“... In First Among Equals, Jeffrey Archer introduces a Labour MP who is likewise endangered by a young black girl ‘in a white leather mini skirt so short it might have been better described as a handkerchief’. But, unlike D.M. Thomas, both Raven and Archer are accomplished storytellers, keen on verisimilitude. Both are skilled in the use of stock ...”

“... Qui trop embrasse, mal étreint. His tribute to the organisational genius of Lord Woolton and Sir Michael Fraser is diminished by the extravagant encomia for Anthony Barber and Cecil Parkinson. We cannot yet write the history of post-Thatcherite Britain, but perhaps it is not too soon to start summarising the characteristics of its prehistory (roughly 55 BC ...”

“... Piero’s Car of Death, with tombs from which emerge figures with skeletons painted on their black body-stockings. He can remark that Piero drew well from life, that he painted St Antony wearing spectacles and reading an excellently represented parchment book, that he displayed to perfection the art of colouring in oils. Vasari was clearly aware that ...”

“... was something like Manager of Decommissioned Underground Material and I had gone to see him with Michael Morris, one of the directors of Artangel, a company that puts on art events in different media in unusual places. He was trying to get permission to use the runnels and platforms for The Vertical Line, a performance piece devised by John Berger. In Ways ...”

“... politicians are turned into actors. They have got to choose an image, and then ‘project’ it. Michael Foot insisted on looking like what he is – ‘the corduroy, the wool tie, the academic’s white hair’ – and was duly run off the court by ‘the warrior queen ... her hair lacquered into Britannia’s golden helmet’. In modern times, York ...”

“... them hysterical letters in the 1840s, trying to radicalise them about the Irish famine. This time, Michael Collins visits Kilneagh, as a friend. The Troubles come. The house is burnt and Willie Quinton’s father is killed with his dogs and servants, not by Irishmen resenting his English connections, but by Black and Tans ...”

“... anyone willing to accept his apology.After the disturbances in the Toxteth neighbourhood in 1981, Michael Heseltine, then a member of Thatcher’s cabinet, argued that ‘tactical retreat, a combination of economic erosion and encouraged evacuation’, had been going on in Liverpool for decades, and was at least partly the result of government policy. He ...”

“... in her hostility to Europe, much the same applies to the campaign currently being waged by what Michael Heseltine calls ‘our North American press’ – that is to say, the Murdoch and Black empires – against Britain forging closer ties in Europe. As Conrad Black has lived here for ...”

“... emperor. At last Coetzee has found his protagonist. Three months into the writing, Steve Biko, the black-consciousness leader, died in prison in Pretoria after torture. Torture now becomes a central element in Coetzee’s plot. The magistrate meets a torture victim; he himself will be a victim of torture. ‘This may not be entirely honest,’ Coetzee ...”

“... tanks didn’t counsel prudence. In the run-up to the war, RUSI’s director of military science, Michael Codner (King’s via the US Naval War College in Rhode Island), described it as ‘an intervention of choice designed to make the world on balance a safer and better place’. Britain was involved, Codner wrote, because ‘one of successive British ...”

“... which endured down to and beyond the moment I first glimpsed it in wartime: a city of mourning-black temples whose columns and arches were wrapped in inky, velvety fur. Who under fifty, knowing only this golden-scrubbed city centre, can imagine that?) Evelyn’s idea of a cure was to drive smoky industries out of London and surround the town with a ...”

“... Edward Crankshaw and C.A. Lejeune, a socially and intellectually glamorous world, particularly to Michael Frayn, one of a group of us who went to the exhibition. But, of course, London itself was beginning to seem glamorous then – the Coffee House in Northumberland Avenue, the Soup Kitchen in Chandos Place, films at the Academy on Oxford Street and suppers ...”

“... and drove him to fits of remorse. ‘I hope a letter is not too melodramatic,’ he writes to Michael and Edna Longley, after a perceived early failure to be an advocate for poetry in the North: ‘It is not so much in the hope of redressing any hurt as to allay my own embarrassment and guilt. As usual your attitude has been gracious and gentle in the ...”

“... in general in New York an audience is either young or old (in the Lincoln Center, mainly old), black or white (in the Lincoln Center, almost exclusively white), gay or straight (in the Lincoln Center it is often hard to tell). The audience for James Baldwin that evening could not be so easily categorised: it was, I suppose, half ...”

“... a friend sneaked me into the Unprofor headquarters in a villa in the centre of town. General Michael Rose was away in Pale, we were told, negotiating with the Serbs. We were shown into a bedroom, now used as Rose’s private office. A Royal Marine sat back in the general’s chair, feet on the desk, his head hidden behind a thick book. The book was ...”