Distraction v. Attraction
Barbara Everett: Ashbery, Larkin and Eliot, 27 June 2002
“... ironies – like Mr Silvero and Madame de Tornquist and Fraulein von Kulp ‘Who turned in the hall, one hand on the door’. Eliot’s developing verse, with its ambiguous enjambments and its swaying, divided syntax, its European echoes and its American intonations, returns to the image of a door about to be opened or shut, like The Waste Land’s ... ”