Towards the Transhuman

James Atlas, 2 February 1984

The Oxford Companion to American Literature 
by James Hart.
Oxford, 896 pp., £27.50, November 1983, 0 19 503074 5
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The Modern American Novel 
by Malcolm Bradbury.
Oxford, 209 pp., £9.95, April 1983, 0 19 212591 5
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The Literature of the United States 
by Marshall Walker.
Macmillan, 236 pp., £14, November 1983, 0 333 32298 3
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American Fictions 1940-1980: A Comprehensive History and Critical Valuation 
by Frederick Karl.
Harper and Row, 637 pp., £31.50, February 1984, 0 06 014939 6
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Hugging the Shore: Essays and Criticism 
by John Updike.
Deutsch, 919 pp., £21, January 1984, 0 233 97610 8
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... it. The Modern American Novel is an ‘Opus Book’ (General Editors – Keith Thomas, Alan Ryan, Peter Medawar) intended for students. The Literature of the United States is a volume in the Macmillan History of Literature. But no Oxford undergraduate could get by with generalities like this aperçu of Professor Walker’s: ‘Jewish novels are ...

XXX

Jenny Diski: Doing what we’re told, 18 November 2004

The Man who Shocked the World: The Life and Legacy of Stanley Milgram 
by Thomas Blass.
Basic Books, 360 pp., £19.99, June 2004, 0 7382 0399 8
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... dedicated to Milgram: empowerment … taking responsibility), as well as being the source for a Peter Gabriel song entitled ‘We Do What We’re Told (Milgram’s 37)’. A French punk rock group called Milgram put out a CD called Vierhundertfünfzig Volt (‘450 Volts’). A British band called Midget issued The Milgram Experiment. Plays have been written ...

Diary

James Meek: Where does the rubble end and the ground begin?, 3 January 2002

... except for an outdoor class of boys learning the Koran by rote, and nothing on sale that could be read. Basir’s concerns were for the illiterate commanders’ future employment prospects, but what about the consequences of ignorance in their present jobs? It is said that while measuring out his days under UN protection in a compound in Kabul, Muhammad ...

Living the Life

Andrew O’Hagan, 6 October 2016

Powerhouse: The Untold Story of Hollywood’s Creative Artists Agency 
by James Andrew Miller.
Custom House, 703 pp., £20, August 2016, 978 0 06 244137 9
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... manager goes to a restaurant with the star’s agent, Ari Gold. The manager is called E. E: He has read Medellin and he wants to do that. Ari: Where d’you get that one, huh – Josh Weinstein? E: A little insecure, Ari, eh? Ari: How d’you get it? E: Turtle found it on the subway. What’s it matter? We wanna do it. Ari: Yeah, and I want to fuck ...

Homage to Tyndale

J.B. Trapp, 17 December 1992

Tyndale’s New Testament 
edited by David Daniell.
Yale, 429 pp., £18.95, September 1989, 0 300 04419 4
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Tyndale’s Old Testament, being the Pentateuch of 1530, Joshua to II Chronicles of 1537 and Jonah 
edited by David Daniell.
Yale, 643 pp., £25, October 1992, 0 300 05211 1
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... New Testament, beaming from a candle on a candle-stick round whose column cluster St Paul and St Peter, and whose base is supported by the symbols of the Evangelists. Groping their purblind way from the light, their backs turned to it, towards a pit, is a group of scholars and dignitaries, chiefly churchmen, headed by the Pope. Aristotle, the ...

A Bit of a Lush

Christopher Tayler: William Boyd, 23 May 2002

Any Human Heart 
by William Boyd.
Hamish Hamilton, 504 pp., £17.99, April 2002, 9780241141779
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... well-made plays, packed with schematic clichés and mechanical ironies. Of course, we could always read the thematic material as camouflage, as literary garnish to what’s essentially just a thumping good read. But that would be a little unfair to Boyd – especially when his new novel, Any Human Heart, struggles earnestly ...

Reading with No Clothes on

Michael Hofmann: Guernsey’s Bard, 24 January 2008

The Book of Ebenezer Le Page 
by G.B. Edwards.
NYRB, 400 pp., £10.99, July 2007, 978 1 59017 233 9
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... of its publication at the time, because surely I would have loved it then as I love it now: I have read few books of such wide and delightful appeal. There is a rare wholeness about The Book of Ebenezer Le Page. You get the entire man, in a way that isn’t usually within the gift of literature to procure. It is ‘the book of’ in the prosaic sense that ...

Diary

Karl Miller: Conflict of Two Egos, 3 June 1982

... places. The sequences featuring three eventually famous friends, James Prior of Northern Ireland, Peter May of England, one of its cricket captains, and William Rees-Mogg, late of the Times, are among the tightest and funniest things he has written. May is present, while utterly silent, as a batsman of genius, and as a figure of fun and a pillar of rectitude ...

Bin the bric-à-brac

Joanne O’Leary: Sara Baume, 4 January 2018

A Line Made by Walking 
by Sara Baume.
Heinemann, 320 pp., £12.99, February 2017, 978 1 78515 041 8
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... her recollection of works by Marco Evaristti, Cornelia Parker, Vito Acconci (this is a book to be read with Wikipedia open beside you); it has a list of artworks at the back – a glossary of the mental museum Frankie carries around. ‘Now that I am no longer a student of any kind,’ she tells us, ‘I must take responsibility for the furniture inside my ...

Mad or bad?

Michael Ignatieff, 18 June 1981

Trial by Medicine: Insanity and Responsibility in Victorian Trials 
by Roger Smith.
Edinburgh, 288 pp., £15, March 1981, 9780852244074
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... During his summation at the Old Bailey trial of Peter Sutcliffe, Mr Justice Boreham felt called upon to remind the jury that they were there to judge Sutcliffe, not the flock of psychiatrists called to testify as to his mental condition. The jury could have been forgiven for believing that psychiatry, not Sutcliffe, was in the dock, for during the trial, the profession and its discourse were subjected to merciless inquisition ...

Biographical Materials

Alan Hollinghurst, 15 October 1981

Remembering Britten 
edited by Alan Blyth.
Hutchinson, 181 pp., £7.95, June 1981, 0 09 144950 2
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Britten and Auden in the Thirties: The Year 1936 
by Donald Mitchell.
Faber, 176 pp., £7.50, February 1981, 0 571 11715 5
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... was the life and soul of the party, observant of every detail. Food was bought on the way ... Peter Pears and Britten would often give her [Princess Mary] a small, private recital, just half a dozen Schubert songs that were then in their repertory – not too taxing for anybody. Still, there is inevitably some matter in the book, and until Donald ...

The German Ocean

D.J. Enright: Suffolk Blues, 17 September 1998

The Rings of Saturn 
by W.G. Sebald, translated by Michael Hulse.
Harvill, 296 pp., £15.99, June 1998, 1 86046 398 3
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... of sirens.’ Sebald, Professor of Modern German Literature at the University of East Anglia, had read that the skull of Sir Thomas Browne, antiquary, lover of mysteries, connoisseur of odds and ends, was kept in the museum of that same hospital. He failed to find it, or the museum, and it turned out that the skull had subsequently been buried with the rest ...

Fanfares

Ian Sansom, 11 December 1997

The Bounty 
by Derek Walcott.
Faber, 78 pp., £14.99, July 1997, 0 571 19130 4
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... Walcott’s extravagance of poetic diction and tendency to verbosity off-putting in the past’ (Peter Porter); ‘I feel that the fuss and the language are not quite justified by the donné’ (Roy Fuller). Derek Walcott has suffered, perhaps more than any other contemporary poet writing in English, from accusations that his work is too showy. Some of the ...

At the RA

John-Paul Stonard: Anselm Kiefer , 6 November 2014

... surface. An enormous dried sunflower is attached, inverted, in the centre of the canvas. Peter Schjeldahl saw an ‘energetic contradiction of the frontal and the recessive’ in these works, which he compares to the paintings of Jackson Pollock. He refers to the sense of being caught between diving into the image, drawn into the perspectival ...

Diary

Charles Osborne: Arts Council Subsidies, 7 June 1984

... German: after some years I received a cheque for about £4.) I was surprised, a few days ago, to read somewhere a description of myself as ‘a heavily subsidised author’. Don’t almost all authors subsidise their writing by doing other jobs? Actually (and I don’t care if it sounds like boasting), I no longer have to subsidise my writing, which does ...