“... Vonnegut, as reported in one of these reviews, call the central figure of his novel Galapagos ‘James Wait’ – a name pre-empted long before, and with good reason, by an even better writer? Somebody must know, and I’d have expected Amis would – he himself has played the name game in his fiction – but not a word. Finally, the acknowledgments page ...”

“... very easy after all that arduous tiling. He was writing at a time when such masters as Henry James, Conrad and Ford were agonising a lot about modern technique, but although he seems to have found the business of technique quite interesting – or rather, although he made a few knowing nods in that direction – what he really liked was to get on with ...”

“... by Conrad and Ford Madox Ford, and aware also of the new rules of the game as promulgated by Henry James with his passion for ‘doing’. Bennett greatly admired Conrad, but decided against this kind of ‘doing’. The Old Wives’ Tale (1908) was almost contemporary with Nostromo, which he called ‘the finest novel of this generation’; but his own ...”

“... as ‘a person without an alternative’, the very worst fate that can befall anyone in a Henry James novel, and all he thinks about is his neighbour’s legacy, or more precisely ‘what old Frank would have done with the fruits of his swindle, on the occasion of the rupture that had kept them apart in hate and ...”

“... James Boswell created the ‘Age of Johnson’, rescuing the late 18th century, above all, for the Victorians. The Boswell industry at Yale University has given an ‘Age of Boswell’ to the 20th century. This second volume of the grand Frederick Pottle-Frank Brady biography marks the climax of that long achievement ...”

“... Frank Kermode’s review of the new Gissing biography (page 9) brings to mind a project which I have long thought someone ought to tackle: a fearless update of New Grub Street. The job wouldn’t be too taxing – indeed, in many cases, it would be all too easy to attach contemporary names to Gissing’s sunken literary types: his principled dullards as well as his sleek chancers ...”

“... the word, or the deed, but the face. ‘Darkness was upon the face of the deep,’ runs the King James Version in the second verse of the opening of Genesis. ‘And the Spirit of God moved upon the face of the waters. And God said, Let there be light: and there was light.’ Two uses of ‘face’ in one verse, and a third implied face, surely: God’s ...”

“... the corpses, pal. John Berryman, Dream Song When we first meet him in The Sportswriter (1986), Frank Bascombe is 38 and trying to fend off the ‘dreaminess’ that has afflicted him since Ralph, his first son, died of Reye’s syndrome four years earlier. Now divorced from ‘X’, Ralph’s mother, Frank spends the ...”

“... even lowering the lane outside his house to protect himself from view. It’s a subject that James Moore has made particularly his own, providing the definitive account of Darwin’s fears, phobias and life options in his lynchpin essay in The Darwinian Heritage. The Darwinian Heritage is a richly-detailed volume, daunting in size. It contains 31 ...”

“... the great canvas of the Cold War were already under way in the Balkans in the summer of 1944 when Frank Thompson was executed. Bulgaria was a member of the Axis and Frank, older brother of the historian E.P. Thompson, was on a mission in the country for Special Operations Executive: the idea was that anti-Nazi partisans ...”

“... may be Frozen Desire, but when it thaws out Desire may emerge less lively than one had hoped. James Buchan would agree that it isn’t much use talking to economists about these money mysteries, for they will all tell you different things, with little in common except their unintelligibility. He himself clearly does know a lot about all these matters and ...”

“... is required to do his or her fair share of the work, even though the share isn’t, as Henry James said it should be, ‘quite half’. It consists of two separate narratives, the first fictional, the second autobiographical. Common to both is a preoccupation with the destructive impact of war on ordinary happiness. The first part is a counterfactual ...”

“... D.H. Lawrence; he was for years Conrad’s indispensable prop; he was close to his revered Henry James, though perhaps less close than he thought. He was on companionable terms with Wells, Joyce, Eliot, Wyndham Lewis and the ungrateful Hemingway. Throughout his life he strove to keep up with les jeunes; Lawrence called him ‘everybody’s blessed ...”

“... which is why the early practitioners had such a preference for lightweight literature like the James Bond novels. But it is arguable that a more explicit understanding of what is going on may, in the case of a good reader, make better readings possible. Thus it is with the most perceptive of the French narrative analysts, Gérard Genette. He uses Proust as ...”

“... from Scottish was the creation of a poet, who had claimed to discover an ancient Gaelic epic: James Macpherson, oh yes! he knew of Macpherson! 18th-century literary fraud, so gripped by the idea of an art rooted in folk culture, in local earth, that he invented it. The scandal of Macpherson’s hoax only helped Malvina do what she had long yearned to ...”