The People’s Goya
Nicholas Penny: A Fascination with Atrocity, 23 September 2004
“... reclining figures in the foreground with its light blues and greys and dabs and dashes of creamy white, enlivened by touches of pink and vermilion, is rhymed with the pale buildings of the distant city, rather as the buff pink of the soil repeats the colour of the sky. In his great portraits of the 1790s Goya contrasts such delicate harmonies with a black ... ”