At the Villa Medici
Peter Campbell: 17th-Century Religous Paintings, 30 November 2000
“... when a change of surface texture – say, between one fabric and another – must be registered. (David would let this French tradition of brushwork be the vehicle for political rather than religious probity.) This is a very different craft from the more energetic kind which makes surfaces in Rubens’s paintings seem more alive than the hair or fur or flesh ... ”