“... the Russian art critic Ivan Lermolieff published Die Werke italienischer Meister (translated into English as Italian Painters), a study of the Italian artworks held in German collections. He disputed dozens of attributions to Renaissance artists in the state galleries of Munich, Dresden, Berlin and elsewhere. ‘It has been a very common mistake,’ he ...”

“... words and phrases. Such discussions could take place only at Oxford, I thought. It’s so English. People here are so intelligent.’ And these were just the students. Next he had to face the Master, heir to the fabled Jowett. At a welcoming interview, Mehta was asked, ‘Do you play games?’ and when he reminded the Master that blindness barred him ...”

“... from his unpublished novel or unperformed plays; and as for gossip – wow! up in the class of Richard Aldington, particularly when the target is someone he doesn’t like. Alma Mahler is that ‘noisy, witless woman’ who ‘dominates the scene through boasting, greed and liquor’. At the funeral of her daughter Manon Gropius, she produces ...”

“... it drew on still earlier work in social science (Sorokin, Andreski and Janowitz), social policy (Richard Titmuss’s rather naive equation of ‘the Dunkirk spirit’ with social reform, for example, is now very familiar) and Medieval studies. In the early Sixties at Edinburgh University, I launched special subjects on ‘The War and the Welfare State in ...”

“... justice of the peace, or the mayor of this city? By what authority do you ask me these things?’ Richard (‘Beau’) Nash was at a loss for a ready reply. The ‘King of Bath’, as he liked to be known, was the gamester son of a Swansea bottlemaker, a heavyweight playboy whose abundant assurance, or chutzpah, had qualified him to act as arbiter of elegance ...”

“... in their own oppression. However intensely Anglophone feminists debated The Second Sex, the English translation, by H.M. Parshley, did not become an issue until 1983, when Margaret Simons, a professor of philosophy at Southern Illinois University at Edwardsville, drew attention to it in her essay, ‘The Silencing of Simone de Beauvoir’. Beauvoir had ...”

“... study of the Florentine palace of the Renaissance along the lines of Mark Girouard’s Life in the English Country House. However, Goldthwaite has put his finger on an important problem, all the more important because the example of the Florentines was followed all over Italy in the 16th and 17th centuries. In Genoa, for example, where the palaces of the ...”

“... via the (mild) heresies of Hicks, James Meade and Roy Harrod rather than via the true belief of Richard Kahn or Joan Robinson. In any event, Keynes made no further important theoretical contribution to economics. The running was left to others. For Skidelsky, however, this is an unreal problem since the third volume is dominated by what he sees as the ...”

“... Dixon’s weak – or is it strong? – tear ducts. As he reminds us of the great tear-jerkers of English culture – Sydney Carton’s imagined speech from the scaffold, Nurse Cavell’s last words, Celia Johnson’s return to her husband in Brief Encounter – the allusions alone were enough to start my eyes pricking. Now and then Dixon may be a fraction ...”

“... to the Turks, who were often denounced for degeneracy – swords, slippers and sexual excess, as Richard Cobden put it – the Arabs were often admired for manly simplicity. David Urquhart, secretary at the embassy in Constantinople, wrote that Islam was not a false religion to be ridiculed: it taught no new dogmas, propounded no fanciful revelation and ...”

“... There is already a lot of biographical writing about Orwell, including the memoir of Richard Rees and The Unknown Orwell by William Abrahams and Peter Stansky (lamed by the late Soni Orwell’s refusal of permission to quote), and, more recently, the expansive Life by Bernard Crick, at first authorised by the widow to emphasise her rejection of Stansky and Abrahams, and later de-authorised by her to indicate disapproval of Crick, who, much to her annoyance, had lawyers good enough to ensure that he was able to publish it anyway, quotations and all ...”

“... been imported into the Anglo-British state in the form of the Freedom of Information Act. But, as Richard Norton-Taylor’s pugnacious book shows, it’s a newborn right still struggling to survive against a centuries-old tradition of government.The structure of the ‘British’ state is still essentially monarchical. Constitutionally, the rest of the ...”

“... as its background a society not primarily as a set of economic classes but as a patriarchy. The English class system, its pervasiveness, its endless subtleties, had once been a rich source for the English novel. The system whose laws, customs, religion and culture consistently sanction the economic ascendancy of one sex ...”

“... a leading article in the Times in March 1890 which called for a new gallery that ‘should do for English art what the Luxembourg does for the French’. The Museum of Modern British Art at Millbank, to give its original title, was meant to do exactly that, but hardly had it been founded than the model began to seem inadequate. A demand developed for a fuller ...”

“... Brighton had several, and became the epitome of the beach. ‘You hear nothing and see nothing,’ Richard Jeffries wrote of Brighton’s beach in The Open Air (1885): It is perfectly comfortable, perfectly jolly and exhilarating, a preferable spot to any other. A sparkle of sunshine on the breakers, a dazzling gleam from the white foam, a warm sweet ...”