Smoke and Lava

Rosemary Hill: Vesuvius Observed, 5 October 2023

Volcanic: Vesuvius in the Age of Revolutions 
by John Brewer.
Yale, 513 pp., £30, October, 978 0 300 27266 6
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“... himself in virtu land.’The posting, which lasted until 1800, has been described as a 35-year grand tour. Hamilton spent beyond his means on Roman vases, as well as paintings by Titian, Holbein and the many others that flooded the European market as the French aristocracy sold up. But to the surprise and irritation of Walpole and other friends, he also ...”

Liquidator

Neal Ascherson: Hugh Trevor-Roper, 19 August 2010

Hugh Trevor-Roper: The Biography 
by Adam Sisman.
Weidenfeld, 598 pp., £25, July 2010, 978 0 297 85214 8
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“... own politics remained Whiggish, unpredictable. Students, noting his snobbish style and grand contacts, supposed him a Tory. But in the strict sense, he never was. Over Suez in 1956, he called Anthony Eden a ‘vain, ineffectual Man of Blood’, and reviled ‘the world of lower-middle-class conservatives who have no intelligence but a deep belief ...”

Ça va un peu

Adam Shatz: Congo, 23 October 2014

Congo: The Epic History of a People 
by David Van Reybrouck.
Fourth Estate, 656 pp., £25, March 2014, 978 0 00 756290 9
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“... study of the Free State, King Leopold’s Ghost, and Neal Ascherson’s The King Incorporated. David Van Reybrouck’s enormous history is the latest addition to this literature. Van Reybrouck is a Dutch-speaking Belgian journalist whose father was working as an electrical engineer in Katanga at the time of Moïse Tshombe’s secessionist uprising in ...”

Big Boss in Fast Cars

Neal Ascherson: In Brezhnev’s Room, 24 February 2022

Brezhnev: The Making of a Statesman 
by Susanne Schattenberg, translated by John Heath.
I.B. Tauris, 484 pp., £30, November 2021, 978 1 83860 638 1
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“... with anger (for the benefit of listeners in Hanoi) about the Vietnam War. Here and at Camp David, Nixon was a terrified witness to Brezhnev’s addiction to speed, as he screeched cars round tight corners and on one occasion bashed the sump out of a new limousine. Knowing his lust for fast cars, the Americans gave him a Cadillac and then a Lincoln ...”

I want to boom

Mark Ford: Pound Writes Home, 24 May 2012

Ezra Pound to His Parents: Letters 1895-1929 
edited by Mary de Rachewiltz, David Moody and Joanna Moody.
Oxford, 737 pp., £39, January 2011, 978 0 19 958439 0
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“... Mary de Rachewiltz (Pound’s daughter by the American violinist Olga Rudge), and Joanna and David Moody (who is at work on a multi-volume biography of Pound) have chosen to include every message from the poet to his parents in its entirety, however mundane. I suppose one might pause to note from the above the extent to which Pound was open to sharing ...”

Elective Outsiders

Jeremy Harding, 3 July 1997

Conductors of Chaos: A Poetry Anthology 
edited by Iain Sinclair.
Picador, 488 pp., £9.99, June 1996, 0 330 33135 3
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Nearly Too Much: The Poetry of J.H. Prynne 
by N.H. Reeve and Richard Kerridge.
Liverpool, 196 pp., £25, April 1996, 0 85323 840 5
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Carl Rakosi: Poems 1923-41 
edited by Andrew Crozier.
Sun & Moon, 209 pp., $12.99, August 1995, 1 55713 185 6
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The Objectivists 
edited by Andrew McAllister.
Bloodaxe, 156 pp., £8.95, May 1996, 1 85224 341 4
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“... stay in London thirty years ago, there is an interesting exchange with the psychiatrist David Cooper. Sinclair: It seems to me that what has emerged from this Congress [the Dialectics of Liberation] is the necessity for what has been described as madness – as one of the few active means of keeping society alive ... Cooper: Yes, I think we’ve ...”

The Ironist

J.G.A. Pocock: Gibbon under Fire, 14 November 2002

Gibbon and the ‘Watchmen of the Holy City’: The Historian and His Reputation 1776-1815 
by David Womersley.
Oxford, 452 pp., £65, January 2002, 0 19 818733 5
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“... controversy by whose lurid light his subsequent work was prejudged and has been judged ever since. David Womersley – now Warton Professor of English Literature at Oxford – stands at the head of those scholars who try to situate Gibbon in his 18th-century context, thus raising and trying to answer many questions, of which that just framed is central to the ...”

Fed up with Ibiza

Jenny Turner: Sybille Bedford, 1 April 2021

Sybille Bedford: An Appetite for Life 
by Selina Hastings.
Chatto, 432 pp., £35, November 2020, 978 1 78474 113 6
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“... happy days’). Her mother, Bedford once said, ‘instilled into me the idea that it was a very grand thing to be a writer … Being brought up to talk about Dostoevsky at breakfast was a great advantage. I owe her an enormous amount.’Sybille Bedford attempted to process the story of her origins in four novels, each a differently disguised autobiography ...”

Vuvuzelas Unite

Andy Beckett: The Trade Union Bill, 22 October 2015

Trade Union Bill (HC Bill 58) 
Stationery Office, 32 pp., July 2015Show More
Trade Union Membership 2014: Statistical Bulletin 
Department of Business, Innovation and Skills, 56 pp., June 2015Show More
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“... counterproductive and ideologically driven’. In September, the Tory civil libertarian David Davis told Rupert Murdoch’s Sky News, an unlikely place to hear a defence of unions, that ‘there are bits of [the bill] which look OTT, like requiring pickets to give their names to the police force. What is this? This isn’t Franco’s Britain.’ The ...”

His Own Sort of Outsider

Philip Clark: Tippett’s Knack, 16 July 2020

Michael Tippett: The Biography 
by Oliver Soden.
Weidenfeld, 750 pp., £25, April 2019, 978 1 4746 0602 8
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“... as the trial approached, his attitude changed perceptibly. Writing to his friend the journalist David Ayerst, Tippett declared himself ‘very much at peace and ready to go’.On 21 August 1943, at 7.30 a.m. precisely, after serving two months of his three-month sentence, Tippett was released from Wormwood Scrubs. He was met by Britten and Pears, who would ...”

Cheerfully Chopping up the World

Michael Wood: Film theory, 2 July 1998

The Material Ghost: Films and Their Medium 
by Gilberto Perez.
Johns Hopkins, 466 pp., £25, April 1998, 0 8018 5673 6
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On the History of Film Style 
by David Bordwell.
Harvard, 322 pp., £39.95, February 1998, 0 674 63428 4
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Gilles Deleuze's Time Machine 
by D.N. Rodowick.
Duke, 260 pp., £46.95, October 1997, 0 8223 1962 4
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The Aesthetics and Psychology of the Cinema 
by Jean Mitry, translated by Christopher King.
Athlone, 405 pp., £45, February 1998, 0 485 30084 2
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Signs and Meaning in the Cinema 
by Peter Wollen.
BFI, 188 pp., £40, May 1998, 0 85170 646 0
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“... same thing, but not sketchily, and across a very wide range of films; and the central argument of David Bordwell’s book is similar. Perez is interested in ‘the properties and possibilities of the medium’, but thinks that what distinguishes them is their variousness. ‘Most theorists have attempted to define the nature of film as something ...”

Olivier Rex

Ronald Bryden, 1 September 1988

Olivier 
by Anthony Holden.
Weidenfeld, 504 pp., £16, May 1988, 0 297 79089 7
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“... The early chapters of Olivier’s Confessions are written in Dickensian pastiche, even borrowing David Copperfield’s opening speculation whether he would turn out the hero of his own life story. The object of this is to characterise the young Olivier as a Dickens child, a version of David, and his father, the widowed ...”

The Right Kind of Pain

Mark Greif: The Velvet Underground, 22 March 2007

The Velvet Underground 
by Richard Witts.
Equinox, 171 pp., £10.99, September 2006, 9781904768272
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“... that they were far better as a live band than in anything captured on record. Yet they all do. David Fricke, in his notes accompanying Peel Slowly and See, the Polygram reissue of their four albums with out-takes, quotes Morrison, Reed and Tucker all complaining about the failure to capture their live work, and he alludes to unrecorded work like ‘Sweet ...”

Diary

Iain Sinclair: Swimming on the 52nd Floor, 24 September 2015

“... iced water, was a quotation labouring to attain a modicum of reality. Not so much a dry David Hockney splash as Richard Wilson’s site-specific installation 20:50: his tank of sump oil, miraculously transubstantiated into this brilliant new substance, a liquid thicker than jelly but lighter than air. A seductive mosaic carpet across which you ...”

The Last Years of Edward Kelley, Alchemist to the Emperor

Charles Nicholl: Edward Kelly, 19 April 2001

“... old magus, and Kelley as his unscrupulous deceiver and exploiter. He is described as a ‘grand Imposter’, an ‘egregious scoundrel’, and a ‘terrible zombie-like figure’. This last comment – the phrase is Edith Sitwell’s – glances at a ten-acious feature of the Kelley legend: it is said that he had no ears, having had them cut off in ...”