At the Movies

Michael Wood: From ‘Alien’ to ‘Covenant’, 15 June 2017

Alien: Covenant 
directed by Ridley Scott.
Show More
Show More
“... had our differences,’ the android says in his formal, English manner – but perhaps need and self-interest will start a beautiful friendship. The new work takes its title, and its spaceship’s name, not from Conrad or Greek myth but from Abraham: they are called Covenant. (It’s not clear that this title has to do with anything other than the agreement ...”

At the Royal Academy

Anne Wagner: America after the Fall , 4 May 2017

“... they seem fully equipped to face … what? This is the question posed and deflected by the bland self-satisfaction all three faces express. Wood’s trio are a set of strangely inbred organisms, creatures only able to subsist in dim isolation, far from the light. Wood made no bones about the fact that in painting this picture, he aimed to distil a social ...”

Consider the Giraffe

Katherine Rundell, 19 November 2020

“... they can gallop at 40 mph on feet the size of dinner plates, but it remains safer not to: they self-entangle. Their tongue, which is dark purplish-blue to protect it from the sun and more powerful than that of any other ungulate, is fifty centimetres long: they can scrape the mucus from deep inside their own nostrils with the tip. And they are the ...”

Before the War

Tariq Ali, 24 March 2022

“... the Soviet Union should contain a clause allowing all nations in the union the right to national self-determination, i.e. the right to secede.The Bolsheviks agreed soon after taking power that Finland, Poland and Ukraine should be granted independence. They knew that Ukraine was different, that its peculiar national texture (immigrant Russian proletariat and ...”

Hell, he’ll be frozen stiff!

Michael Hofmann: Michel the Giant, 7 April 2022

Michel the Giant: An African in Greenland 
by Tété-Michel Kpomassie, translated by James Kirkup.
Penguin, 328 pp., £9.99, February, 978 0 241 55453 1
Show More
Show More
“... he is up to every predicament he encounters; he has the mother wit, the equanimity and the self-confidence of the epic hero. He is rarely turned in on himself, hardly ever bored, homesick, hungry, cold. Everyone who writes about Michel the Giant comments on his charm; but it isn’t charm as veneer, as facilitating ooze or unguent, but charm that ...”

Saving the Streams of Story

Frank Kermode, 27 September 1990

Haroun and the Sea of Stories 
by Salman Rushdie.
Granta, 224 pp., £12.99, September 1990, 0 14 014223 1
Show More
Show More
“... then, is traditional in design, but it is also very modern, old but sounding new, simple yet self-referring in that it is a story about stories of the type it is itself, or, more simply, a story about Story. What it has to say about Story amounts to a demand for narrative or imaginative freedom, for the rights and duties of artists, and, by extension, of ...”

Suiting yourself

Peter Campbell, 27 July 1989

I Modi. The Sixteen Pleasures: An Erotic Album of Renaissance Italy 
by Lynne Lawner.
Northwestern, 132 pp., $35.95, February 1989, 0 8101 0803 8
Show More
The Dress of the Venetians 1495-1525 
by Stella Mary Newton.
Scolar, 196 pp., £28.50, December 1988, 0 85967 735 4
Show More
Fashion Drawings in ‘Vogue’: René Bouët-Willamez and Fashion Drawings in ‘Vogue’: Carl Erickson 
by William Parker.
Joseph, 128 pp., £14.95, March 1989, 0 86350 198 2
Show More
Women and Fashion 
by Caroline Evans and Minna Thornton.
Quartet, 184 pp., £15, March 1989, 0 7043 2691 4
Show More
Show More
“... as the ‘what to’ were acknowledged. In the Sixties, Seventies and Eighties the presentation of self through clothes, and thus the presentation of fashion, changed. The magazines used more photographs, and those drew on personal fantasies more often than on social ones. Where you were going no longer predicted what you would go in. Plotting the ...”

Grandmother’s Footsteps

Penelope Fitzgerald, 9 April 1992

Wild Swans: Three Daughters of China 
by Jung Chang.
HarperCollins, 524 pp., £17.50, March 1992, 0 00 215357 2
Show More
Show More
“... West, ‘winning friends from all over the world’, and the Middle Kingdom, after two thousand self-regarding years, unsteadily began to look for foreign friends. In 1978 even the Class War was abandoned, but by then Mao (two years dead) had created a moral wasteland. Loyalty and compassion, where they survived, shone by contrast like the pearls which were ...”

Dorian’s Castle

Naomi Lewis, 6 August 1992

“... not uncommon with those of unusual beauty. Still, at this time, a painting of a sinful self seemed to hang persistently on the wall of John Gray’s mind. Had he turned it over, he would have found another picture, of a portly, rosy-cheeked, golf-playing priest, with an impressive look of authority: the Father Gray (later Canon Gray) of ...”

You know who

Jasper Rees, 4 August 1994

Jim Henson – The Works: The Art, the Magic, the Imagination 
by Christopher Finch.
Aurum, 251 pp., £20, April 1994, 1 85410 296 6
Show More
Show More
“... The full career of Jim Henson reveals that the gulf between the traditions of fairy tale and the self-inventing styles of television culture generally thought to have supplanted them is not as wide as the disparity between the two frogs would suggest. For a start, one played the other in a film called The Frog Prince (1971). Inextricably linked with ...”

Melton Constable

W.R. Mead, 22 May 1986

The past is a foreign country 
by David Lowenthal.
Cambridge, 489 pp., £27.50, November 1985, 0 521 22415 2
Show More
Show More
“... on progress, paralysing creative energy. It is invested with determinative force. It undermines self-confidence – for George Gilbert Scott it doomed architects to ‘capricious eclecticism’. It is the hump on the back of the cripple rather than the pack carried by the pilgrim. From wanting the past, the argument proceeds to knowing the past, and since ...”

Chronicities

Christopher Ricks, 21 November 1985

Gentlemen in England 
by A.N. Wilson.
Hamish Hamilton, 311 pp., £9.95, September 1985, 0 02 411165 1
Show More
Show More
“... or ‘inconsistency’ of his is a clue that the novel is one of those cute self-consuming artefacts. But this is unlikely. Homer sometimes nods. Wilson’s nods and becks and wreathed smiles are sometimes harder to take unseriously. In a sentence which is less exactly put than is his way, he has Severus Egg attend to ‘the stamp of his ...”

A Book of Evasions

Paul Muldoon, 20 March 1980

Visitors Book 
Poolbeg Press, 191 pp., £5.50, November 1979, 0 905169 22 0Show More
Show More
“... they are all decent men and women,” I thought, as I paid my bill at the garage; and then with self-pity added, ‘Who knows if it is any worse here than everywhere else?” ’ There are some good stories in Visitors Book. I was already familiar with Robert Bernen’s ‘Tales From the Bluestacks’, his evocations of a life spent among the sheep-farmers ...”

Diary

Julian Girdham: Mansergh v. Arnold, 21 June 1984

“... little spectacle, which has its relevance to that report and its aftermath. In an early moment of self-doubt, Marlowe’s Faustus declares: The God thou serv’st is thine own appetite, Wherein is fix’d the love of Beelzebub. However, he quickly smothers such realities with voluptuous determination: To him I’ll build an altar and a church And offer ...”

Koestlerkampf

A.J. Ayer, 20 May 1982

Koestler 
by Iain Hamilton.
Secker, 397 pp., £12, April 1982, 0 436 19191 1
Show More
Show More
“... century’. I did not laugh at him then and do not now. Nevertheless I think he showed a lack of self-knowledge. He has proved himself to be a man of exceptional gifts, but his mind has displayed a religious rather than a scientific ...”