“... Parisians could hardly contain themselves during the first season of the Ballets Russes in 1909. John Singer Sargent’s painting, Vaslav Nijinsky in ‘Le Pavillon d’Armide’, captures the long-necked, outrageous spectacle of this new animal of dance. All of Proust’s characters were there in the audience, and they had never seen anything as exotic as ...”

“... Young Man Luther and Gandhi’s Truth – came out in 1958 and 1969; the first inspired John Osborne’s play, the latter won several prizes. In both he focused on turning-points (or identity crises) in the lives of the great men to whom he felt drawn. Luther is rather more tied down to the psychoanalytical than Gandhi: the amorphousness of Indian ...”

“... Luke’s few miracles contend for attention with the many found in the Acts of Andrew and John. There is space for the snogging Christ, the vindictive Christ, even, in passing, the gay Christ, and Jesus the precocious magician. St Paul fights for space with Marcion and Mani and the early Christianity we think we know today emerges as a useful but ...”

“... were indigenous, not borrowed from the Old World. At the turn of the century, on the other hand, John Singer Sargent had been a transatlantically renowned American painter with avowedly European artistic roots. Gorky admired his work – he even claimed to possess one of Sargent’s brushes – and was eager to take on the mantle of this quite incidentally ...”

“... language and an association of speaking with opening up, compromising and otherwise surrendering. John Wayne, she points out, spoke in monosyllables, often to denounce communication and chatter. Yup. Nope. It was, after all, gay men who would argue in the heyday of Aids activism that silence = death, an equation that goes well with Tompkins’s argument that ...”

“... exactly the same thing.’ In 1934, Jennings, a young artist and intellectual about town, joined John Grierson’s GPO Film Unit on a freelance basis, mainly, it seems, because he was hard up. He went on to become Britain’s most admired wartime documentary film-maker, and although his is far from a household name, his critical reputation has for decades ...”

“... the West End. Of course there were examples of avant-garde plays which didn’t go down well, and John Arden’s Serjeant Musgrave’s Dance was a notorious box-office disaster. But Arnold Wesker’s Roots (which is cited as having disappointing ticket sales in its first run) did capacity business on its revival alongside the other two plays in the ...”

“... over to the monks of Ampleforth to be crammed, successfully, for a history scholarship to Oxford. John Peet ended up as head of the Reuters bureau in Berlin, before defecting to the East in 1950. Gavin Ewart, whose poems now seem the high-spot of Out of Bounds, went to Cambridge with an exhibition to read classics; he left Wellington with some farewell verses ...”

“... read poetry. Ian Hamilton edited a selection of Lewis’s work, and there is a good biography by John Pikoulis. But his achievement has been hard to focus on. He moved quickly as a poet, and the poetry he wrote while on home service is markedly different from that written after his arrival in India in December 1942. There are also short stories, among the ...”

“... the British branch of the International Freedom Federation – patronised by Jimmy Goldsmith and John Aspinall, and run by a yoofish wild bunch who had come up through the Federation of Conservative Students in the second Thatcher term. When Savimbi rejected the results of the elections in 1992 (which proved the country’s preference for the lesser evil of ...”

“... ongoing projects elsewhere: Jean-Marie Le Pen and Umberto Bossi, for example, or Ian Paisley and John Hume, who are merely adding a third Parliamentary seat to those they already hold at Westminster and in the Northern Ireland Assembly. A number of MEPs first achieved celebrity in other fields: Dana, the Irish Eurovision popstar, Michael Cashman, one-time ...”

“... his first book, from 1958, and republished it in 2001, with an introduction by his friend John Ashbery.* Schuyler is first and last a poet, but the other books shed interesting light on the poetry. ‘For readers of his poetry, the idea of the Diary of James Schuyler might almost seem like too much of a good thing,’ begins Nathan Kernan’s ...”

“... steals The Magnificent Seven not through hat-waving and underplaying, but because he laid siege to John Sturges to persuade him to increase the size of his role, and was charming and animated on-screen while everyone else was busy being dour. Charles Bronson and James Coburn were underplaying each other into inanimacy; Brynner was playing Gary Cooper. McQueen ...”

“... are only the steam which obscures the Mirror of Truth.’ Such is Fish’s description of John Milton, the most obstinately argumentative of all English poets, the most heroically strenuous in matters of the mind, the indefatigable compiler of arguments and corroborative materials, whose watchword, all his life, was ‘freedom’. In an age when the ...”

“... Babylon, a utopian London of the future and elsewhere. It’s a shame that Spufford never read John Masefield’s Box of Delights: I think he’d have liked it; and I’d like to read what he might have to say about it. The Story of the Amulet was number one in a list of the Top Ten Children’s Books of All Time (a silly notion, but appealing ...”