“... When Allen Ginsberg’s Beat vision-quest came through England in the spring of 1965, I was appointed by this famous renegade minstrel to set down his legend for the Paris Review. Ginsberg’s last words in our interview came in response to an inquiry about the role of command in the compositional process ...”

“... Olson, those of the 1970s reflect frequent parties with famous hosts and guests, none more so than Allen Ginsberg, repeatedly named. It’s no surprise to discover, in A Day Book (1970-72), a poem entitled ‘On Acid’, nor to discover within it a mantra: ‘End, end, end, end, end, end.’ Creeley called one of his first minimal poems, ‘A ...”

“... contributions from a number of the leaders of the country’s emerging counter-culture, including Allen Ginsberg, Jack Kerouac, LeRoi Jones and Robert Creeley. It also ran a selection of the early work of a maverick graduate student in English at the University of Tulsa, Ted Berrigan. Berrigan was soon accompanying Brainard and his fellow editors, the ...”

“... reverence for the anthroposophy of Rudolf Steiner, Bellow achieved a startling resemblance to Allen Ginsberg prostrate before Tibetan lamas. Indeed, the most intriguing revelation in Mendelson’s book is how often his ‘moral agents’ turned from secular temptations of wealth, fame and sex to religious consolations and interpretations. Auden’s ...”

“... associated with the regime. Warhol was more dispassionate, ignoring petitions by Kate Millett and Allen Ginsberg urging him to abandon his commissions from Tehran. In 1976 he had agreed to do a cover of Carter for the New York Times magazine (‘It’ll get the art world intellectuals and the liberals in the press off our backs about this Iran ...”

“... of Liberation for the Demystification of Violence at the Roundhouse. His sobering report had Allen Ginsberg and R.D. Laing, Trocchi, Michael X, and other disparate luminaries of the International Times devouring every word. We wanted to hear the worst, the spidery voice of doom: the prophetic voice of the Ancient of Days, Blake’s voice ...”

“... that the most consequential mescaline trip of the 1960s was taken not by Hunter S. Thompson, Allen Ginsberg or Carlos Castaneda, but by the biochemist Alexander Shulgin. Administered by a psychologist friend in 1960, it ‘unquestionably confirmed the entire direction of my life’, Shulgin wrote. He went on to rediscover MDMA (Merck had patented ...”

“... elements and internal affairs, gave way before wit and music and understatement – just as if Allen Ginsberg had fulfilled his dream of levitating the Pentagon. To the extent that 68 metamorphosed into 89, then, it carried its point. But no date will ever mark history’s high tide.In a work-camp of enthusiasts which I attended in Cuba that ...”

“... attraction and repulsion, he engages with sex ’n’ drugs ’n’ rock ’n’ roll ’n’ Allen Ginsberg. His special interest seems to be the events in France. Sitting in the Black Dwarf office, striving to keep up with the worldwide insurrections and improvisations, I was less captivated than my colleagues by the news of the French students. I ...”

“... chaotic) Dialectics of Liberation Congress of July 1967, at which Herbert Marcuse, Paul Goodman, Allen Ginsberg and Stokely Carmichael were brought together not by a university or a political party but by a group of dissident psychiatrists living in a commune in London’s East End. The role of R.D. Laing’s anti-psychiatry movement in laying the ...”

“... for the first time the work of the later William Carlos Williams, Basil Bunting, Robert Duncan, Allen Ginsberg, Louis Zukofsky, Robert Creeley, Charles Olson and others. ‘I’d never seen poetry used as these people were, in their various ways, using it,’ Fisher remembered, ‘nor had I seen it treated as so vital an activity. These people were ...”

“... In​ the Beat constellation, Allen Ginsberg’s star now shines more brightly than the rest. True, Jack Kerouac and William Burroughs glowed on in the aftermath of On the Road (1957) and Naked Lunch (1959); Brion Gysin, inventor of the cut-up technique, is still visible on a clear night. But the beautiful Lucien Carr, an Alain Delon lookalike drawn into the Beat circle by a smitten scoutmaster who stalked him across America until Carr pulled out a knife and killed him in New York, no longer emits much light ...”

“... movement. Others invoked William Blake and Rimbaud (‘the disordering of all the senses’), Allen Ginsberg and the scary William Burroughs. All exchanged their expertise freely as they strode the fields of cool together; they were mostly kind to younger students and I admired them. I was starting to like my Jimi Hendrix album after all: my ...”

“... of pulp, rumours of mass-market readership, have elected Moorcock as their King of the May (like Allen Ginsberg in dark ages Prague). A Prince of Thieves. It’s a courtesy title: see Moorcock, in the publicity shot for the collection britpulp!, on his throne under the railway arches, a scarfed and hatted Fagin surrounded by smooth-cheeked, bare-headed ...”

“... Disasters of the Peace. A season that had seen the deaths of the Beat Generation visionaries, Allen Ginsberg and William Burroughs, the folding-in, through reminiscence, of troubled minds, now delivered an icon that provoked a week of subdued hysteria. The extinction of a century that seemed increasingly self-conscious, feeding on its own ...”