark and Thomas Crow have helped us to see, the great painters of modern life – from Manet to Hamilton – are also its great dialecticians; they are able to celebrate and interrogate it by turns. Hamilton uses the Duchampian phrase ‘ironism of ...”

“... She can go into internal exile, at will and for ever. What’s that going to be like? T.J. Clark wrote recently in New Left Review that ‘the essence of modernity, from the scripture-reading spice merchant to the Harvard iPod banker sweating in the gym, is a new kind of isolate obedient “individual” with technical support to match.’ Difficult to ...”

“... David Runciman, Neal Ascherson, James Butler, T.J. Clark, Jonathan Coe, Sionaidh Douglas-Scott, Daniel Finn, Dawn Foster, Jeremy Harding, Colin Kidd, Ross McKibbin, Philippe Marlière, James Meek, Pankaj Mishra, Jan-Werner Müller, Susan Pedersen, J.G.A. Pocock, Nick Richardson, Nicholas Spice, Wolfgang Streeck, Daniel TrillingDavid RuncimanSo who​ is to blame? Please don’t say the voters: 17,410,742 is an awful lot of people to be wrong on a question of this magnitude ...”

“... Emboldened by the resurgent Marxism and feminism of the 1960s, engaged scholars including T.J. Clark, Thomas Crow, Linda Nochlin and Griselda Pollock asked difficult questions about class, audience, gender and sexuality, questions that were soon rumbling through other fields as well. Yet disruptive though these inquiries were, they mostly continued to ...”

“... of Nouveau Réalisme, the humble materials of Arte Povera, the participatory strategies of Lygia Clark and Hélio Oiticica and the ‘institution-critical’ devices of Marcel Broodthaers and Hans Haacke. But these artists have also transformed the familiar devices of the readymade object, the collaborative project and the installation format. For ...”

“... taste. The dismantling of Greenberg’s authority reached its height during his debate with T.J. Clark at the ‘Modernism and Modernity’ conference. ‘I really do say this with respect,’ Clark said, summarising his objections. ‘You have become a spokesman for a kind of devastating self-satisfaction and ...”

“... of Modern Life, curated by the American art historian Anne Wagner and her British husband T.J. Clark, is the most radical and exciting re-evaluation of a British artist I have ever encountered, and a thrilling display of how paint conveys ideas, time, place, building a self-contained world at once absorbing and convincing in its relation to lived ...”

“... and originality’ the ‘two great proponents of this method in the English-speaking world: T.J. Clark on the theoretical, Francis Haskell on the anecdotal, wing’, but dismisses both as not promising much ‘as far as my interests, or the central problems of the study of art, are concerned’. Both these writers have done much to discourage the sort of ...”

“... The artist’s viewpoint becomes implicit, and too mobile to be figured directly. Following T.J. Clark, Krauss suggests that the ‘abstract parkway landscapes’ that occupied de Kooning in the late 1950s and early 1960s are built on a similar ‘tripartite template’. As soon as it’s understood that the implicit viewpoint is from inside a moving car, it ...”

“... practical impossibility but a moral necessity, an immovable object and an irresistible force. T.J. Clark, in the late Sixties a member of the Situationist International, spoke much later, in 1984, in his book The Painting of Modern Life, of Debord’s ‘chiliastic serenity’; as the Situationists liked to say, ‘the real revolutionary knows how to ...”

“... if there is existential angst lurking in these seemingly serene paintings, the impression, as T.J. Clark put it, is of ‘The Birth of Tragedy redone by Renoir.’ By​ the late 1950s, Rothko found himself a successful artist. Peggy Guggenheim had shown his work and he found a reliable dealer in Sidney Janis. In a division reminiscent of the Jewish ...”

“... sphere’ – although frustratingly, for those who have not been reading Jürgen Habermas or T.J. Clark recently, no one unpacks this last, pregnant phrase. As a touchstone text for such arguments, Guy Debord’s The Society of the Spectacle (1967) emerges, alongside Bürger’s, as another canonical source in 20th-century cultural criticism. It is one of ...”

“... If modernism is our antiquity, as T.J. Clark has claimed, then Barbara Guest was a devout classicist. No American poet – with the exception of John Ashbery – so reverently extended early modernist aesthetics into the second half of the 20th century. As Guest put it in her essay ‘Radical Poetics and Conservative Poetry’, ‘everything we loved, emulated, was attached to the lyric modernism of Baudelaire and Mallarmé’s later writing ...”

“... members were Marxists, had in mind, but such is often ‘the bad dream of Modernism’, as T.J. Clark once termed it. Beware of what you wish, runs one moral of Modernism as seen from the present, because it may come true – in perverse form. And so, to take only the chief example, the old project to reconnect Art and Life, endorsed in different ways by ...”

“... thanks to superior literary artists such as Bryson, Gombrich and Baxandall, not to mention T.J. Clark, the leading proponent of the social-historical approach to art studies that Stafford specifically deplores. Yet in conception, Echo Objects is easily the most exciting demonstration yet of how a neuroaesthetics might shape up. Crucially, this is a ...”