At the National Portrait Gallery
Peter Campbell: Thomas Lawrence, 6 January 2011
“... accounts given by sitters, to have started with a detailed drawing on the canvas in black chalk. Lady Elizabeth Leveson-Gower thought it ‘almost a sin’ to see it disappear below the paint. He was self-taught and it was drawing, not painting, that brought the child prodigy to the attention of his father’s patrons in the Black Bear, a coaching inn on the ... ”