“... This is merely tiresome, it seems to me, as is the appearance of the wild entrepreneur John Self and the sober writer Martin Amis in Martin Amis’s Money. The real power of the thing is lost by sophisticated literary exploitation. A recent novel by C.J. Koch, The Doubleman, scores by showing a more simplistic and old-fashioned attitude. But ...”

“... since Descartes has accompanied scientific and material progress. Chase’s friend Eastman, the self-confident editor of the Lin Tin Bulletin, warns him of these dangers when Chase announces his plan to learn Chinese. Chase will lose all the formative influences (good and bad) that have fashioned his self, since they, and ...”

“... a joke too far’. FE’s life was shamelessly, successfully and simultaneously devoted to self-advancement, self-advertisement, self-indulgence and self-destruction, and he achieved more distinction in each of these fields than most men achieve ...”

“... Vox is also profoundly erotic. For Baker, an author fantastically alert to ‘the whole problem of self-repetition and self-influence’, both form and content are a departure. His three previous books had approached ever nearer to autobiography, as though taking literally Nabokov’s dictum that writing is ‘a gradually ...”

“... poetics. The Maximus Poems can he read as a massive attempt to heal what Olson saw as the fatal self-contradiction that fissures The Cantos: how, Olson ponders, could Pound be ‘in language and form as forward, as much the revolutionist as Lenin’, while in political, social and economic matters he was ‘as retrogressive as the Czar’? Olson’s own ...”

“... Pacifists​ are rare. Most people believe that lethal violence may be used in self-defence, or the defence of others, against potentially lethal threats. Military action is justified by a collective institutional version of this basic human right, which sets an outer limit on the right to life. Lethal aggressors who cannot be stopped by lesser means are liable to lethal attack, and this does not violate their right to life so long as they remain a threat ...”

“... in power. We prefer oppositional politics; we would rather ‘speak truth to power’ (as we self-praisingly call it; am I the only person whom that phrase nauseates?) than exercise it. We are always against force; we are always quick to denounce a compromise, declare a sell-out, announce an apostasy. At the bottom of this there is, I think, the fact ...”

“... in particular; it is also that to bow our minds submissively to the actual requires a humility and self-effacement which the clamorous ego finds hard to stomach. It is an unglamorous business, distasteful to the fantasising, chronically self-deceiving human mind. Seeing things for what they are is, in the end, possible only ...”

“... a little shaky. Besides, representationalism has its limits. If the source of representing is the self, it is doubtful whether the self can be captured within its own view of the world, any more than the eye can be an object in its own field of vision. In picturing the world, the ...”

“... meaningful cosmos, and the very idea that it could incarnate the divine comes to seem self-evidently absurd. Not that anything in human affairs is ever self-evident. Ceroplasty and the vascular injection of fixatives and dyes remained mainstays for teaching anatomical structure into the 20th century. There is ...”

“... isn’t, properly speaking, something that happens to us. It is, rather, the nullification of the self as experiencing subject. How then can death be a bad thing for the person who dies? What is there to be afraid of? We tend to speak of ‘the fear of death’ as if it were a single particular thing, but that is to obscure the diverse terrors death ...”

“... Literature (1910); ‘there is also something unbridled, a spirit which breaks all bounds of self-control and runs riot; and there is also a stubborn element, a tough obstinacy.’ According to William Lyon Phelps, of Yale, in his Essays on Russian Novelists (1911), ‘your true Russian’ is notable for humility, love of theory, paralysis of the ...”

“... world, even bored. Some are friends (two are lovers), most are allies, collaborators, members of a self-selecting elite or avant-garde; and yet there is very little interaction between them. None of the figures touches his neighbour; they may abut, overlap, hide behind one another, but there is no contact between them. It is almost as if they can’t wait for ...”

“... The book discusses the relationship between ‘the star’ and ‘the fan’, the critic being a self-conscious version of the latter. Lawrence considers how we read a performance, a face, but more how we respond to it. Clift is the test case for her arguments, and given the complexities of his career and fame, he proves to be a very good one. In his first ...”

“... The War allowed me to project, – to EMBODY, – an ultimate ‘aspect’ of the ‘self’ … Such extreme typesetting reflects extreme states of mind: the speaker here is the great dancer Vaslav Nijinsky, depicted in 1919 as he goes mad. If you read the books in order you will also learn early on about Bidart’s early life. Raised far from ...”