Germs: A Memoir

Richard Wollheim, 15 April 2004

... the movie, a low gasp of recognition was involuntarily released into the crowded darkness of the hall. If the film was a western, or a war film, another form of preview, which I loved, was a sand table that would be set out in the foyer of the cinema, re-creating the high sierras and canyons of some unknown land, or the battlefields of Flanders with their ...

Who to Be

Colm Tóibín: Beckett’s Letters, 6 August 2009

The Letters of Samuel Beckett 1929-40 
edited by Martha Dow Fehsenfeld and Lois More Overbeck.
Cambridge, 782 pp., £30, February 2009, 978 0 521 86793 1
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... McGreevy wrote, are frequently depicted in the pursuit of pleasure, at the circus or music-hall, at race meetings, or simply in conversation with each other. Yet often the expression on their faces suggests restraint, thoughtfulness, an inner discipline. Outwardly they so obviously belong to a more primitive state of society than has ever been depicted ...

Diary

Alan Bennett: What I did in 2004, 6 January 2005

... isn’t like that,’ they’re off the hook. 20 February. We’re gradually assembling a class: James Corden, who’s plump and funny and at the audition entirely takes charge; Sacha Dhawan, an Asian boy from Manchester who complains that all he’s ever offered these days are Muslim terrorists or Afghan refugees; Jamie Parker, who is to play Scripps the ...

Promises aren’t always kept

Jenny Diski: Goblin. Hobgoblin. Ugly Duckling, 8 October 2015

... is water retention). But now, providing I don’t look at myself in the mirror in the hall, I begin to see (as in feel) that it doesn’t matter so much. As I write there is a world refugee crisis. I’ve never had to cope with that. That little cancer in my lung, and the growing forest of fibrotic alveoli will kill me, but something would ...

He had it all

Alex Harvey: Fitzgerald’s Decade, 5 July 2018

Paradise Lost: A Life of F. Scott Fitzgerald 
by David S. Brown.
Harvard, 424 pp., £21.95, May 2017, 978 0 674 50482 0
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‘I’d Die for You’ and Other Lost Stories 
by F. Scott Fitzgerald.
Scribner, 384 pp., £9.99, April 2018, 978 1 4711 6473 6
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... showmen,’ she replied. ‘In even their most carefree moments and their most abandoned moods,’ James Thurber noted, ‘there was scarcely ever the casual ring of authentic gaiety. They did not know how to invite gaiety. They twisted its arm, got it down, and sat on its chest.’An early short story, ‘Winter Dreams’, from the collection All the Sad ...

Sabotage

Gavin Millar, 13 September 1990

Citizen Welles: A Biography of Orson Welles 
by Frank Brady.
Hodder, 655 pp., £18.95, January 1990, 0 340 51389 6
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If this was happiness: A Biography of Rita Hayworth 
by Barbara Leaming.
Weidenfeld, 312 pp., £14.95, September 1989, 0 297 79630 5
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Norma Shearer 
by Gavin Lambert.
Hodder, 381 pp., £17.95, August 1990, 0 340 52947 4
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Ava’s Men: The Private Life of Ava Gardner 
by Jane Ellen Wayne.
Robson, 268 pp., £14.95, November 1989, 0 86051 636 9
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Goldwyn: A Biography 
by Scott Berg.
Hamish Hamilton, 579 pp., £16.95, September 1989, 0 241 12832 3
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The Genius of the System: Hollywood Film-Making in the Studio Era 
by Thomas Schatz.
Simon and Schuster, 514 pp., £16.95, September 1989, 0 671 69708 0
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... horses. Dick Haymes was a brutal, abusive, manipulative drunk. Her brief marriage to the director James Hill was a last misconceived attempt to find calm and stability away from the film business. It was typical of her that she had chosen a man determined to reestablish her career. She was divorced from him by the judge who had married her to Orson Welles 18 ...

Endocannibals

Adam Mars-Jones: Paul Theroux, 25 January 2018

Mother Land 
by Paul Theroux.
Hamish Hamilton, 509 pp., £20, November 2017, 978 0 241 14498 5
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... stands in for Portnoy’s Complaint – and The Counterlife (1986). Theroux followed Roth into a hall of mirrors from which it is hard to find the exit. Roth’s rationale for this navel-gazing form of metafiction invoked the example of fine art, where self-portrait is a pre-eminent genre: what could be more natural than using as subject matter the material ...

Diary

Alan Bennett: What I did in 1995, 4 January 1996

... have many distinguished old boys though one which it never seems to acknowledge was the critic James Agate. This reticence may be on account of Agate’s well-known propensity to drink his own piss. 13 June. Three police acquitted in the case of Joy Gardner who died after being gagged with 13 inches of tape, a restraining belt and leg irons. It’s not ...

My Mother’s Prison

Daniella Shreir: Chantal Akerman’s Predicament, 19 March 2026

Oeuvre écrite et parlée, 1968-2015 
by Chantal Akerman, edited by Cyril Béghin.
L’Arachnéen, 1584 pp., £60, April 2024, 978 2 37367 022 6
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Chantal Akerman Collection: Volume 1, 1967-78 
BFI, five discs, £54.99, February 2025Show More
Chantal Akerman Collection: Volume 2, 1982-2015 
BFI, five discs, £54.99, June 2025Show More
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... comparison. Her later documentaries, Sud (1999, filmed in Jasper, Texas, following the lynching of James Byrd Jr and inspired by her reading of James Baldwin) and De l’autre côté (2002, filmed in Agua Prieta and Douglas, on either side of the US-Mexico border), use the same formal strategies as D’Est. If, in ...

The Best Stuff

Ian Jack: David Astor, 2 June 2016

David Astor: A Life in Print 
by Jeremy Lewis.
Cape, 400 pp., £25, March 2016, 978 0 224 09090 2
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... meals proceeded from kitchen to dining room by miniature railway, they owned a London house in St James’s Square, a Highland estate on the island of Jura, and a 16-bedroom seaside ‘cottage’ at Sandwich in Kent. Waldorf and Nancy Astor and their five children somehow found the time to live in all four; worried about the safety of Jura milk, Nancy had her ...

Wouldn’t you like to be normal?

Lucie Elven: Janet Frame’s Place, 8 May 2025

The Edge of the Alphabet 
by Janet Frame.
Fitzcarraldo, 296 pp., £12.99, August 2024, 978 1 80427 118 6
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... heart is an exhibit that pulses ‘ceiling-high, occup[ying] one corner of the large exhibition hall, and from wherever you stood in the hall you could hear its beating, thum-thump-thum-thump’.At Yaddo writers’ retreat, Frame at first avoided Philip Roth. Once they became friends, they took to writing each other ...

Lethal Pastoral

Paul Keegan: Housman’s Lethal Pastoral, 17 November 2016

Housman Country: Into the Heart of England 
by Peter Parker.
Little, Brown, 446 pp., £25, June 2016, 978 1 4087 0613 8
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... their balladry. Housman was more interested in traditional ballads and, like Eliot, in music hall, than in art song. Parker mentions the publication of Child’s English and Scottish Popular Ballads between 1884 and 1898 as part of the new national conversation, though not William Allingham’s earlier anthology of British ballads, a copy of which ...

Is this the end of the American century?

Adam Tooze: America Pivots, 4 April 2019

... their brand advisers were too worried that Confederate flags would be waving in the convention hall. His is the voice of the right-wing base, energised by funding from a small group of highly ideological oligarchs, no longer constrained by the globalist business elite. A cynic might say that Trump simply says out loud what many on the right have long ...

His Own Sort of Outsider

Philip Clark: Tippett’s Knack, 16 July 2020

Michael Tippett: The Biography 
by Oliver Soden.
Weidenfeld, 750 pp., £25, April 2019, 978 1 4746 0602 8
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... first orchestral concert at this time: Henry Wood conducting music by Tchaikovsky at the Queen’s Hall. When the Great War began, the Hôtel Beau-Site was commandeered by the French government and turned into a hospital. This, together with the wartime rent controls imposed on landlords, made the family finances suddenly precarious. The maids, to whom Tippett ...

Distraction v. Attraction

Barbara Everett: Ashbery, Larkin and Eliot, 27 June 2002

... ironies – like Mr Silvero and Madame de Tornquist and Fraulein von Kulp ‘Who turned in the hall, one hand on the door’. Eliot’s developing verse, with its ambiguous enjambments and its swaying, divided syntax, its European echoes and its American intonations, returns to the image of a door about to be opened or shut, like The Waste Land’s ...