“... poetics. The Maximus Poems can he read as a massive attempt to heal what Olson saw as the fatal self-contradiction that fissures The Cantos: how, Olson ponders, could Pound be ‘in language and form as forward, as much the revolutionist as Lenin’, while in political, social and economic matters he was ‘as retrogressive as the Czar’? Olson’s own ...”

“... because that is a way of taking the story back from her subject, whose ‘mastery of the art of self-exposure’ was of course legendary. Brightman finds herself in the rather odd situation of deploring the prominence of the ‘Life’, of wanting almost to drape it in shadows, make it private, but having to settle for exposing the over-exposure – ‘Her ...”

“... since Descartes has accompanied scientific and material progress. Chase’s friend Eastman, the self-confident editor of the Lin Tin Bulletin, warns him of these dangers when Chase announces his plan to learn Chinese. Chase will lose all the formative influences (good and bad) that have fashioned his self, since they, and ...”

“... refrigerator in preference to the presumably more life-affirming salmon-pink or pale green. Such a self-confirming closed circle of biographical method does not do justice either to Arbus’s work or, indeed, to her recurrent depressions. But Sartre’s to-be-famous children differ from the subject of this biography in one very evident particular: ‘faux ...”

“... of Sennowe Park for Thomas Cook’s grandson. These houses were for social advancement, self-indulgence and conspicuous consumption, where display meant more than beauty, opulence was preferred to taste, and wealth mattered more than lineage. Harold Nicolson explained: Edwardians were vulgar to a degree. They lacked style. They possessed only the ...”

“... the sign of a primitive culture, we – this would seem to imply – have the novel; and the more self-consciously civilised among novelists have sometimes been anxious to disclaim the form’s own origins. As E.M. Forster wearily put it, ‘Yes – oh dear yes – the novel tells a story.’ But storytelling will outlive the novel, and it is also elemental ...”

“... even with the drama of his own sensibility. Yet what he writes is subtly and comfortingly self-confirmatory, never more so than when the world, the human heart, the music of humanity, the mountains, are speaking to him (‘as if admonished from another world’, ‘To give me human strength by apt admonishment’). The writing of an ‘Ode to ...”

“... This is merely tiresome, it seems to me, as is the appearance of the wild entrepreneur John Self and the sober writer Martin Amis in Martin Amis’s Money. The real power of the thing is lost by sophisticated literary exploitation. A recent novel by C.J. Koch, The Doubleman, scores by showing a more simplistic and old-fashioned attitude. But ...”

“... world, even bored. Some are friends (two are lovers), most are allies, collaborators, members of a self-selecting elite or avant-garde; and yet there is very little interaction between them. None of the figures touches his neighbour; they may abut, overlap, hide behind one another, but there is no contact between them. It is almost as if they can’t wait for ...”

“... Literature (1910); ‘there is also something unbridled, a spirit which breaks all bounds of self-control and runs riot; and there is also a stubborn element, a tough obstinacy.’ According to William Lyon Phelps, of Yale, in his Essays on Russian Novelists (1911), ‘your true Russian’ is notable for humility, love of theory, paralysis of the ...”

“... literary property whose manifestations range from memorable poignancies of anguished belonging, self-division and loss, to a vulgar stereotype of vaguely dyspeptic graciousness, all mint-julep and magnolia and nagging resentful memories of old gallantries downtrodden. From Warren at his best, as from Faulkner, and the Allen Tate of The Fathers, we expect ...”

“... a joke too far’. FE’s life was shamelessly, successfully and simultaneously devoted to self-advancement, self-advertisement, self-indulgence and self-destruction, and he achieved more distinction in each of these fields than most men achieve ...”

“... and a History of the English People, starts his third excursus into universal history with some self-interrogation. ‘Why have I written a history of the Jews?’ he asks, and offers four reasons. Three are variations on the theme of simple curiosity: nobody who had written a history of Christianity could help being curious about its progenitor, nobody who ...”

“... the students of today. He agrees with many people that students today are relativist, shallow, self-centred, unread, moved only by the wild uncivilised strains of pop music, and incapable of forming and appreciating deep and lasting attachments. Bloom’s criticism is unusual because it involves no hope that improving American universities will result in a ...”

“... Clive James represents is a kind of stylised distortion of what Britain sees itself as: a kind of self-possessed jokey coarseness, very smart and very educated, a sort of sharp-talking deified moron – who then has to be defined (surprise, surprise) as Australian. He is a difficult character to get into perspective. Most Australians who might be in a ...”