“... drama narrated in the Sonnets and involving two personalities as well as the poet’s: the ‘fair young man’ and the ‘dark lady’. For a very long time – this approach still dominates at least the more conservative or biographical criticism – the Sonnets have been read as telling some kind of love story, the objects a man and a woman (Sonnets ...”

“... nirvana of ‘fifteen, ten years ago’ described by Michael Fallon, when trying to touch up young female researchers, lobby correspondents or political activists was ‘acceptable’, just harmless ‘flirtation’. Some male MPs believe they still live in that era; while one insisted that it ‘absolutely does not constitute harassment’ to call your ...”

“... response to the drama at the centre of which she stands. One is almost driven to sympathise with Stephen Spender, who took the painting as an allegory of Venus acting as matchmaker for a shy young woman, pushed forward by Boreas, and a standoffish young man, represented by ...”

“... grab-all boys, savage sentences for injury to persons, hanging for child rapists ... the birch for young offenders like these skinheads.’)Stewart Home, reclaiming the primitive energy of the genre, feeds into the impoverished form anarchic tremors of pornography, the necrophile city aroused by its own dead tissue. He intercuts orgasmic spasms with improving ...”

“... bank of benches at one side of the space, it turned out that these figures were not as dead as the young male corpse in black, set apart from the others, might have feared or hoped. Selectively revived in turns by a sort of black mass (performed by a coven of witches evidently visiting from Dunsinane), the cast of Hamlet were compelled once more to enact the ...”

“... John Huston to come out to Hollywood in the summer of 1950 to write about his adaptation of Stephen Crane’s novel The Red Badge of Courage. She just stuck with the project from beginning to end. If you know how to report in a certain way, by seeing people and circumstances as you might see them if you were writing a novel, then access becomes a daily ...”

“... When​ I was young I thought poetry and poetry anthologies could change the world. ‘If a man were permitted to make all the ballads,’ Andrew Fletcher of Saltoun wrote, ‘he need not care who should make the laws of a nation.’ But nationality still mattered: Seamus Heaney’s reaction to his inclusion in Blake Morrison and Andrew Motion’s 1982 Penguin Book of Contemporary British Poetry was ‘My passport’s green ...”

“... of its director in Life, led to an invitation to work for John Huston. He wrote an adaptation of Stephen Crane’s story ‘The Blue Hotel’, which Huston did not use but liked enough to give him another project, The African Queen. Later Agee collaborated with Charles Laughton on the screenplay of Davis Grubb’s extraordinary novel about the discovery of ...”

“... had some of the self-arraigning qualities of old Presbyterian spiritual diaries and some Romantic young Werther posing, but disciplined by a vigilant sense of irony about his own emotions. Later in his life, he was to defend intelligent self-pity as the portal to true empathy with others.But he was alert to his lack of parents. Substitutes and metaphors ...”

“... for the lighter but more efficient cane: much relish here in the details. ‘Dick’ moans to Stephen Spender: ‘Even if I become prime minister, I’ll never again be as great as I was at Winchester.’ ‘Dick’ is immortalised by John Betjeman: Broad of Church and Broad of Mind, Broad Before and Broad Behind. ‘Dick’ competes with Auden for the ...”

“... English culture. The MacDiarmid who began to write in Scots had found himself in the position of Stephen Dedalus, who thinks about the English Jesuit dean: ‘My soul frets in the shadow of his language.’ Modernism gains its characteristic effects by wide cultural comparisons frequently involving a language that draws on materials from beyond the ...”

“... Walter Isaacson and Evan Thomas, until recently colleagues at Time magazine, are relatively young men, educated (at Harvard) in the late Sixties and early Seventies during the heyday of revisionism, and more likely than Hugh Thomas, one would suppose, to have been influenced by its arguments. But while their book is not, certainly, unaffected by ...”

“... idiotic and unnecessary tennis knick-knacks like T-shirts and caps, there’s the sullen crowd of young pros dressed as walking billboards for Hertz, Movado or Volvo rather than as tea-sipping athletes in white flannels. Even the commentators are pros (some of them, like Cliff Drysdale and John McEnroe, excellent ones). In nearly every way tennis has become ...”

“... his sister, Mischa, was killed and eaten by Nazi troops who had previously done the same to a young deer – hence Dr Lecter’s anti-deer-hunter thing; hence also his cannibalism. All this humanises Lecter. We find out about the primal scene in his psychological formation (the one in which Mischa is killed and eaten, and he then finds her teeth in the ...”

“... Office’s Information and Research Department. Kingsley Martin: Decayed liberal. Very dishonest; Stephen Spender: Sentimental Sympathiser and very unreliable; Ian Mikardo: I don’t know much about him, but have sometimes wondered; Richard Crossman: ??Political climber. Zionist (appears sincere about this). Too dishonest to be outright FT. Nearly all of ...”