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“... cultural ascendancy was beginning. These artists – George Luks, Everett Shinn, William Glackens, John Sloan and George Bellows – had all (Bellows apart) started out in the 1890s as newspaper sketch-artists in Philadelphia. Drawn together by the magnetic preaching of Robert Henri, a slightly older painter who had returned from art school in Paris to his ...”

“... back the roller-skate: the bad state of the roads. The first hobby-horse riders chose to use the foot pavements, thus sparking the sort of ‘pavement rage’ which increasingly has its outbursts today. At least the riders of the high bicycle, or ‘penny-farthing’, knew better than to ride their towering contraptions through the closely-packed ranks of ...”

“... auxiliary volunteer militias. Between them, Harry Evans and Tina Brown raised whole regiments of foot, horse and guns; flooding the bookstores and news-stands with the reassuring visage of the hero of Panama and Vietnam. Not to say an unfeeling thing, but if there were already any symptoms of palsy in the national cerebellum, they were very much intensified ...”

“... And even the best of our teachers could be seen gripping the floor strenuously with the supporting foot, which seemed to me to be cheating. The next and final phase in this unwitting crash-course in the history of modern dance technique was Release, which emerged from the experiments in natural movement made by dancers who rebelled (from Cunningham mostly) in ...”

“... I don’t think they flow from his religious commitment. In giving his own interpretation of John Paul II’s encyclical ‘Faith and Reason’, MacIntyre says: It is characteristic of human beings that, whatever our culture, we desire to know and to understand, that we cannot but set ourselves the achievement of truth as a goal. And among the truths to ...”

“... the USPS, Lennon picks up the low hum of the invisible republic. Like the eavesdropping couple in John Cheever’s ‘The Enormous Radio’, Mailman is a psychic receiver for the secrets of those around him. His precious archive of photocopied mail, built up over many years of invading his customers’ privacy, is the main reason for his emotional attachment ...”

“... sleepy American suburbs, writing divorce scenes symbolised by the very slow washing of dishes. Had John Updike been African, he would have won the Nobel Prize twenty years ago. I feel sure that his material hobbled him. Shillington, Pennsylvania simply did not measure up to his extravagant gifts. The absolute distinction made here between a writer and the ...”

“... out into the green and pleasant suburbs. All of this changed over the following two decades.As John Davis points out, the idea that London started to ‘swing’ in the 1960s was largely the concoction of journalists in need of a story, most of them American. But in Soho and on the King’s Road in Chelsea, ideas were taking shape that would eventually ...”

“... and passionate studies of economy, politics and culture by social historians as intelligent as John McEwen, John Foster and Ian Carter, writers as good as John McGrath and Tom Nairn, politicians as energetic as Robin Cook and Jim Sillars. To write for it felt like good militant fun (I ...”

“... of Sir William Loraine. Brown’s father had been Loraine’s land agent and his elder brother John became the estate surveyor. Brown’s father died when Lancelot was only four, but means had been found to keep him at school until he was 16, possibly with the help of the Loraines, after which he went as an apprentice to the head gardener at Kirkharle. It ...”

“... the man whom he succeeds’. His decision to travel to Dublin shortly after his election to meet John Bruton reinforced the view that he was a Unionist of the new school. He has ‘briskly proved himself a true moderniser’, a Guardian leader concluded warmly. ‘The Molyneaux culture will seem extraordinarily remote and anachronistic.’ Word was ...”

“... be equally true of its paraphrasable content.’ Taking issue with a recent editor of the Sonnets, John Kerrigan, she points to his lack of interest in the linguistic variation in sonnet 129, and says he takes ‘a single-minded expository view of the poem, as though it were a self-consistent sermon’. For Vendler, the verbal imagination’s true intent is ...”

“... memoranda rolls on which I spent most of my time were long, thin swatches of parchment about five foot in length and written on both sides. To turn the page required the co-operation and forbearance of most of the other readers at the table, so it would sometimes look like the Mad Hatter’s Tea Party struggling to put up wallpaper when all I was doing was ...”

“... or symbolic properties, metaphysical sensations: ‘Soft./Slight./Like light, like a child’s foot talcum-dusted and kissed, like stroke-reversing suede, like dust, like pins and needles, like a promise, like a curse, like seeds, like everything grained, plaited, linked or numbered, like everything nature-made and violent and quiet./It is all completely ...”

“... and then, producing a shoehorn from her bosom, addressed Fyodor’s large, shy, poorly darned foot. Miraculously the foot entered, but having done so, went completely blind: the wiggling of toes inside had no effect on the exterior smoothness of the taut black leather. With phenomenal speed the salesgirl tied the lace ...”