Move like a party
Mendez: George Michael’s Destiny, 5 January 2023
“... him a wind-up gramophone).In 1966, more than 40 per cent of the singles sold in Britain were by Black artists, many of them on Motown Records. Local doo-wop groups were recruited from street corners and sock-hops and given in-house lessons in deportment; it was crucial to present an image of Blackness that could attract a mainstream audience. The ... ”