“... her story can be looked at in another way, placed in a literary lineage running back to Dorothy Richardson, Virginia Woolf and Anaïs Nin. In Self-Impression, his remarkable study of Victorian and Edwardian autobiography, Max Saunders discusses the vogue for fake memoirs, a genre he calls ‘autobiografiction’, that is books in which the ‘I’ is an ...”

“... Sequence, he co-founded with Lindsay Anderson and Gavin Lambert. Along with Anderson and Tony Richardson, Reisz aimed to bring a version of auteurism to British film, and they did as much with the documentary movement Free Cinema. In 1959, Reisz directed We Are the Lambeth Boys, and he made his first feature film a year later, Saturday Night and Sunday ...”

“... disappeared as it has been surrounded and overlaid by successive Chinese visions of the modern. Robert Barnett’s experience of Lhasa does not go back as far as the Dalai Lama’s memory: he first visited in 1987, as a tourist on a not very profound search for enlightenment. He never got to the cave where he had planned a week of meditation. Instead, on ...”

“... Self-conscious attempts to record talk only wreck its spontaneity. In Genius in the Drawing-Room Robert Rosenstone’s essay describes the New York salon of Mabel Dodge which ran (if that’s what salons do) from 1912 to 1914 and was ‘the most famous, and no doubt the most interesting salon in American history’. Mabel Dodge liked to assemble celebrities ...”

“... features (as one might use ‘Augustan’ to refer to Swift, Pope or Fielding and not to Defoe, Richardson or Blake) without claiming to force every individual case into a tight and elaborate fit. For him ‘Neo-Classicism’ means the rules codified by Renaissance pedagogues, the Horatian injunction to instruct and to please, and a few other things which ...”

“... He was the great man who was interested in great men. This could also be said of the modern poet Robert Lowell, a man of ‘tumbles and leaps’ and ‘manic crushes’ who was interested in the ‘great Boswell’ (so called by a Lady Lemon in 1792). At one point in the history of his elations and depressions Lowell was heard to speak of a trip to Scotland ...”

“... of petitioners’ threats to burn down this person’s house or shoot that man. In East Yorkshire, Robert Sharp had a stone thrown at him by a female pauper who had been ‘stopped in her pay’. The poor, King insists, were not ‘other’: they belonged. Even after 1800 they ‘remained fellow creatures’ inside a social order that gave them a degree of ...”

“... created a retirement house, the charming sketches for which are elegantly reproduced in Margaret Richardson’s delightful little book. The singlemindedness with which Lutyens sought his élite commissions, and the certainty with which he told his clients what he would give them, explain much of his success in the first phase of his career, in the 1890s and ...”

“... of some of her letters in the 19th century. But the real work of recuperation is the province of Robert Halsband and Isobel Grundy. Montagu now fills a good deal of shelf space in any library. The term ‘romance writings’ used for the present publication is perhaps not altogether happy. What Grundy has found and presents are (with one exception) short ...”

“... It would be hard,’ Robert Frost wrote, ‘to gather biography from poems of mine except as they were all written by the same person, out of the same general region north of Boston, and out of the same books.’ Frost’s biographers, who began their collective labours well before he died, were not to be put off by such a statement, and the early collections of memoirs and reminiscences culminated in Lawrance Thompson’s three-volume biography published between 1966 and 1976 ...”

“... increasingly besieged by female ones. The English novel, forged in the 18th century by men (Defoe, Richardson, Smollett, Fielding, Sterne), was, as he saw it, being taken over by women. There were now probably more women than men writing novels, and there was no doubt that more women than men were reading them. For most of the 1860s, Mrs Henry Wood and ...”

“... reads his poems of the 1830s against more orthodox Tory productions by John Wilson, John Keble and Robert Montgomery, as well as some ‘vapid’ lyrics (the adjective is Tennyson’s) from the popular album collections of the period. Familiar works like ‘The Palace of Art’ and ‘The Lotus Eaters’ (both 1832; revised 1842) appear alongside poems by ...”

“... without them in the 1933 Supplement. This was the decision of the new Supplement’s chief editor, Robert Burchfield. Ogilvie criticises Burchfield, and her book has caused some fuss on account of its supposed allegation that he surreptitiously deleted words of foreign origin from the OED. She contends that by bringing back the tramlines Burchfield was ...”

“... recording their fashionable clothes, pink cheeks and languid arrogance. Some, like the master of Robert Burns’s ‘Twa Dogs’, had set out in a ‘frolic daft’ simply To make a tour an’ tak a whirl To learn bon ton and see the worl’. But the ostensible purpose of the Grand Tour – a term coined in the mid-century – was the completion of a ...”

“... historian’s task, in the very subjects it studies, Venturi’s history could not be more unlike Robert Darnton’s new book. Venturi is interested in how great events were understood by great, or at least highly articulate, minds. Darnton is concerned with apparently insignificant events – not the American Revolution but a slaughter of cats – and in ...”