“... he was the one with the camera. ‘Anyone could be in that suit,’ the Guardian’s Jonathan Jones said of the picture of Aldrin. ‘It is a portrait of humanity evolving before our eyes into something new and extraordinary. It’s as if the moon’s surface has overwhelmed Aldrin’s face, or even become it.’ I’m not so sure: I see only Aldrin. That ...”

“... and useful work. The Song Index and Discography in his book are by other people (S.J. Estes and Roger Ford); Shelton himself prefers ersatz social history (‘The year 1960 was after Joe McCarthy, before Eugene McCarthy. After the beats, before the hippies. After the Old Left, before the New Left. After Campbell’s soup, before Andy Warhol …’) or ...”

“... and a humbug he was never quite sure how serious he was intending to be. When the Irish rebel Roger Casement was about to go on trial for the capital crime of high treason for his part in the Easter Rising of 1916, Shaw wrote a speech for him to read out in court in his own defence. The intention was that Casement, as O’Toole writes, ‘would literally ...”

“... from him of his arrangements in Hull – principally the depth of his involvements with Monica Jones and Maeve Brennan, walk-on grotesques as far as Amis was concerned – and can’t have been pleased by hints here and there of Larkin’s reservations about the Amis works and life. In Amis’s correspondence with Conquest, and more covertly in his Memoirs ...”

“... qualities of sense and sensibility the commemoratee would have relished. There is, for instance, Roger Lonsdale, presenting with due flourish a work by the painter and art theorist Jonathan Richardson the elder, and illuminating Richardson’s own little-known life (down to a new birth-year) as well as the career of his young friend Pope. Lonsdale never ...”

“... determined by personal feeling, and the more scholarly accounts of Robert Ackerman and Hugh Lloyd-Jones which located her ‘at the heart’ of the (so-called) Cambridge Ritualists. Reluctant to offer an alternative myth, yet anxious to avoid already trampled ground, Beard instead explores Harrison’s formative years in London, and asks, rather than ...”

“... of Parliament. A decade later, a coterie of young, untried artists including Rossetti, Burne-Jones and Morris set out to adorn the walls of the Oxford Union with similar subjects. But neither Dyce nor the high-spirited youths were qualified to paint in fresco, and the Oxford pictures decayed and disappeared even more rapidly than the ones at ...”

“... bear Iorek Byrnison. Lyra meets him in her journey north when she is trying to rescue her friend Roger from the General Oblation Board. Iorek’s ferocity and unshakeable instinct for what is true makes him morally terrifying in the way truly admirable creatures are: they make you a little afraid because there are no exceptions or exclusions, and you know ...”

“... meet in turn-of-the-century Berlin. Clive, prone to rashness and played with immense energy by Roger Livesey, is a version of Powell. Theo, reserved and considered, represents an idealised alter ego of Pressburger, who gave him the eloquence and insight Clive lacks. Taken prisoner in England during the First World War, Theo returns at the outbreak of the ...”

“... of mental sloth or moral vacuity,’ opined the anonymous author of the Telegraph obituary. Roger Scruton in his memorial service valedictory saw Fuller’s intellectual life as growth towards a maturity into which he had just entered, a movement towards the familiar shape of right thinking. This was not the Peter Fuller I knew and still miss ...”

“... ascendants of modern scientists. Building on the celestial hermeneutics of philosophers such as Roger Bacon, Renaissance magi, Catholic and Protestant alike, believed in the cosmic connectedness of everything from planetary motion to human health. Its imaginative reach was not so different from, say, the unified field theory of particle physicists. A magus ...”

“... practically no one has heard of: ‘The Hymn to Na’ra’yena’, by the Orientalist Sir William Jones; two poems by Robert Merry and William Parsons, members of the ‘Della Cruscan’ school of English expatriates in Florence; and ‘Soliloquy’ by Ann Yearsley, also known as the Bristol Milkwoman. It’s a micro-anthology of marginal materials by four ...”

“... his own achievement of this, Chandler could have cited the murder of the small-time grifter, Harry Jones, in The Big Sleep, as unforgettable on the page as in Elisha Cook Jr’s performance in the movie. As this example suggests, however, noir content is inseparable from noir form. Noir is menace, despair, darkness, violence and death, the dystopian escape ...”

“... Governor George Gipps, portrayed with careful scholarship and a novelist’s empathy by Roger Millis in his monumental Water-loo Creek (1992), arrived in Sydney in 1838 wielding the report of a House of Commons committee chaired by the Quaker anti-slavery campaigner and philanthropist Thomas Fowell Buxton. The report was scathing about the treatment ...”

“... communist. I hadn’t known that this was McChrystal’s idea. He also told his officers to read Roger Trinquier’s Modern Warfare, a French counterinsurgency handbook designed for use in Algeria and famous for its advocacy of torture.McChrystal followed his memoir with three business self-help manuals, published at three-year intervals and copyrighted to ...”