“... sorry to say, holds her last marijuana party in Episode 8, though not before taking Don to a pre-Bob Dylan-era poetry club, where he has an inane debate with a Beatnik. Whether one finds all of this claustrophobic and ludicrous or tightly wound and compelling depends very heavily on one’s opinion of Don Draper. Draper, as written, is a kind of social ...”

“... Morrison, Cy Twombly, Susan Sontag, Cindy Sherman, Susan Howe, Richard Hell, Clarice Lispector, Bob Dylan and Edie Sedgwick. (Not an exhaustive list – and if it doesn’t cohere, well, the Zelig-like career of an artist like X isn’t meant to.) Not all the references to currently working writers in the footnotes seem worthwhile (Rachel Kaadzi ...”

“... sing ‘Both Sides, Now’. ‘It was the highest quality of songwriting. I liked her better than Dylan.’ Crosby briefly became Mitchell’s inamorato and produced her first album. Leonard Cohen, another influential early lover, helped too. ‘There was a certain ferocity associated with her gift. She was like a storm,’ Cohen said. ‘She was fully ...”

“... spring, Redding played a series of shows at the Whisky a Go Go in Los Angeles. On the first night, Bob Dylan turned up with an advance pressing of ‘Just Like a Woman’, which he hoped Redding would cover. (‘I like it but it’s got too many fuckin’ words,’ Redding said, according to another of his biographers. ‘All these pigtails and bobbytails ...”

“... the new avant garde. After a fallow period, he returned to discovering and promoting talent – Bob Dylan, Aretha Franklin, Bruce Springsteen – but unlike the history of jazz in the Thirties, that of popular music since rock hardly needs to refer to him. The old lefties, out-of-sorts with bebop, concentrated on what for most of them had always been ...”

“... judging them to be ‘unenviable souls of whom it could be said’ – with Bob Dylan – that “when you got nothing you got nothing to lose.”’ This is wildy inadequate, but Miller is right to say that sheer stupidity or insensitivity, as well as material and spiritual destitution, may protect against humiliation. Are there ...”

“... Shine was in Sugar Ray’s bar drinking Seagram’s Seven The Titanic belonged to everyone. Bob Dylan uses it in ‘Desolation Row’, which depicts ‘a rock vision of contemporary apocalypse’: Praise be to Nero’s Neptune The Titanic sails at dawn Everybody’s shouting Which side are you on? It was, of course, a gift for those who saw ...”

“... their performance practice. It is as if we had only the lyrics, without recordings or melodies, of Bob Dylan, Paul Simon and Joan Baez – and those only in indifferent Portuguese translations. Most of their power and all of their subtlety would vanish. For similar reasons, the troubadours have more often been honoured as cultural pioneers than admired as ...”

“... him charming’. He and blues singer John Hammond ‘chatted for a while’. He ‘met’ Bob Dylan. Above all, what you miss from Wyman’s account – that word again – is any pride in, or even positive recognition of, the danger of the Stones at their peak. This is the band that played ‘Stray Cat Blues’ and ‘Midnight Rambler’. Though ...”

“... of snap, crackle and pop, lacing his prose with borrowings from the Beatles, Van Morrison and Bob Dylan. Occasionally this can be a problem. On his return to Bangkok, whose sexual sordidness he describes most vividly, he hunts down Katai to say goodbye, and eventually finds her working in a Thai massage parlour. Nicholl assumes this is a euphemism ...”

“... era of collage in all sorts of media: not just Robert Rauschenberg, but also John Ashbery and Bob Dylan. For Barthelme, it wasn’t simply a matter of playing with found forms or language. That was ‘cheapo surrealism’. Instead his stories explore situations (‘The Party’, ‘Brain Damage’, ‘City Life’) that are experienced as collage. In ...”

“... New York State, where he was hanging out at the time. Van Morrison was living in the vicinity, Bob Dylan too. Lang approached two wealthy young entrepreneurs to fund the studio project, and one of them, Joel Rosenman, suggested it might make more sense to put money into a live event. Woodstock Ventures was duly constituted and the team set to work on ...”

“... she never really altered, beyond darkening her hair and wearing heavier versions of beatnik black. Bob Dylan steered her away from torch songs, Jim Morrison told her to learn an instrument and write her own songs, and Ornette Coleman helped her to find her way of playing the harmonium.Her relationships with a series of rock stars are the subject of ...”

“... night winds are still there, are reliable, are what you have in the end. ‘Wanted Man’, which Bob Dylan wrote in 1969, is a boastful list of all the places a criminal is wanted, a recitation that includes Albuquerque and Tallahassee and Baton Rouge and Buffalo, ‘but there’s one place I’m not wanted/Lord, it’s the place that I call ...”

“... easier, in fact,’ notes Katie, ‘to write down the people in world history that they both like: Bob Dylan (although not recently), Graham Greene, Quentin Tarantino and Tony Hancock.’ Andrew and David, it has to be said, would probably count Nick Hornby somewhere between Martin Amis and Jeffrey Archer. How to Be Good is uneven. Compared to ...”