On Robert Silvers

Andrew O’Hagan: Remembering Robert Silvers, 20 April 2017

“... be done could only be done by you. ‘You may be so far ahead with Goldsmith that this book about Swift would not fit well,’ says the typewritten note in the last book he sent me, ‘but it might be mentioned. Goldsmith and Grub Street, then and now, does seem a subject in need of your comments.’ London was always the place for me, and the London Review ...”

Policy Failure

Jonathan Parry: The Party Paradox, 21 November 2019

The End Is Nigh: British Politics, Power and the Road to the Second World War 
by Robert Crowcroft.
Oxford, 284 pp., £25, May 2019, 978 0 19 882369 8
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“... to spread alarm at what Corbynism beyond Brexit would look like. It’s difficult to see a neat or swift end to this conflict; it’s likely to take more than one election to resolve. If it continues, will Remain – or Rejoin – persist as a potent political identity, or eventually lose traction? Will Labour be able to return politics to ...”

Crossed Palettes

Ronald Paulson, 4 November 1993

Painting for Money: The Visual Arts and the Public Sphere in 18th-Century England 
by David Solkin.
Yale, 312 pp., £40, July 1993, 0 300 05741 5
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“... Dutch conversations. But in the context of English society in the mid-1720s (the society of Pope, Swift and Gay), van Aken’s classical sculptures would have been read as mock-heroic comments on the scene pictured. A Bacchus standing above a tea service, which Solkin reads as admonitory (‘Better drink tea, not strong spirits’), would more likely ...”

The Road to Reading Gaol

Colm Tóibín, 30 November 2017

“... he published Austria, Its Literary, Scientific and Medical Institutions, and in 1849 a book on Jonathan Swift, The Closing Years of Dean Swift’s Life. He was also emerging as a famous doctor, specialising in diseases of the eye and ear, founding the first Eye and Ear Hospital in Dublin. In 1841, he was chosen by ...”

No Foreigners

Jonathan Rée: Derrida’s Hospitality, 10 October 2024

Hospitality, Volume 1 
by Jacques Derrida, edited by Pascale-Anne Brault and Peggy Kamuf, translated by E.S. Burt.
Chicago, 267 pp., £35, November 2024, 978 0 226 82801 5
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Hospitality, Volume 2 
by Jacques Derrida, edited by Pascale-Anne Brault and Peggy Kamuf, translated by Peggy Kamuf.
Chicago, 261 pp., £36, April 2024, 978 0 226 83130 5
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“... me of taking a walk with a friend who will spot a ghost orchid, a heath fritillary and an alpine swift while I am just enjoying a companionable stroll.) He notices references to hospitality all over the place: ghosts, for example, the worst kind of uninvited guest, in Joyce’s Ulysses; hauntings that make homes unhomely (unheimlich) in Freud’s ‘The ...”

Grumpy in October

Jonathan Parry: The Anglo-French Project, 21 April 2022

Entente Imperial: British and French Power in the Age of Empire 
by Edward J. Gillin.
Amberley, 288 pp., £20, February 2022, 978 1 3981 0289 7
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“... cable across the Channel had been Paul Julius Reuter, who saw that profits could be made from the swift communication of information – particularly stock market prices – between the two capitals.In both countries, scientists and commercial men urged the benefits of standardising other sorts of data, arguing that global trade and communication would be ...”

Hazlitteering

John Bayley, 22 March 1990

Hazlitt: A Life. From Winterslow to Frith Street 
by Stanley Jones.
Oxford, 397 pp., £35, October 1989, 0 19 812840 1
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Shakespearean Constitutions: Politics, Theatre, Criticism 1730-1830 
by Jonathan Bate.
Oxford, 234 pp., £27, September 1989, 0 19 811749 3
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“... in Hazlitt’s own outlook and essays. ‘The Example of Hazlitt’ occupies the second part of Jonathan Bate’s book, by far its longest section, and the whole literary atmosphere of Regency London, seen through Hazlitt’s eyes and those of his two critics, is alive with Shakespearean character and quotation, with the wiles of Shylock and the arrogance ...”

A Scene of Furniture

Rosemary Hill: Hogarth, 4 February 1999

Hogarth: A Life and a World 
by Jenny Uglow.
Faber, 794 pp., £14.99, September 1998, 0 571 19376 5
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“... hierarchy of the genres, but it was easier to see what painting should not be than what it should. Jonathan Richardson’s Essay on the Theory of Painting (1715) set off boldly from the notion that the artist must not merely represent nature, only to suggest awkwardly that art should portray what was rarely seen or ‘what never was, or will be in fact, though ...”

Tummy-Talkers

Jonathan Rée: Ventriloquists, 10 May 2001

Dumbstruck: A Cultural History of Ventriloquism 
by Steven Connor.
Oxford, 449 pp., £25, November 2000, 0 19 818433 6
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“... bandit and identify with it as if it were their own; they admire the ‘strong masculine form, the swift yet penetrating glance, and the passion written on the lines of his face’ and they give utterance to the bandit’s feelings as ‘a shadow whose voice is their own’. It was this incitement to vocal proliferation and promiscuous identification that gave ...”

The Cookson Story

Stefan Collini: The British Working Class, 13 December 2001

The Intellectual Life of the British Working Classes 
by Jonathan Rose.
Yale, 534 pp., £29.95, June 2001, 0 300 08886 8
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“... at least the middle of the 20th century. Can there be a proper history of working-class reading? Jonathan Rose believes that there can be, and after five hundred pages, 24 tables and more than 1600 footnotes it’s clear he has a point. His introduction (still more the publisher’s blurb) makes much of the book’s ‘innovative research techniques’, the ...”

Rebel States

Tim Parks: Surrender by Gondola, 1 December 2005

The Siege of Venice 
by Jonathan Keates.
Chatto, 495 pp., £20, September 2005, 0 7011 6637 1
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“... lid was clamped on nationalist aspirations. In 1848 patriotic rebellions broke out all over Italy. Jonathan Keates’s The Siege of Venice examines the longest-lived of the rebel states that came into being. With its broad view of the 1848 experience across Italy and its detailed account of political developments and divisions in Venice through the city’s 18 ...”

At Tate Britain

Tom Crewe: Burne-Jones, 24 January 2019

“... of monotony’ – but that hasn’t stopped reviewers of the Tate show serving up stale critique. Jonathan Jones of the Guardian called Burne-Jones ‘stupid’, while to Waldemar Januszczak of the Sunday Times – ‘send all his hopeless droopers to the gym’ – he is merely ‘ridiculous’. Tim Hilton made better reading in 1970, when he observed in his ...”

Builder Bees

Colin Kidd: Mandeville's Useful Vices, 18 July 2024

Mandeville’s Fable: Pride, Hypocrisy and Sociability 
by Robin Douglass.
Princeton, 249 pp., £30, May 2023, 978 0 691 21917 2
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“... and dissimulate also seems to carry subversive tints of the sort associated with his contemporary Jonathan Swift.The Grumbling Hive provides an allegorical account of a thriving early 18th-century economy, in the form of a colony of heavily anthropomorphised bees. Christian and Stoic moralists recommended virtuous austerity, but Mandeville depicts its ...”

Lost in the Void

Jonathan Littell: In Ciudad Juárez, 7 June 2012

“... defeat of the IRP in 2000, and then the closure of the American border after 9/11, provoked the swift collapse of the agreement. Given that the cartels are better financed, better organised and no doubt better equipped than the state, which is in any case rotten to the core, a return to the way things used to be could seem like the lesser evil, even in the ...”

The Meaninglessness of Meaning

Michael Wood, 9 October 1986

The Grain of the Voice: Interviews 1962-1980 
by Roland Barthes, translated by Linda Coverdale.
Cape, 368 pp., £25, October 1985, 0 224 02302 0
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Writing Degree Zero and Elements of Semiology 
by Roland Barthes, translated by Annette Lavers and Colin Smith.
Cape, 172 pp., £8.95, September 1984, 0 224 02267 9
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The Fashion System 
by Roland Barthes, translated by Matthew Ward and Richard Howard.
Cape, 303 pp., £15, March 1985, 0 224 02984 3
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The Responsibility of Forms: Critical Essays on Music, Art and Representation 
by Roland Barthes, translated by Richard Howard.
Blackwell, 312 pp., £19.50, January 1986, 0 631 14746 2
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The Rustle of Language 
by Roland Barthes, translated by Richard Howard.
Blackwell, 373 pp., £27.50, May 1986, 0 631 14864 7
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A Barthes Reader 
edited by Susan Sontag.
Cape, 495 pp., £15, September 1982, 0 224 02946 0
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Barthes: Selected Writings 
edited by Susan Sontag.
Fontana, 495 pp., £4.95, August 1983, 0 00 636645 7
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Roland Barthes: A Conservative Estimate 
by Philip Thody.
University of Chicago Press, 203 pp., £6.75, February 1984, 0 226 79513 6
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Roland Barthes: Structuralism and After 
by Annette Lavers.
Methuen, 300 pp., £16.95, September 1982, 0 416 72380 2
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Barthes 
by Jonathan Culler.
Fontana, 128 pp., £1.95, February 1983, 0 00 635974 4
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“... pear and reading a book.’ What interested him about Gide? Barthes’s answer might be taken as a swift epitaph on himself, four brief sentences wonderfully afloat on all they don’t say: ‘He was a Protestant. He played the piano. He talked about desire. He wrote.’ An earlier, more militant remark is worth pondering too: ‘between jargon and ...”