“... would dissolve into a haze of signifiers. Not all of this would be music to the ears of, say, John Fiske, whose essay ‘Opening the Hallway’ upbraids the maestro for coming down too hard on Michel Foucault. Hall has been engaged for some time in a precarious balancing-act between socialism and Post-Modernism, class and race, epistemic realism and ...”

“... screen of hysteria blots out the folded hemlocks.’ It was decades later that poets such as John Ashbery or Paul Muldoon helped Anglophone poetry to a convincing use of Surrealist licence for its own ways and meanings. In any case, at the end of the Thirties Gascoyne himself had effectively abandoned Surrealism, and with it ‘The Rites of ...”

“... aesthetic is not, as many have thought and as Davie had feared, an oxymoron. It was after all John Calvin who clothed Protestant worship with the sensuous grace, and necessarily the aesthetic ambiguity, of song; and who that has attended worship in a French Calvinist church can deny that – over and above whatever religious experience he may or may not ...”

“... left enduring scars, especially on the left of British politics. In The Politics of the Judiciary John Griffith provides more recent material to support his thesis that a white, male, Oxbridge-educated judicial élite is not to be trusted to decide the questions which would arise if we had a modern Bill of Rights, broadly defining the limits of state ...”

“... Michele Duvalier, wife of Jean-Claude Duvalier of Haiti, or big-time crooks like cult leader ‘John Roger’, ‘a fraud of Chaucerian proportions’. These people have donated money, at one time or another, to Mother Teresa’s organisation. Indeed, there is something Chaucerian about the world explored in this short book, with its range of tricksters and ...”

“... in Kolbe as in Maillol; they will dispassionately compare Speer’s classicism in Berlin and John Russell Pope’s in Washington; they will be interested in the ideological content of art, but only incidentally in the cards the artists carried. They will be as aware of the limitations of the avant garde as of those of official artists. And they will ...”

“... the managers of the Farm Security Administration camps to writers, artists and intellectuals, like John Steinbeck, the FSA photographers Dorothea Lange and Arthur Rothstein, folklorists working for the Library of Congress, the economist Paul Taylor, the sociologist Carey McWilliams, and even Woodie Guthrie, who provided the words and music. The migrants were ...”

“... and which came to them by various routes from Caravaggio, would not have suited her. The painter John Opie is reported to have found Vigée Le Brun’s pictures good in ‘the imitation of particular things, velvet, silk etc’ but he also remarked that they gave him ‘no high pleasure as works of art’. Hoppner, more brutally, found even her way with ...”

“... With the introduction of the private detective film four years later, the other noir founders, John Huston and Humphrey Bogart, shifted audience identification from hunted to hunter. Dashiell Hammett’s Sam Spade in The Maltese Falcon made Bogart a star, although the refugee Peter Lorre provides the film’s only moment of genuine fright Wilder, the ...”

“... could order the fragments in her own way; but even this seems rather too programmatic, a bit too John Cage. It is certainly better to dip into the book than to read it through – one of the many endearing things about Pessoa is that he makes conscientiousness seem silly – and the fragments should be read as a series of bulletins, without assuming one ...”

“... similar to that of many recent liberals writing in the analytical tradition, such as Brian Barry, John Rawls and Charles Larmore. These writers argue that, by their nature, conceptions of the good – theocratic, secularist, vegan, carnivorous, lesbian, polygamous, socialist, libertarian or whatever – give us insufficient reason to conclude that any one of ...”

“... by his translation of the Austrian folk tale Bambi, which carried a moist Foreword from John Galsworthy.) This was the literary bridge that carried Chambers from relative hackdom on the Daily Worker to pre-eminence at the Stalinist flagship of letters, The New Masses. Indeed it was his usefulness and ability in this department that got him ...”

“... to the standard of Einstein or Jeffrey Archer in this galaxy alone. So where are they all? When John Logie Baird invented television, he also invented a microwave messaging system broadcast through interstellar space. For forty years, programmes like I Love Lucy and Rawhide and Dynasty have been spearheading planet Earth’s attempt to get in ...”

“... working classes, ancestors of the Decent Joker who is or was New Zealand’s Gianduja or John Q. Public) and the disreputable, who came so rapidly to provide the neo-Britain with a structure. His history is populist in that he celebrates its raw vitality, as in the forceful rhetoric of his two last sentences: ‘A booming, burgeoning ...”

“... Fox says, ‘the spirit of the new entered Houston.’ Nearly twenty years later he designed with John Burgee the first of his giant commercial buildings, Pennzoil Place. It stands towards the edge of the Downtown cluster of corporate towers, and makes a subversive play on them by actually being two towers, only ten feet apart. Their surface is refinedly ...”