“... had supposed, and in many ways this biography feels like a return to that project. The quiet young actress who kept Dickens company in the last years of his life here becomes the most important person he knew. Dickens met her and, as Tomalin imagines it, ‘the wing of a butterfly flapped, and a whole weather system was unsettled.’ The self he had ...”

“... permitting the more enlightened reformist policies which culminated in the 1933 Children and Young Persons Act. As Pearson points out, the proportion of young offenders receiving custodial sentences is much higher in the Eighties than it was in the Thirties. Indeed, the whole system of criminal justice is now more ...”

“... of Wales had her own court at Ludlow Castle, and went on her own mini-royal progresses. She was a young teenager before she became aware of the threat to her mother’s marriage and to her own position; but after 1533, aged 17, she could not avoid isolation and humiliation. In 1536 she was declared illegitimate since Katherine’s marriage was declared never ...”

“... in their assessment. The subject of Pig Iron (2012), his next novel, was another lost young man: John-John Wisdom, a Gypsy striving to escape the legacy of his father, Mac, a champion bare-knuckle boxer. The Wisdoms have ‘violence running through’ them like ‘a coal seam in the northern soil’, but John-John is intelligent and sensitive (as ...”

“... world of his childhood destroyed, and was never again able to find a place in which to belong. As David Cesarani puts it in the closing lines of this monumental (it is the only word) biography, for Koestler ‘home represented the secure bourgeois domesticity swept away by the Great War; home was a country that rejected him and connived in the slaughter of ...”

“... Europe, would come to the Zam Zam, sometimes for the martinis but usually to be thrown out. When David Letterman came to town to do a week of shows his advance people phoned Bruno to see if he would throw Letterman out of the bar on the show. ‘No, I’m sorry, thank you,’ Bruno said over the phone. ‘Who’s ...”

“... death), the seriousness and the sitter’s sober prosperity do not. When modern caricaturists like David Levine put pulled-about faces on small bodies their drawings project a more distinct personality than is found in their source material – usually paintings and photographs. The characterless little heads and drawn-out bodies of fashion plates do the ...”

“... Angelo Morbelli’s In the Rice Fields is a good example of what came of them. A row of young women, skirts hitched up, stand knee-deep in a paddy field. Clothes, skin, the leaves of rice, water and sky, are done in tiny strokes so glossy that the paint glitters – you might think specks of glass had been added to it. Luminosity is indeed ...”

“... you have actually seen: Sergio Leone’s Once upon a Time in the Resistance, for instance, or David Lean’s Bridge on the River Seine, or Jean-Pierre Melville’s Shadows of the Army. The film opens with a homage to Leone, Morricone-style music (by Morricone, as it happens) on the soundtrack, and the words ‘Once upon a Time in Nazi-Occupied ...”

“... Kardashian (you knew it was only a matter of time before the Kardashians came into it), played by David Schwimmer in the TV series, was perfectly certain in life of his friend’s innocence, yet, in TV-land, certainty is just a crease to be ironed out by the ‘journey’. In the first episode, we see Kardashian talking to his shy ...”

“... There are six people in the photograph, but only one of them knows it. A young woman in a crowd on Fifth Avenue in 1955 finds a lens in her face. People are not yet afraid of being photographed by strangers in the street; still, she leans away to her right, averts her gaze from the man’s impertinent Leica. Or so it seems: it’s hard to tell where she’s looking – she’s quite a blur, and her big dark eyes are further shadowed by overprinting ...”

“... is on his wholeness. In the annotated biography which they bring out in two-yearly instalments, David and Sheila Latham ‘resist categorising under such subjects as poetry and politics because we believe that each of Morris’s interests is best understood in the context of his whole life’s work.’ Joyce Tompkins, also, wants to see Morris whole. ‘The ...”

“... her litany stated, Mirror of Justice, Cause of Our Joy, Spiritual Vessel, Mystical Rose, Tower of David, House of Gold, Ark of the Covenant, Gate of Heaven and Morning Star. Not a woman I liked, on the whole. She was the improbability at the heart of spiritual life; a paradox, unpollinated but fruitful, above nature yet also against nature. She could have ...”

“... nymphomaniac who went gaga. He also suggests that they may turn her into ‘a role model for young women today’. A prospect that, on reading them, seems neither likely nor at all desirable. Perhaps the greatest myth about Murdoch that both these books inadvertently explode is the fact often restated by her many friends that she was a ...”

“... its Parliamentary staff, one of its political correspondents, and its Parliamentary sketch-writer David McKie. Frank Johnson, restored to the back page of the Times after a disappointing sojourn abroad, and Edward Pearce of the Daily Telegraph, are representative of the sketch-writing-as-entertainment school. McKie is more thoughtful. The political team on ...”