“... but in Muldoon’s last collection Hay, the colour white functions as a motif of death. One of Louis MacNeice’s best-known poems is about snow and turns up in Muldoon’s poem ‘History’, from Why Brownlee Left. MacNeice’s first undergraduate publication in the Cherwell gave his name as MacPiece, suggestive ...”

“... When he played in a television version of Waiting for Godot in 1961, the problem was identified by Louis MacNeice in a review in the New Statesman: ‘MacGowran’s tragicomic face … is such a natural on the screen that it is unfair to anyone he is playing with.’ Tony Richardson remarked on his talent: ‘Jackie was like a unique instrument – not an ...”

“... for them to clear up the mess. ‘As usual’ I was piously preparing to write but then I read how Louis MacNeice died. He caught a chill down a pothole in Yorkshire while producing a documentary for the BBC and was taken into University College Hospital. He was accustomed at this time to drinking a bottle of whisky a day but being an NHS patient was not ...”

“... work having, as it were, jumped into three-dimensional life on stage. Wright, his erstwhile mentor Louis Sullivan and Mamah Cheney are not much less bohemian than the crew of the Brooklyn household; and the spirit and influence of Middagh Street’s domineering character, Wystan Auden, are everywhere. This applies to the biography of the librettist as well as ...”

“... aftermaths of soft September/Or under blanching mays.’ A year later, reviewing a life of Louis-Napoleon, he drily noted some inexact uses among ‘the daisies and dandelions of contemporary metaphor’: ‘I did not know that a storm could have an aftermath, nor that an aftermath could reach a throne.’ The unforgiving scholar and the poet who ...”