Agringado

Joan Acocella, 14 December 1995

Flamenco Deep Song 
by Timothy Mitchell.
Yale, 232 pp., £18.95, January 1995, 0 300 06001 7
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¡Tango! The Dance, the Song, the Story 
by Simon Collier, Artemis Cooper, María Susana Azzi and Richard Martin.
Thames and Hudson, 208 pp., £24.95, October 1995, 0 500 01671 2
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Rumba: Dance and Social Change in Contemporary Cuba 
by Yvonne Daniel.
Open University, 196 pp., £27.50, August 1995, 0 253 31605 7
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“... of rum-drinking in between. (Daniel notes that in choosing the rumba the Ministry of Culture may also have been influenced by the fact that, unlike conga and casino, which are danced by everyone, rumba is performed by only one couple or one person, while everyone else watches. This makes it easier to control.) So whereas rumba had once been done by ...”

A Regular Bull

Christopher Hitchens, 31 July 1997

Whittaker Chambers: A Biography 
by Sam Tanenhaus.
Random House, 640 pp., $35, February 1997, 0 394 58559 3
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“... in Alistair Cooke’s great account of the time, Generation on Trial. He was the man who made Richard Nixon’s self-serving book, Six Crises (a ‘campaign book’ for an entire career), possible in the first place. Witness, his own work, had a marked influence on Arthur Koestler and on Czeslaw Milosz and is, indeed, the nativist American equivalent of ...”

Buckets of Empathy

James Wood, 30 March 2000

On Trust: Art and the Temptations of Suspicion 
by Gabriel Josipovici.
Yale, 294 pp., £18.95, October 1999, 0 300 07991 5
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“... for instance, offers his own brief allegory of the writer’s modern suspicion in The Information. Richard Tull, a novelist, hears birds singing in his garden, and thinks, mournfully: ‘say birds were just parrots and learned their songs from what they heard: those trills and twitters were imitations of mountain rivulets, of dew simpering downwards through ...”

Four Moptop Yobbos

Ian Penman, 17 June 2021

One Two Three Four: The Beatles in Time 
by Craig Brown.
Fourth Estate, 642 pp., £9.99, March, 978 0 00 834003 2
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The Beatles and Sixties Britain 
by Marcus Collins.
Cambridge, 382 pp., £90, March 2020, 978 1 108 47724 6
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The Beatles in Context 
edited by Kenneth Womack.
Cambridge, 372 pp., £74.99, January 2020, 978 1 108 41911 6
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“... away, but finessed for a world beyond the raucous, claustrophobic clubs they were used to. This may be the moment subculture jettisoned its prefix, and began to infiltrate the culture at large.The jacket covers of two of these new Beatles books feature the classic mid-1960s Fab Four: no longer buttoned up inside matching suits, but individually tailored in ...”

Crabby, Prickly, Bitter, Harsh

Michael Wood: Tolstoy’s Malice, 22 May 2008

War and Peace 
by Leo Tolstoy, translated by Richard Pevear and Larissa Volokhonsky.
Vintage, 1273 pp., £20, November 2007, 978 0 09 951223 3
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“... Isaac Babel said, ‘it would write like Tolstoy.’ The remark is quoted at the head of Richard Pevear’s introduction to this handsome new translation of War and Peace. I should like to think Babel meant that if the world was given to intricate thematic contrasts and parallels among its materials, to careful cross-cutting between city and ...”

Philip Roth’s House of Fiction

Michael Mason, 6 December 1979

The Ghost Writer 
by Philip Roth.
Cape, 180 pp., £4.95
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“... best novel yet. Certainly it is his most ingenious. But this familiar way of putting things may contain a mistake, a mistake which is part of the subject-matter of Roth’s book. ‘Best novel yet’ implies a future of prosperous activity which may be barmecidal. The novelist-hero of Henry James’s story ‘The ...”

Winner’s History

Howard Erskine-Hill, 20 August 1981

Some Intellectual Consequences of the English Revolution 
by Christopher Hill.
Weidenfeld, 100 pp., £5.95, October 1980, 0 297 77780 7
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The Century of Revolution, 1603-1714 
by Christopher Hill.
Nelson, 296 pp., £5.95, September 1980, 0 17 712002 9
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“... the novel, the dominant literary form of the modern age.’ If we consider these claims, we may agree that Harrington’s influence was a consequence of the experience of 1640-60, for his work, like the writings of Filmer and Hobbes, was a response to the crises of that time, though it would not have been what it was had he not also drawn so fully on ...”

Pornography and Feminism

Bernard Williams, 17 March 1983

“... of ‘obscenity’). It says on page 3, wrongly, that in the same case John Mortimer defended Richard Neville, and on page 122 that he did not. In one of the brief excursions into cinema, there is a very muddled account of the French treatment of pornographic films. Pasolini’s Salo was not assigned to the ‘P’ category and sent to the blue ...”

Thank God for Traitors

Bernard Porter: GCHQ, 18 November 2010

GCHQ: The Uncensored Story of Britain’s Most Secret Intelligence Agency 
by Richard Aldrich.
Harper, 666 pp., £30, June 2010, 978 0 00 727847 3
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“... to read and hear almost every message that passes between us. In his new history of GCHQ Richard Aldrich claims that this surveillance capability constitutes potentially ‘the most insidious threat to personal liberty’ we face today. Bentham’s panopticon was a fiction. The Victorians who came after him would never have permitted anything like ...”

Uncle Wiz

Stefan Collini: Auden, 16 July 2015

Complete Works of W.H. Auden: Prose, Vol. V: 1963-68 
edited by Edward Mendelson.
Princeton, 561 pp., £44.95, June 2015, 978 0 691 15171 7
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Complete Works of W.H. Auden: Prose, Vol. VI: 1969-73 
edited by Edward Mendelson.
Princeton, 790 pp., £44.95, June 2015, 978 0 691 15171 7
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“... itself took the form of a collection of pensées) are clearly a labour of love. Auden may have needed the money – he mostly wrote prose in the winter in New York to finance summers writing poetry in Europe – but he evidently took pride in his facility and his craftsmanship. Robert Lowell responded with a fellow craftsman’s appreciativeness ...”

Sunflower

Peter Burke, 20 March 1986

Velazquez: Painter and Courtier 
by Jonathan Brown.
Yale, 322 pp., £35, March 1986, 0 300 03466 0
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El Greco and his Patrons: Three Major Projects 
by Richard Mann.
Cambridge, 164 pp., £35, February 1986, 0 521 30392 3
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“... Velazquez ‘conceived and realised’ what Brown calls ‘a style of court decoration which may justly claim a place as one of the wonders of the Baroque age’, in the Alcazar, the principal palace in Madrid, and also in the Escorial. And this was not all. In 1652, the King appointed his painter aposentador mayor del palacio, an office which put him in ...”

Women against Men

Anita Brookner, 2 September 1982

The Golden Notebook 
by Doris Lessing.
Joseph, 638 pp., £9.95, July 1982, 0 7181 0970 8
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“... man. In the opening chapter of the book their chosen victim is Molly’s former husband, Richard, a vaguely plutocratic figure. They laugh at him: he, quite simply, fails to understand them. And who could? They both exist at the fag-end of a number of exhausted possibilities. They have both been members of the Communist Party. They have both ...”

Diary

John Sutherland: Do books have a future?, 25 May 2006

“... the corporate first division. On the strength of its success, it made another evolutionary leap in May 1990, by opening the first Super Crown in Alexandria, Virginia. These new establishments were (for the time) mega-large: public library-sized, as their publicity pointed out. A Super Crown was duly erected on South Lake, replacing its diminutive ...”

C (for Crisis)

Eric Hobsbawm: The 1930s, 6 August 2009

The Morbid Age: Britain between the Wars 
by Richard Overy.
Allen Lane, 522 pp., £25, May 2009, 978 0 7139 9563 3
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“... are essentially not about the past, but about the retrospect to it of some subsequent present. Richard Overy’s The Morbid Age demonstrates another, and less indirect, approach to the emotional texture of the past: the difficult excavation of contemporary popular reactions to what was happening in and around people’s lives – one might call it the mood ...”

Consider the lions

Peter Campbell, 22 July 1993

The House of Gold 
by Richard Goy.
Cambridge, 304 pp., £60, January 1993, 0 521 40513 0
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The Palace of the Sun 
by Robert Berger.
Pennsylvania State, 232 pp., £55, April 1993, 0 271 00847 4
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“... in Paris, but it is still the most impressive and among the most magisterially consistent. Richard Goy and Robert Berger, in their respective accounts of the construction of the Cà d’Oro and of Louis XIV’s Louvre, remove ambiguities which hang around the word ‘built’. They ask who made decisions, who paid, and how much, and why each building ...”