At Tate Modern
Eleanor Birne: Fahrelnissa Zeid, 21 September 2017
“... painting, which she started to do all day, shut away in the studio in their Istanbul flat. ‘Self-Portrait’ (1944). You wouldn’t know it from the wall texts at the Tate, or from its generally very helpful catalogue, but depression was a recurring battle. A new biography by Adila Laïdi-Hanieh, a cultural historian who as a teenager was taught to ... ”