At Tate Modern

Eleanor Birne: Fahrelnissa Zeid, 21 September 2017

“... painting, which she started to do all day, shut away in the studio in their Istanbul flat. ‘Self-Portrait’ (1944). You wouldn’t know it from the wall texts at the Tate, or from its generally very helpful catalogue, but depression was a recurring battle. A new biography by Adila Laïdi-Hanieh, a cultural historian who as a teenager was taught to ...”

Short Cuts

Thomas Meaney: Ersatz Tyrants, 4 May 2017

“... example.) Snyder believes that in their triumphalism, the liberals of the 1990s entered ‘a self-induced intellectual coma’, and lowered their guard. But he doesn’t see much reason to revisit the course that liberal democracy itself took. The ‘problem of oligarchy’, the ‘gerrymandered system’ and the ‘odd American idea that giving money to ...”

At BAMPFA

Julia Bryan-Wilson: Rosie Lee Tompkins, 17 December 2020

“... this work, or misunderstand it. Works by non-professional makers – sometimes called ‘self-taught’, ‘outsider’ or ‘outlier’ – have been making their way into art institutions for some time, but Black women artists who work with textiles are still far less likely to be celebrated for their artistry than for their technical skills. The ...”

On Natalie Shapero

Stephanie Burt, 8 September 2022

“... institutional critique of late 20th-century artists. She addresses desecration, vandalism, self-harm:Mocking the prospectof a museumgoer scarring the art helps me forgetabout all the times it has of course happened:acid splatter across the Dutch nude, hammer to the armof the PIETÀ. Or the pipe bomb placed besidethe high relief. Or the man who drew ...”

BookTok

Malin Hay, 19 January 2023

“... Hoover, whose name (or its diminutive, CoHo) is never far from the lips of BookTokers, was a self-published author until her 2016 dark romance It Ends with Us was rediscovered by TikTok in 2021. Cue thousands of crying videos and twenty million sales. Now she occupies seven of the top ten spots on the New York Times paperback fiction list. It Starts with ...”

Less than a Trauma

Freya Johnston: ‘The Life of the Mind’, 26 May 2022

The Life of the Mind 
by Christine Smallwood.
Europa, 200 pp., £12.99, October 2021, 978 1 78770 345 2
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“... might have a bearing on her own work: ‘It measures the distance between the dreams of a younger self and the betrayals of adulthood, with its new dreams – some vibrant, some pallid.’ Smallwood’s Dorothy is in her thirties, but adolescence lasts a lot longer than it used to. As an adjunct instructor, she has an impoverished professional future. She ...”

Why didn’t they stop it?

Tony Wood, 24 February 2022

“... to its disadvantage and gave national minorities too many rights – including the right to self-determination for the USSR’s fifteen constituent republics, which provided the constitutional basis for the break-up of the union.)It is possible that Russia does not intend to absorb the DNR and LNR just yet, preferring to leave them in limbo. In that ...”

Asyah and Saif

Frank Kermode, 25 June 1992

In the Eye of the Sun 
by Ahdaf Soueif.
Bloomsbury, 791 pp., £15.99, June 1992, 0 7475 1163 2
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“... Saif says. One doesn’t at all, however, feel that all this is just more of the old modern self-referentiality and so forth: the novel is actually interested in the ways in which it can contain a life, and also various ways of life; and it is part of its substance that Asyah struggles with the narrative of her own life, imposing upon her own history ...”

Toto the Villain

Robert Tashman, 9 July 1992

The Wizard of Oz 
by Salman Rushdie.
BFI, 69 pp., £5.95, May 1992, 0 85170 300 3
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“... in his ‘theatrical’ films of the mid-Fifties, addresses this condition of film with great self-irony.) Rushdie also unjustly dismisses the dream source of Dorothy’s Oz: ‘The film, like the TV soap opera Dallas, introduces an element of bad faith when it permits the possibility that everything that follows’ – from Dorothy’s being knocked ...”

Is it a bird, is it a plane?

Peter Clarke, 18 May 1989

The Pleasures of the Past 
by David Cannadine.
Collins, 338 pp., £17.50, March 1989, 0 00 215664 4
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“... ornamental and anachronistic institution’. He writes, not by royal appointment, but as the self-appointed demystifier and debunker. He dates most of the mystification and bunk to the last quarter of the 19th century, when the invention of tradition took wings in creating a more appealing image for the monarchy: ‘the hitherto unpopular and reclusive ...”
Nothing if not critical 
by Robert Hughes.
Collins Harvill, 429 pp., £16, November 1990, 0 00 272075 2
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Frank Auerbach 
by Robert Hughes.
Thames and Hudson, 240 pp., £25, September 1990, 0 500 09211 7
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Figure and Abstraction in Contemporary Painting 
by Ronald Paulson.
Rutgers, 283 pp., $44.95, November 1990, 0 8135 1604 8
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“... world beyond, of the art scene and its failures. Hughes brings out Auerbach’s persistence, his self-critical unease, the depth of his roots in the culture of painting, his allegeiance to drawing, the carnal presence of his work. A lesser critic might have made myths out of all this – the thick paint, the fanaticism, the terribilita. But there is a ...”

Voyage to Uchronia

Paul Delany, 29 August 1991

The Difference Engine 
by William Gibson and Bruce Sterling.
Gollancz, 384 pp., £7.99, July 1991, 9780575050730
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“... produced artificial intelligence programs that have ‘gone critical’ and achieved humanlike self-consciousness. Herein lies a favourite theme of Gibson and Sterling: the official institutions of a society always work on yesterday’s agenda, while the future is being made by an underground of anarchists, criminals and fanatics. The ...”

On the white strand

Denis Donoghue, 4 April 1991

The Selected Writings of Jack B. Yeats 
edited by Robin Skelton.
Deutsch, 246 pp., £12.99, March 1991, 0 233 98646 4
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“... of Innisfree’ and to WBY’s later poems, but the comparison defeats them. The redundancy, the self-caressing repetition – ‘the little lakes, the little colleens by the lakes’ – show that the lyrical surge is to be released from any obstacle, any knowledge. When we come to ‘that heaving place of his own heart’, we know that the claim of ...”

Lost in the rain

Michael Wood, 24 January 1991

The General in his Labyrinth 
by Gabriel Garcia Marquez, translated by Edith Grossman.
Cape, 285 pp., £13.99, January 1991, 0 224 03083 3
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“... of the river, dying, in defeat’: those are the cadences not of regret or heroism but of a fading self, the music of disappearance. Bolivar sees a woman at night in his encampment. She is singing a popular song under her breath: ‘Tell me it’s never too late to die of love.’ Almost certainly there is no one there, and Bolivar’s servant, in later ...”

After the Woolwich

Frank Kermode, 7 February 1991

Spanner and Pen: Post-War Memoirs 
by Roy Fuller.
Sinclair-Stevenson, 190 pp., £16.95, February 1991, 1 85619 040 4
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“... few years’: that is, he is old, not just growing old. He dwells, sometimes specifically, never self-indulgently, on the attendant disadvantages. Yet the tone and style are, very agreeably, much as they were when the author was merely senescent – quietly distinctive, largely resigned, a bit grumpy. The locutions are occasionally a touch arthritic, as when ...”