Feast of St Thomas

Frank Kermode, 29 September 1988

Eliot’s New Life 
by Lyndall Gordon.
Oxford, 356 pp., £15, September 1988, 0 19 811727 2
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The Letters of T.S. Eliot 
edited by Valerie Eliot.
Faber, 618 pp., £25, September 1988, 0 571 13621 4
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The Poetics of Impersonality 
by Maud Ellmann.
Harvester, 207 pp., £32.50, January 1988, 0 7108 0463 6
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T.S. Eliot and the Philosophy of Criticism 
by Richard Shusterman.
Duckworth, 236 pp., £19.95, February 1988, 0 7156 2187 4
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‘The Men of 1914’: T.S. Eliot and Early Modernism 
by Erik Svarny.
Open University, 268 pp., £30, September 1988, 0 335 09019 2
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Eliot, Joyce and Company 
by Stanley Sultan.
Oxford, 326 pp., £25, March 1988, 0 19 504880 6
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The Savage and the City in the Work of T.S. Eliot 
by Robert Crawford.
Oxford, 251 pp., £25, December 1987, 9780198128694
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T.S. Eliot: The Poems 
by Martin Scofield.
Cambridge, 264 pp., £25, March 1988, 0 521 30147 5
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“... of his rage at intrusions into his privacy, and one remembers him forcing the withdrawal of John Peter’s article from Essays in Criticism because it suggested a homosexual element in his relationship with Jean Verdenal. Lyndall Gordon reports a conversation with Mary Trevelyan which makes him seem mildly amused about this imputation, but his first reaction ...”

Forms and Inspirations

Vikram Seth, 29 September 1988

“... that last line, ‘The leaves should be lush and the petals frail’ (or, more literally, ‘The green should be stronger and the red weaker’), is usually interpreted as symbolising a man, who supposedly gains strength, and a woman, who supposedly loses it, after they have made love. The other poem in the same ci form is by a man, the ...”

Which play was performed at the Globe Theatre on 7 February 1601?

Blair Worden: A Play for Plotters, 10 July 2003

“... the first in August 1597, the second two in 1598 (‘the only instance except that of Pericles’, Peter Ure has observed, ‘of a Shakespearean quarto going into two editions in the same year’). The success of a play in print did not necessarily betoken success on the stage. Even so it would be surprising to find a member of Shakespeare’s company speaking ...”

Erasures

Colm Tóibín: The Great Irish Famine, 30 July 1998

“... tenants. The Gregory clause was ‘a charter for land clearance and consolidation’, according to Peter Gray. ‘The substantial rise in evictions after 1847 was attributed largely to its introduction,’ according to Christine Kinealy. For the tenants whose potato crop had failed and whose families were starving, the Gregory clause was a nightmare. As a ...”

Stuck on the Flypaper

Frances Stonor Saunders: The Hobsbawm File, 9 April 2015

“... of Hobsbawm in its own records, which were housed in the Registry, described by the MI5 veteran Peter Wright as ‘a mass of dry paper’ inside which ‘were warm trails waiting to be followed’. This repository, containing an estimated 500,000 files by the mid-1950s, was organised according to an elaborate system of cross-referencing between Personal ...”

What Europeans Talk about when They Talk about Brexit

LRB Contributors: On Brexit, 3 January 2019

“... Take Back Control mantra have resonance in Danish politics, most notably (on the left) in the Red-Green Alliance, for which the EU is the neoliberal devil incarnate, and (on the right) in the Danish People’s Party, in the name of ethno-nationalist conceptions of ‘independence’. But no opinion poll, no government and no national newspaper has declared in ...”

I told you so!

James Davidson: Oracles, 2 December 2004

The Road to Delphi: The Life and Afterlife of Oracles 
by Michael Wood.
Chatto, 271 pp., £17.99, January 2004, 0 7011 6546 4
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“... people born when I was, towards the end of April or in the first weeks of May, are home-lovers, green-fingered, deeply conservative, routine-loving, inexorable, well-throated, prone to kidney disorders, peasants. On the other hand, we are also ‘ruled’ by the planet the Greeks called ‘Aphrodite’, which means Venus is anciently ‘at home’ in that ...”

Diary

Alan Bennett: What I did in 2010, 16 December 2010

“... is as kindly as ever and me as dull, three old(-ish) men having their lunch, next stop the bowling green. 10 March. To Durham where there are not many visitors this Wednesday morning and more guides than there are people to show round. See the line of Frosterley marble inset in the floor of the nave, the limit beyond which women were not allowed to approach ...”

What’s the point of HS2?

Christian Wolmar, 17 April 2014

“... and those cities must have excellent connections with London.’ Without HS2, Steer argues, the green belt and vast swathes of unprotected countryside will have to be developed. If provision isn’t made for rail, then people will be forced onto the roads. ‘HS2 is all about capacity, not speed,’ he says, ‘and that should have been made clear from the ...”

Chop, Chop, Chop

Adam Mars-Jones: ‘Grief Is the Thing with Feathers’, 21 January 2016

Grief Is the Thing with Feathers 
by Max Porter.
Faber, 114 pp., £10, September 2015, 978 0 571 32376 0
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“... will never finish (Patricia Highsmith novel, peanut butter, lip balm)./And I will never shop for green Virago Classics for her birthday.’ These curtailed, interrupted, suspended activities correspond to a present tense that has been abruptly abolished. Mourning is a wound that is also somehow an achievement. It’s no small thing to call on the brain to ...”

The Animalcule

Nicholas Spice: Little Mr De Quincey, 18 May 2017

Guilty Thing: A Life of Thomas De Quincey 
by Frances Wilson.
Bloomsbury, 397 pp., £25, April 2016, 978 1 4088 3977 5
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“... friend of ours’; for Lamb, ‘the animalcule’; Dorothy and Mary Wordsworth took to calling him Peter Quince. Even his friends tended to diminish him: ‘Poor little fellow!’ Carlyle exclaimed to his wife, Jane, who mused: ‘What would one give to have him in a box, and take him out to talk.’ Scarcely surprising, then, that De Quincey was touchy, quick ...”

Diary

Alan Bennett: What I did in 2011, 5 January 2012

“... there when the porter came along the platform shouting the mysterious invocation ‘Lancaster Green Ayre’.11 March. R.’s Aunty Stella rings from Edinburgh. She was 90 last week and apologises that she hasn’t learned a new Shakespeare sonnet to mark her birthday. However she recites off by heart, and with no mistakes, ‘Shall I compare thee to a ...”

Lunch with Mussolini

Thomas Jones: Ferrari Speeds Ahead, 14 August 2025

Enzo Ferrari: The Definitive Biography of an Icon 
by Luca Dal Monte.
Cassell, 520 pp., £12.99, February 2025, 978 1 78840 475 4
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“... speed – the car has passed’) shows a spray of pink-tinged dust on an empty white road, green hills, blue skies, gestures of atmospheric disturbances.In his biography of Ferrari, published in Italy in 2022 and which he has now translated into English, Luca Dal Monte writes that ‘from his father young Enzo learned the importance … of ...”

Paradise Syndrome

Sukhdev Sandhu: Hanif Kureishi, 18 May 2000

Midnight All Day 
by Hanif Kureishi.
Faber, 224 pp., £9.99, November 1999, 0 571 19456 7
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“... fashion. We were thought to take after our fathers, who venerated Magnus Magnusson and Peter Jay, anybody who looked like the besuited officials that a century of colonial education had taught them to defer to. On Friday nights, when many teenagers were out necking bottles of cheap cider or haggling for lovebites in discos, we would be at home ...”

A Great Deaf Bear

James Wood: Beethoven gets going, 7 January 2021

Beethoven: A Life in Nine Pieces 
by Laura Tunbridge.
Penguin, 276 pp., £16.99, June 2020, 978 0 241 41427 9
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The Beethoven Syndrome: Hearing Music as Autobiography 
by Mark Evan Bonds.
Oxford, 325 pp., £22.99, January 2020, 978 0 19 006847 9
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Beethoven: Variations on a Life 
by Mark Evan Bonds.
Oxford, 147 pp., £14.99, September 2020, 978 0 19 005408 3
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Beethoven: The New Complete Edition 
Deutsche Grammophon, 123 discs, November 2019Show More
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“... form of Romanticism. According to Hoffmann, listening to Haydn was like walking happily through green fields and forests. Mozart intimates dread, but keeps it at bay with gentle voices of love and melancholy. Beethoven is different. Beethoven, Hoffmann writes, is full of shadow, nightfall, pain. ‘Beethoven’s music sets in motion the machinery of awe, of ...”