Keep talking

Julian Loose, 26 March 1992

Vox 
by Nicholson Baker.
Granta, 172 pp., £14.99, March 1992, 0 14 014232 0
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... Vox is also profoundly erotic. For Baker, an author fantastically alert to ‘the whole problem of self-repetition and self-influence’, both form and content are a departure. His three previous books had approached ever nearer to autobiography, as though taking literally Nabokov’s dictum that writing is ‘a gradually ...

Kooked

Mark Ford, 10 March 1994

Selected Poems 
by Charles Olson, edited by Robert Creeley.
California, 225 pp., $25, December 1993, 0 520 07528 5
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Selected Poems 
by Robert Duncan, edited by Robert Bertholf.
Carcanet, 147 pp., £9.95, October 1993, 1 85754 038 7
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... poetics. The Maximus Poems can he read as a massive attempt to heal what Olson saw as the fatal self-contradiction that fissures The Cantos: how, Olson ponders, could Pound be ‘in language and form as forward, as much the revolutionist as Lenin’, while in political, social and economic matters he was ‘as retrogressive as the Czar’? Olson’s own ...

Really Good at Killing

Thomas Nagel: The Ethics of Drones, 3 March 2016

Objective Troy: A Terrorist, a President and the Rise of the Drone 
by Scott Shane.
Bantam, 416 pp., £20, September 2015, 978 0 8041 4029 4
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... Pacifists​ are rare. Most people believe that lethal violence may be used in self-defence, or the defence of others, against potentially lethal threats. Military action is justified by a collective institutional version of this basic human right, which sets an outer limit on the right to life. Lethal aggressors who cannot be stopped by lesser means are liable to lethal attack, and this does not violate their right to life so long as they remain a threat ...

Diary

John Lanchester: Unbelievable Blair, 10 July 2003

... in power. We prefer oppositional politics; we would rather ‘speak truth to power’ (as we self-praisingly call it; am I the only person whom that phrase nauseates?) than exercise it. We are always against force; we are always quick to denounce a compromise, declare a sell-out, announce an apostasy. At the bottom of this there is, I think, the fact ...

Kettles boil, classes struggle

Terry Eagleton: Lukács recants, 20 February 2003

A Defence of ‘History and Class Consciousness’: Tailism and the Dialectic 
by Georg Lukács, translated by Esther Leslie.
Verso, 182 pp., £10, June 2002, 1 85984 370 0
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... in particular; it is also that to bow our minds submissively to the actual requires a humility and self-effacement which the clamorous ego finds hard to stomach. It is an unglamorous business, distasteful to the fantasising, chronically self-deceiving human mind. Seeing things for what they are is, in the end, possible only ...

Pork Chops and Pineapples

Terry Eagleton: The Realism of Erich Auerbach, 23 October 2003

Mimesis: The Representation of Reality in Western Literature 
by Erich Auerbach.
Princeton, 579 pp., £13.95, May 2003, 9780691113364
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... a little shaky. Besides, representationalism has its limits. If the source of representing is the self, it is doubtful whether the self can be captured within its own view of the world, any more than the eye can be an object in its own field of vision. In picturing the world, the ...

Diary

Iain Bamforth: Bodyworlds, 19 October 2000

... meaningful cosmos, and the very idea that it could incarnate the divine comes to seem self-evidently absurd. Not that anything in human affairs is ever self-evident. Ceroplasty and the vascular injection of fixatives and dyes remained mainstays for teaching anatomical structure into the 20th century. There is ...

After the Meteor Strike

Amia Srinivasan: Death, 25 September 2014

Death and the Afterlife 
by Samuel Scheffler.
Oxford, 210 pp., £19.99, November 2013, 978 0 19 998250 9
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... isn’t, properly speaking, something that happens to us. It is, rather, the nullification of the self as experiencing subject. How then can death be a bad thing for the person who dies? What is there to be afraid of? We tend to speak of ‘the fear of death’ as if it were a single particular thing, but that is to obscure the diverse terrors death ...

w00t

Christopher Tayler: The Fabulous Elif Batuman, 17 February 2011

The Possessed: Adventures with Russian Books and the People Who Read Them 
by Elif Batuman.
Granta, 296 pp., £16.99, April 2011, 978 1 84708 313 5
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... Literature (1910); ‘there is also something unbridled, a spirit which breaks all bounds of self-control and runs riot; and there is also a stubborn element, a tough obstinacy.’ According to William Lyon Phelps, of Yale, in his Essays on Russian Novelists (1911), ‘your true Russian’ is notable for humility, love of theory, paralysis of the ...

High Anxiety

Julian Barnes: Fantin-Latour, 11 April 2013

Fellow Men: Fantin-Latour and the Problem of the Group in 19th-Century French Painting 
by Bridget Alsdorf.
Princeton, 333 pp., £30.95, November 2012, 978 0 691 15367 4
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... world, even bored. Some are friends (two are lovers), most are allies, collaborators, members of a self-selecting elite or avant-garde; and yet there is very little interaction between them. None of the figures touches his neighbour; they may abut, overlap, hide behind one another, but there is no contact between them. It is almost as if they can’t wait for ...

Lost in Beauty

Michael Newton: Montgomery Clift, 7 October 2010

The Passion of Montgomery Clift 
by Amy Lawrence.
California, 333 pp., £16.95, May 2010, 978 0 520 26047 4
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... The book discusses the relationship between ‘the star’ and ‘the fan’, the critic being a self-conscious version of the latter. Lawrence considers how we read a performance, a face, but more how we respond to it. Clift is the test case for her arguments, and given the complexities of his career and fame, he proves to be a very good one. In his first ...

Burn Down the Museum

Stephanie Burt: The Poetry of Frank Bidart, 6 November 2008

Watching the Spring Festival 
by Frank Bidart.
Farrar, Straus, 61 pp., $25, April 2008, 978 0 374 28603 3
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... The War allowed me to project, – to EMBODY, – an ultimate ‘aspect’ of the ‘self’ … Such extreme typesetting reflects extreme states of mind: the speaker here is the great dancer Vaslav Nijinsky, depicted in 1919 as he goes mad. If you read the books in order you will also learn early on about Bidart’s early life. Raised far from ...

Sophie missed the train

Samuel Earle: Carrère’s Casual Presence, 4 February 2021

97,196 Words: Essays 
by Emmanuel Carrère, translated by John Lambert.
Vintage, 304 pp., £9.99, December 2020, 978 1 78470 582 4
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... same pattern: Carrère takes a character or set of characters and through lengthy digressions and self-reflection finds something both personal and universal in their struggles. He likes to call his books ‘non-fiction novels’ and cites In Cold Blood as his inspiration. But Truman Capote, who used the term himself, always stressed the author’s ...

Heart-Squasher

Julian Barnes: A Portrait of Lucian Freud, 5 December 2013

Man with a Blue Scarf: On Sitting for a Portrait by Lucian Freud 
by Martin Gayford.
Thames and Hudson, 248 pp., £12.95, March 2012, 978 0 500 28971 6
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Breakfast with Lucian: A Portrait of the Artist 
by Geordie Greig.
Cape, 260 pp., £25, October 2013, 978 0 224 09685 0
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... envelope of shit arrived through d’Offay’s letterbox. In one version of the philosophy of the self, we all operate at some point on a line between the twin poles of episodicism and narrativism. The distinction is existential, not moral. Episodicists feel and see little connection between the different parts of their life, have a more fragmentary sense of ...

The Animalcule

Nicholas Spice: Little Mr De Quincey, 18 May 2017

Guilty Thing: A Life of Thomas De Quincey 
by Frances Wilson.
Bloomsbury, 397 pp., £25, April 2016, 978 1 4088 3977 5
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... them to reveal whether they are taking the shortest road. Finally, he descries my unworthy self upon the road; and, instantly stopping his flying equipage, he demands of me (as one whom he believes to be a scholar and a man of honour) whether there is not, in the possibility of things, a shorter cut to Keswick. Now, the answer which rises to the lips ...