“... shops closed as the demonstrators had requested and several local factories with mixed or majority white workforces voted to strike. Central Southall was now under the control of several thousand police officers, who set up cordons around the town hall. By 3 p.m. there were already several hundred local residents stuck outside the cordons, and not allowed to ...”

“... in Paris and started to construct his paintings as shallow reliefs, reducing his palette to white. Hepworth called his technique ‘carving out’ and must, Maclean imagines, ‘have felt in some ways that their two art forms were merging’. That year Hepworth, Nicholson and Moore were invited to join Unit One, a group of painters, sculptors and ...”

“... brown hatter’. But in his third novel, Pompes Funèbres, written in 1947, the oppostions are, as Peter Coe points out in his excellent 1968 study of Genet, beginning to show worrying signs of being out of control. In Pompes Funèbres we are offered Hitler as Saviour, Nazi officer Erik Seiler as love object and an ecstasy of moaning over the ravishing of la ...”

“... he was a Job Centre counsellor and a pub bore. The man has embraced infamy like a bride. At least Peter Sutcliffe kept his mouth shut. After his arrest, Nilsen never stopped talking: letters to the Guardian, pages and pages on his state of mind for the police. Indeed, in retrospect, it is this aspect of Nilsen – his unrelenting fascination with words ...”

“... prove that success in the movies is never any guarantee of success. He was born in 1970 (just as Peter Bogdanovich was shooting The Last Picture Show) and he is already, in 2008, gathering force as a cautionary tale. Putting careers and heartaches to one side, it is true that the anatomy of failure may be more culturally informative than the naming of ...”

“... decades since Moss was photographed by Corinne Day for the Face, those instantly iconic black and white images of a skinny 16-year-old on Camber Sands, wearing no make-up and very few clothes, grinning through her freckles and pointy teeth, all at once so English, so ordinary and so glamorous. And it’s four decades since David Bowie – wearing a lot of ...”

“... doing and her desiring at the same time. It would create, as David Trinidad is quoted as saying in Peter Steinberg’s introduction, ‘a movie of her life’. Still, in the end, we must take a point of view. The penultimate line of the chronology reads: ‘11 February 1963: Protects children then dies by suicide.’ It is revealing, that textual arm around ...”

“... TV so far, that marks a significant moment in the gradual passage of its central character, Walter White, from hero to villain. Walter, a middle-aged high school chemistry teacher who’s become a manufacturer of illegal drugs, is walking down the aisle of a DIY superstore in his home town of Albuquerque, New Mexico, buying paint for his basement, when another ...”

“... or ‘pragmatic’ criticism. This latest move runs directly counter to the way that Peter de Bolla’s book Harold Bloom: Towards Historical Rhetorics wants to take Bloom’s work. De Bolla’s clear, thoughtful description of Bloom’s career thus far is followed by a rigorous development of Bloom’s diachronic theory of tropes into a ...”

“... for Human Rights used individual cases to argue for abolition, sensationalised cases like that of Peter Kürten (the model for Fritz Lang’s M) worked in the opposite direction, isolating the ‘sentimentalists’ and leading to what one liberal paper conceded was ‘an outcry in favour of capital punishment’. In this sphere, as in others, the Nazis worked ...”

“... and unusual value. How many of us, for instance, have heard of August Stramm or Hermann Löns, Peter Baum or Walter Flex? But they are, or were, as notorious in their homeland as Rupert Brooke in our own; and when Tim Cross introduces us to their lives and works – the latter usually having the pathos of schoolboy essays or prize poems – they become as ...”

“... to the streets. He reads a text from his Bible and says this: ‘That’s the kind of passage that white Southern fundamentalists, the ones who made out segregation was God’s law and that it was right to kill your enemies, loved to quote.’ Any actor asked to speak such a humpbacked sentence would either rephrase it himself or call for a writer. But such is ...”

“... those supercooled, Stygian tempi. By explaining the earlier development of Klemperer’s art, Peter Heyworth’s biography places the notorious aspects of its last phase in a proper perspective, and restores balance to a reputation which has become, in England at any rate, lopsided. It teaches us, for example, that Klemperer’s tempi were not always ...”

“... that rural nostalgia has been the fuel of British economic decline. One of the many merits of Peter Mandler’s superb study is that it utterly demolishes these assumptions. He shows that, by Continental standards, Britain has been exceptionally slow to protect its country houses. Political intervention has been resisted and commercial development put ...”

“... in the film is, ultimately, pretence, his pretending makes the enjoyment real. At the end of The White Bus (1967), the heroine walks away from the other passengers, who have turned into mannequins, as if she has dissociated herself from their artificial existence. It’s not so much that they have turned into mannequins, as that they always were and she no ...”