“... the crisis over the Zimbabwe report, only as a familiar Lonrho ploy. In private conversation with close associates Rowland speaks of Maxwell as ‘that four-to-five’: a version of the rhyming slang for Jew, ‘four-to-two’, which rates Maxwell’s assets at from four to five million. Not at all in Rowland’s league. Let’s look at the sequence of events ...”

“... by which I donate my conscious will to a larger and unthinking not-me. The process, indeed, is close to the fictive transfer of properties that we come to know in allegories and in dreams; and there is no doubt, says Niebuhr, that this ‘combination of unselfishness and vicarious selfishness’ is the main element that goes to form the sentiment of ...”

“... Jonson articulates in ‘A Farewell to the World’ when, refusing the far-flung in favour of the close to hand, he vows to ‘make my strengths, such as they are,/Here in my bosom, and at home’. Ordinariness here is both a fit habitation for the heart and a way of using language: ‘I loved “such as they are”,’ Carey recalls nicely in An Unexpected ...”

“... barrelling through fences and running over people’s feet: ‘I would drive … real fast and close by the fans and yell obscenities at them. “Fuck you! Fucker!” They’d just sit there and smile and wave.’When Elvis shows up at Lisa Marie’s school in LA for a parent-teacher evening, the swagger is unmistakable:I knew he was coming, and I ...”

“... 19th-century illustrations of the disastrous possibilities that could befall a whaling boat at close quarters with a whale. In the best of them, the overriding sense is of physical disproportion, as if the boats and the men belong in the background of the composition but have unaccountably crept forward, becoming minuscule beside this or that part of their ...”

“... alarming queer by showing him to be melancholy, haunted, as solitary as he was social, with many close friendships and a few intense, complex relationships with lovers. And an artist who was exacting and ambitious and uncompromising. Perhaps the most affecting sentence in this book is the last: ‘In the morning, work.’Francis Bacon was born in Dublin in ...”

“... sea, which was then many days distant, but even drew the line at going to see the River Magdalena, close enough for someone of even the feeblest geographical curiosity. Under the waving palm-trees Nuñez read the Nineteenth Century, the Economist, the Revue des Deux Mondes and that sort of thing (he was an early enthusiast for Freud’s paper on ...”

“... any given age, according to whether the ‘sign’ and the ‘thing’ are perceived as distant, close, contained within each other, excluded from each other, parodying each other, and so on. And there will be a trope for each. But all these tropes, for Foucault himself, are part of a vast historical catachresis, a bacchanal of misnaming, a naivety without ...”

“... refinements, as Ginzburg and Mulisch know: they place the tragedies they imagine tantalisingly close to the end of the war. Shortly after Cenzo Rena and the hostages are executed, the British arrive in San Costanzo. Anton Steenwijk’s family is destroyed when ‘almost all of Europe had been liberated and was rejoicing, eating, drinking, making love, and ...”

“... of Some Mothers Do ’Ave ’Em on Sheppey in 1975, the year after Johnson arrived. In the episode Frank Spencer takes his driving test for the tenth time, and hundreds of locals stood on the beach to watch Crawford, who was known for doing his own stunts, drive a blue Hillman Imp off Sheerness jetty. Crawford is Sheppey showbiz royalty: his mother, Doris ...”

“... of the Walsungs’, which culminates in a giddy Wagnerian scene of sibling incest, proved much too close to the bone for his outraged father-in-law. Later, Arnold Schoenberg was startled to find in Doctor Faustus a composer in league with the devil whose fame depended chiefly on inventing the twelve-tone system. A presentation copy from Mann inscribed ‘For ...”

“... lasted because they have psychological depth. Two other front-rank directors who favoured him were Frank Capra and John Ford: Capra served Stewart extremely well and was more than reciprocally rewarded three times, in You Can’t Take It with You, Mr Smith Goes to Washington and It’s a Wonderful Life. Ford called on him for a pair of late films. In Two Rode ...”

“... end, his affection for his friend Arnaud, to whom he recommends the shirtmaker – the circle does close. Asked by Edward Hirsch, who interviewed him for the Paris Review, how he ‘hit upon’ his ‘distinctive, beautiful and implacable’ prose style, Salter answered tersely, almost evasively: ‘I like to write. I’m moved by writing. One can’t analyse ...”

“... him is power relations, policy struggles, and the competing claims on the nation. Bew pays close attention to the preoccupation of many Victorian intellectuals with Ireland, and deals with the ideas of Mill and others without falling into the jejeune generalisations of post-colonial critique. He presents, among other specimens, an unfamiliar James ...”

“... and b) deficient in what US higher education considers written English facility’. It is as frank and, at the same time, as delicately worded an attempt at ‘presenting himself as an advocate of SWE’s utility rather than as a prophet of its innate superiority’ as possible. Nonetheless, and not surprisingly, a number of students on the receiving end ...”