In Bloody Orkney

Robert Crawford: George Mackay Brown, 22 February 2007

George Mackay Brown: The Life 
by Maggie Fergusson.
Murray, 363 pp., £25, April 2006, 0 7195 5659 7
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The Collected Poems of George Mackay Brown 
edited by Brian Murray.
Murray, 547 pp., £18.99, October 2006, 0 7195 6884 6
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“... ones.’ All this combined to push Brown towards destructive behaviour and later, possibly, self-harm. Of the younger Brown, ‘pugilistic and cruel’ when drunk, one female acquaintance recalled: ‘had George died then . . . he would simply have been remembered as the local soak.’ In fact, Brown’s problems provided him with time and space to ...”

Pink and Bare

Bee Wilson: Nicole Kidman, 8 February 2007

Nicole Kidman 
by David Thomson.
Bloomsbury, 311 pp., £18.99, September 2006, 0 7475 7710 2
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“... obvious that she had energies just waiting for Suzanne, let alone the propensity for mocking self-awareness . . . Irony had never seemed Ryan’s forte. For Ryan, To Die For was just another might-have-been. Not taking the part didn’t bring her down immediately; she went on to star as a faintly absurd war hero in Courage under Fire, which ...”

Cadres

Eric Hobsbawm: Communism in Britain, 26 April 2007

The Lost World of British Communism 
by Raphael Samuel.
Verso, 244 pp., £19.99, November 2006, 1 84467 103 8
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Communists and British Society 1920-91 
by Kevin Morgan, Gidon Cohen and Andrew Flinn.
Rivers Oram, 356 pp., £16.99, January 2007, 978 1 85489 145 7
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Bolshevism and the British Left, Part One: Labour Legends and Russian Gold 
by Kevin Morgan.
Lawrence and Wishart, 320 pp., £18.99, March 2007, 978 1 905007 25 7
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“... traditional form, at least in Europe, they are mostly free from the temptations of agitprop and self-justifying polemic, though not of the acid of academic controversy. They probably constitute the rare phenomenon of an obituary literature written from the grave. British studies in this field are particularly well developed, thanks to the numerous published ...”

Diary

Chaohua Wang: Remembering Tiananmen, 5 July 2007

“... one recognises this can one understand why, throughout weeks of protest, people displayed so much self-discipline. This did not come from a fear of government revenge, but from a strong feeling of pride in their ability to take their fate into their own hands – visibly a legacy of the Chinese revolution and a socialist past. The crime rate in Beijing fell ...”

Leave-Taking

Peter Wollen: Baader Meinhof Studies, 5 April 2001

Gerhard Richter: ‘October 18, 1977’ 
edited by Robert Storr.
Museum of Modern Art, 151 pp., £30, November 2000, 0 87070 023 5
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“... happen if their certainties were abandoned, desperately struggling to maintain their sense of self, afraid of each other’s contempt, they staggered from idealism to self-destruction.There was an enormous cultural response to the suicides. The following year, the film Germany in Autumn was made, with contributions ...”

Diary

Charles Glass: Israel’s occupation of Palestine, 21 February 2002

“... clutches of a strong Zionist lobby: in fact the American-Israeli relationship is based on mutual self-interest, as perceived by both countries’ rulers. In his memoir, My Mission in Israel, 1948-51, America’s first Ambassador, James McDonald, quotes the rationale for US support of Israel that a ‘high Israeli official’ proposed to the Embassy in ...”

Latent Prince

John Sturrock, 22 March 2001

Victor Segalen and the Aesthetics of Diversity: Journeys between Cultures 
by Charles Forsdick.
Oxford, 242 pp., £40, November 2000, 0 19 816014 3
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“... exoticism was going forever to refute his understanding of them. In practice, indeed, he struck a self-conscious balance between what he did and didn’t understand as a traveller, or, in the terms which he favoured, between the ‘real’ and the ‘imaginary’: the creative play between the two, once the Exote is in situ, is simply a local transposition of ...”

Our God is dead

Richard Vinen: Jean Moulin, 22 March 2001

The Death of Jean Moulin: Biography of a Ghost 
by Patrick Marnham.
Murray, 290 pp., £20, June 2000, 0 7195 5919 7
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“... June 1941 – indeed he comes close to dismissing the apparent suicide bid in 1940 as a piece of self-dramatisation. Finally, if Moulin was a secret Communist his Resistance activity could be explained in terms of division and conspiracy rather than unity and integrity. To complicate matters, Marnham hints that he was perhaps betrayed by a Communist, even ...”

When I’m 65

Robin Blackburn: A reply to Martin Daunton, 19 February 2004

“... should also carry out their own research, something commercial fund managers too often leave to self-interested investment banks and finance houses. The proposed network of pension boards, with their own staff and specialists, would be accountable to local constituencies but independent of central government. As the Swedish LO discovered, such an approach ...”

How Shall We Repaint the Kitchen?

Ian Hacking: The Colour Red, 1 November 2007

Cognitive Variations: Reflections on the Unity and Diversity of the Human Mind 
by G.E.R. Lloyd.
Oxford, 201 pp., £27.50, April 2007, 978 0 19 921461 7
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“... Lloyd’s successive chapters cover, in similar fashion, the pageant of debates about space, the self, agency and causation, health and classifications of plants and animals, as well as others that I have already mentioned. His seventh chapter introduces a worry about all these inquiries. Does the dichotomy between nature and nurture, or, as he ...”

Marvellous Money

Michael Wood: Eça de Queirós, 3 January 2008

The Maias: Episodes from Romantic Life 
by José Maria Eça de Queirós, translated by Margaret Jull Costa.
Dedalus, 714 pp., £15, March 2007, 978 1 903517 53 6
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“... leave floating. Lisbon and Portugal imply or at least mirror the lives of (some of) their rich and self-indulgent citizens. Or is it the other way round? Either way a claim to explanation seems to be going too far, as it no doubt already was in Balzac. Balzac is named several times in The Maias. Two characters are said to have a ‘Balzacian eye’, and Balzac ...”

Mushroom Cameo

Rosemary Hill: Noël Coward’s Third Act, 29 June 2023

Masquerade: The Lives of Noël Coward 
by Oliver Soden.
Weidenfeld, 634 pp., £30, March 2023, 978 1 4746 1280 7
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“... all but the last act of The Cocktail Party. Perhaps Coward’s lack of formal education made him self-conscious among intellectuals. He actively hid any hint of his own erudition from the public, despite the fact that he admired Ulysses, went regularly to Stravinsky’s ballets and quoted Shakespeare and Keats. He was also a talented linguist. There was more ...”

Diary

Julian Barnes: Art and Memory, 9 May 2024

“... the moment when Apollo has just caught and, with his left hand, touched the fleeing Daphne, who in self-defence is turning into a laurel tree. Daphne’s mouth is open in a scream of terror, while Apollo, far from appearing a vile rapist, is portrayed as suave and dashing – in both senses. (The back story is one of malign manipulation by Cupid, who has shot ...”

His Very Variousness

Ferdinand Mount: Benjamin Franklin’s Experiments, 4 December 2025

Undaunted Mind: The Intellectual Life of Benjamin Franklin 
by Kevin J. Hayes.
Oxford, 480 pp., £30.99, September 2025, 978 0 19 755426 5
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Ingenious: A Biography of Benjamin Franklin, Scientist 
by Richard Munson.
Norton, 288 pp., £23.99, December 2024, 978 0 393 88223 0
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“... Such lapses he described as ‘Errata’, out of keeping with the famous programme of self-improvement that he drew up for himself, adding ‘Humility’ to his twelve original virtues after a Quaker friend informed him of his ‘overbearing and rather insolent’ attitude. The Autobiography, sadly unfinished, is engaging and ...”

Where was the drum kit?

Jonathan Coe: Hitchcock’s Music, 23 July 2026

Hitchcock and Herrmann: The Friendship and Film Scores that Changed Cinema 
by Steven C. Smith.
Oxford, 295 pp., £31.99, January, 978 0 19 768128 2
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“... is loud, lushly romantic and Wagnerian. But in another respect, the scores are identical: both are self-effacing, in the sense that both are the work of a composer who recognises that his task is to seek out the essence of the material on screen and to express that rather than himself.The Vertigo score is one of the most lauded in film history and was followed ...”