“... the film he was talking about. It is hardly surprising that Chaplin’s life has been surrounded by myth – and the mistakes and misunderstandings have been perpetuated in one book after another. It makes one ashamed to be a film historian. But film history has recently been given an injection of seriousness. It has been ...”

“... audiences on both sides of the Atlantic. Dressed in a carefully chosen series of gowns – by Deirdre David’s report, the wardrobe consisted of black or red velvet for the tragedies, white or pastel satin for the comedies, and dark green or blue brocade for the history plays – and with no props other than a large ...”

“... the first) say on how one appears. That’s the gossip’s privilege, and damnable as it might be, it can’t be much worse than the opposite, where everybody gets to be his own oily publicity machine. Not many writers have the gift of seeing themselves as others see them, and ...”

“... Velásquez’s Rokeby Venus in the National Gallery? Looking at her face in a mirror held for her by Cupid. Or so it seems to me; also to every visitor to the Gallery whose opinion I have sought, and to the mid-17th-century compiler of the inventory of paintings belonging to the picture’s first owner, Don Gaspar Méndez de Haro y Guzmán. But in recent ...”

“... Be modern – worship food,’ exhorts the cover of The Official Foodie Handbook. One of the ironies resulting from the North/South dichotomy of our planet is the appearance of this odd little book, a vade mecum to a widespread and unashamed cult of conspicuous gluttony in the advanced industrialised countries, at just the time when Ethiopia is struck by a widely publicised famine, and the rest of Africa is suffering a less widely publicised one ...”

“... think that they could get a good picture of my life from these pages; but it is not so.’ David Newsome, invited and challenged, has entered the labyrinth, drawing the rest of us with him into an implacable game initiated by the diarist. The mirrors and images multiply, with Newsome, the reviewer and the reader ...”

“... Adjustment, no matter how comfortable it appears to be, is never freedom.’ David Reisman said that in The Lonely Crowd, a work of academic/pop sociology, published in the US in the late Forties; much read and remarked on at the time, and now forgotten. I looked it up the other day when I was due to say something at the South Bank Centre in connection with the Cities on the Move exhibition at the Hayward ...”

“... Eighty-six people died in the Waco siege in April, including the ‘prophet’ David Koresh and 17 children fathered by him. David Leppard, a crime reporter with the Sunday Times Insight team who covered the Waco story, describes well and knowledgeably the appalling build-up of weapons in the compound of the Branch Davidians’ ranch and the information and assumptions that led the two law enforcement agencies involved – the Bureau of Alcohol, Tobacco and Firearms (ATF) and the FBI – to make a series of disastrous errors ...”

“... came naturally to Boswell, less naturally but effectively in the sentences of Adam Smith and David Hume, but at the cost of the reservation of the Scottish tongue for casual, domestic or low-life use. Yet, as Daiches reminds us, with an exceptionally happy choice of quotations, the literary endeavours of the upper class were accompanied ...”

“... Republic a permanent achievement of its rival. Marx, as so often, united opposed traditions by agreeing with the realists that politics has hitherto been little more than the substitution of class oppression for overt war, while announcing the imminent arrival of the freedom, justice and self-fulfilment preached ...”

“... Ican list​ a hundred things David Foster Wallace should have written before he wrote a book about tax accountants. One, and the most obvious, is a novel about Irish dancers on tour with a Michael Flatley figure whose influence grows more sinister over time. Pounds of verbal oil will be poured into his perm; his bulge will almost rupture his trousers ...”

“... of describing some of the difficulties Gillian Flynn had in adapting her slick novel Gone Girl for David Fincher’s film of the same name. The novel alternates between two stories, a husband’s and a wife’s. Neither is entirely telling the truth, but both are telling us plenty, and novels love this kind of game. The film begins and ends with the ...”

“... the force but he isn’t. They hear a noise and move down a corridor. Both are holding guns. To be precise, they don’t move, they stand still, their guns pointed at us, and the corridor seems to recede behind them. Then we see the source of the noise: a very tall cross burning outside, with eight or ten masked and hooded figures standing round it holding ...”

“... The main problem for David Nokes or for any other biographer of Swift is that the agenda has already been prescribed. Within a few years of Swift’s death in 1745, questions were raised which are still the standard issues. What kind of man wrote the fourth Voyage of Gulliver’s Travels? Did his imagination give him away? ‘In painting Yahoos he becomes one himself,’ according to the Earl of Orrery’s Remarks on the Life and Writings of Dr Jonathan Swift (1752 ...”

“... child growing up in Brooklyn and the Lower East Side a few years before the First World War. David Schearl, the protagonist, lives in terror of his father, an implacably resentful man called Albert, who boils with rage every evening while recounting real or imagined workplace slights: ‘They look at me crookedly, with mockery in their eyes! How much can ...”