Looking Up

Donald Davie, 15 July 1982

The Passages of Joy 
by Thom Gunn.
Faber, 93 pp., £4, June 1982, 0 571 11867 4
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The Occasions of Poetry 
by Thom Gunn.
Faber, 188 pp., £6.95, June 1982, 0 571 11733 3
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... is impressive, all the more because it’s clear that he’s naturally a reticent man who dislikes self-exposure. And inside the intelligentsia it may well be that these are no longer minority opinions. But in the population at large surely they are. Certainly in Ben Jonson’s England such a secular experimental attitude to ethics was virtually unknown. This ...

Football Mad

Martin Amis, 3 December 1981

The Soccer Tribe 
by Desmond Morris.
Cape, 320 pp., £12.50, September 1981, 9780224019354
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... circle, resembled a grimacing Magwitch by half-time. Paul Mariner, a picture of pampered, hammy self-love at club level, reminded me, as he trudged from the park, of the standard, traumatically chinless mod who puts in depressingly regular appearances at South Coast magistrates’ courts after Bank Holiday weekends. Trevor Francis, usually the identikit ...

Kenya’s Dissident

Victoria Brittain, 3 June 1982

Devil on the Cross 
by Ngugi wa Thiongo.
Heinemann, 224 pp., £7.50, June 1982, 0 435 90200 8
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Detained: A Writer’s Prison Diary 
by Ngugi wa Thiongo.
Heinemann, 232 pp., £7.50, June 1981, 9780435906504
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Writers in Politics 
by Ngugi wa Thiongo.
Heinemann, 320 pp., £6.95, June 1981, 0 435 91752 8
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Ake: The Years of Childhood 
by Wole Soyinka.
Rex Collings, 230 pp., £7.50, August 1981, 0 86036 155 1
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... For a village known for drunken brawls, it was a remarkable achievement of our collective self-discipline. He goes on to describe how the theatre was built and ‘a torrent of talents hitherto unsuspected even by the owners’ unleashed. Ngugi himself ‘had the role of messenger and a porter, running errands here and there. For myself I learnt a ...

Rowlandsonian

John Brewer, 5 August 1982

English Society in the Eighteenth Century 
by Roy Porter.
Allen Lane/Pelican, 424 pp., £12.50, April 1982, 0 7139 1417 3
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... response to such criticism is implicit in his condemnation of much dissident rhetoric as ‘self-serving’ and in his dismissal of criticism as ‘within the existing scheme of government’. Opponents of the ‘great proprietors’, he argues, whether they were disgruntled politicians or angry and rioting members of the labouring poor, offered no ...

Woman in Love

Marghanita Laski, 1 April 1983

... live in (if sometimes suspecting the right verb might be ‘wallow in’) this intensely feminine, self-concentrated, despairing world of the heart which has welled up from one super-sensitive unconscious: a world in which the only events that can possibly matter are those which affect a woman in her relationships of love. But there are other more robust ...

Flattery

Peter Burke, 16 September 1982

Le Roi-Machine: Spectacle et Politique au Temps de Louis XIV 
by Jean-Marie Apostolidès.
Les Editions de Minuit, 164 pp., £4.50
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Le Portrait du Roi 
by Louis Marin.
Les Editions de Minuit, 300 pp., £5.60
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... tension in Racine (or Boileau) between loyalty and independence, the strategies of criticism or self-defence as well as the strategies of praise. Such an approach would free him from the danger of reductionism. There remains the criticism that the very notion of ‘strategy’, like those of ‘manipulation’ or ‘mystification’, is anachronistic. I ...

God in Heaven send us peace

Peter Burke, 18 April 1985

The Thirty Years’ War 
by Geoffrey Parker.
Routledge, 340 pp., £20, January 1985, 0 7100 9788 3
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... the one writer who is in the same class as C.V. Wedgwood, is not quite his usual epigrammatic self on this occasion. Although the book is always clear and often vigorous, I can’t help missing Wedgwood’s imaginative power, her ability to move the reader, her sense of ...

Napoleon’s Near Miss

Linda Colley, 18 April 1985

Napoleon: The Myth of the Saviour 
by Jean Tulard, translated by Teresa Waugh.
Weidenfeld, 470 pp., £14.95, June 1984, 0 297 78439 0
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Alexis: Tsar of All the Russias 
by Philip Longworth.
Secker, 319 pp., £15, June 1984, 0 436 25688 6
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... an integrated landed élite was to be kept happy in its perks and preferably tied to the state by self-interest. So even without winter and Tchaikovsky, it would have been hard for Napoleon in 1812 to have conquered this sort of state machine. There was no strong Russian middle class to identify with him; the serfs had been instructed to regard him as ...

Paralysing posterity

Dan Jacobson, 20 June 1985

Byron and Greek Love: Homophobia in 19th-Century England 
by Louis Crompton.
Faber, 419 pp., £17.50, May 1985, 0 571 13597 8
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... and that there are specifiable ‘occasions of guilt’ which account for the self-torments he went through. How much Byron himself wanted this to be the case his narrative poems reveal plainly enough: they reveal also just how much he wanted to believe, and wanted others to believe, that he was both the possessor of and possessed by a ...

Diary

Fiona Pitt-Kethley: Extras, 20 June 1985

... Poetry should be worked at every day and thought about constantly. I learnt that kind of creative self-discipline at Art School and that’s something I’ll always be grateful for. I feel uneasy as I write these things, though. I also remember all the talking I did there. How I became good at providing pat and horribly pseud statements about my ...

The Other Half

Robert Melville, 4 July 1985

Kenneth Clark: A Biography 
by Meryle Secrest.
Weidenfeld, 310 pp., £12.95, September 1984, 9780297783985
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... when he was in his early twenties that showed signs of ‘callous insensitiveness’. He was a self-loather on principle; it did not reduce his sense of superiority. Ms Secrest says that her biography of Clark is not ‘authorised’, which means that he never gave her written permission to quote directly from his letters and diaries. If she had been ...

Mistrial

Michael Davie, 6 June 1985

The Airman and the Carpenter: The Lindbergh Case and the Framing of Richard Hauptmann 
by Ludovic Kennedy.
Collins, 438 pp., £12.95, April 1985, 0 00 217060 4
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... Fifty years on, the witnesses they produced to support their case seem comically inadequate: a self-important windbag named Dr John F. Condon, who agreed to testify against Hauptmann only after the police had threatened to charge him with complicity in the kidnapping; a down-and-out hillbilly who was paid to say he had seen Hauptmann near the Lindbergh ...

Diary

Geoffrey Hawthorn: Two Koreas, 20 November 1986

... policemen stand facing the red terror in raunchy rows, automatic rifles on one hip, expensive self-focusing Minoltas on the other. There was no violation to snap on the day I paid my visit. Just one bedraggled North Korean guard – Vera had been politically indifferent – to whom we were asked not to wave, or shake a fist, in case he should be able to ...

Life Spans

Denton Fox, 6 November 1986

The Ages of Man: A Study in Medieval Writing and Thought 
by J.A. Burrow.
Oxford, 211 pp., £19.50, May 1986, 0 19 811188 6
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... that no analogy between a natural cycle and man’s life is very satisfactory, since man, in his self-consciousness, is all too aware that, for him, the cycle will not start again. All of the great commonplaces on this subject, from ‘As the generations of leaves, so are the generations of men’ to ‘Where have all the flowers gone?’, depend for their ...

Late Picasso

Nicholas Penny, 20 November 1986

Je suis le Cahier: The Sketchbooks of Picasso 
edited by Arnold Glimcher and Marc Glimcher.
Thames and Hudson, 349 pp., £36, September 1986, 0 500 23461 2
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The Musèe Picasso, Paris: Catalogue of the Collections. Paintings, Papiers Collés, Picture Reliefs, Sculptures, Ceramics 
by Marie-Laure Besnard-Bernadac, Michéle Richet and Hélène Seckel.
Thames and Hudson, 315 pp., £25, October 1986, 0 500 23461 2
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Degas: The Complete Etchings, Lithographs and Monotypes 
by Jean Adhémar and Françoise Cachin.
Thames and Hudson, 290 pp., £25, October 1986, 0 500 09114 5
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... strike us as being akin to a diary of Picasso’s imaginary life, with all the vividness, and the self-indulgence, that might suggest. The ‘347 Series’, as it has come to be known, is surely also the most impressive achievement of the artist’s late period. The prints have none of the solemn lyricism which is so remarkable in the Vollard Suite, but they ...