Upstaging
Paul Driver, 19 August 1993
“... cannot be sung. His operatic approach is, however, at the opposite pole to that of, say, the poet Anne Ridler, who meticulously produces ‘singing’ (syllabically integral) versions of Monteverdi’s stage works, and leaves her own artistic preoccupations to one side. The clarification of literary means effected by Muldoon, apparently on behalf of opera, is ... ”