“... left out or transmuted. In another valuable work of last year, The European Miracle,* E. L. Jones counts as one of a ‘mighty triad’ of 18th-century advances, along with administrative reform and technological invention, the control of smallpox by inoculation. McManners is convinced that this must have had a profound psychological effect by fanning ...”

“... of Parliament. A decade later, a coterie of young, untried artists including Rossetti, Burne-Jones and Morris set out to adorn the walls of the Oxford Union with similar subjects. But neither Dyce nor the high-spirited youths were qualified to paint in fresco, and the Oxford pictures decayed and disappeared even more rapidly than the ones at ...”

“... pantheon. But unlike such Oxford contemporaries as Trevor-Roper, Maurice Bowra or even John Sparrow, all of whom have been well served in recent biographies, Cobb was never a college head, and this may go some way to explaining his subsequent eclipse. It was a role for which he was epically unsuited, given his (very un-French) disdain for ...”

“... In 1993 The Fugitive was made into a huge action movie with Harrison Ford and Tommy Lee Jones, and then briefly resuscitated in modern dress for TV and DVD in 2001. In the original, the story starts before the series begins. Richard Kimble, a paediatrician, got home one night, having left to cool down after an argument with his wife about her ...”

“... beach. ‘People feel angry with the port because it is rich and they are poor,’ says Joanna Jones, co-founder of Dover Arts Development. She suspects that the ease with which local people used to be able to find steady jobs may have sapped their spirit of entrepreneurship. Twenty years ago, Dover was still a reasonably thriving industrial and garrison ...”

“... have an integrity and persistence of their own. Academic historians such as Maurice Cowling and John Vincent have for years been plotting the political seduction of the aspiring middle classes into primrose leagues. It was all in Bagehot anyway. Similarly it is striking, but in some ways rather pathetic, to discover a Marxist such as Philip Corrigan ...”

“... a ‘newer, more flexible picture of Chartism’. First comes a long examination by G. Stedman Jones of ‘The Language of Chartism’. He insists that nervous contemporaries gave a wrong lead to historians by regarding Chartism not as the political programme it professed to be but as essentially social discontent, ‘novel and threatening’. In ...”

“... Gonzaga – was chaste. This very important poem was discussed with great subtlety by Roger Jones in a scholarly article in the Journal of the Warburg and Courtauld Institutes for 1981 – an article which Lightbown uses and then dismisses. According to Lightbown, it is important to interpret ‘the individual figures and symbols of a picture like the ...”

“... for instance, Burns Singer, one of the most original poets of the Fifties, or David Wright and John Heath-Stubbs. All three were friends of Graham, and their inclusion might have helped the Forties and Fifties out of their New Apocalypse v. Movement stand-off. Hamish Henderson, whose 1948 Elegies for the Dead in Cyrenaica (reprinted by Polygon in ...”

“... mere hysterical wisps alongside the sunny central story, masterfully controlled, of the delightful Jones and Iqbal families. The Autograph Man is, as it were, a novel made entirely of those wisps. Its central character, Alex-Li Tandem, is a dreary blank, an empty centre entirely filled by his pop-culture devotions. Around him swirls a text incapable of ever ...”

“... It takes a special man to resist Hilda von Einem. A German spy in John Buchan’s Greenmantle (1916), she is a ‘known man-eater’, who tries to inspire a rising of ‘Muslim hordes’ against the British Empire. ‘With her bright hair and the long exquisite oval of her face she looked like some destroying fury of a Norse legend ...”

“... marriage was neither thoughtless nor completely self-effacing. Martha was a voracious reader of John Stuart Mill, Dickens and Cervantes, though her husband-to-be warned her against the rude bits unsuitable for a woman in Don Quixote. She was interested in music and painting, and had no shortage of suitors. When Freud became obsessively suspicious of her ...”

“... the Second World War, every male contender – William Styron, Norman Mailer, Gore Vidal, James Jones, Joseph Heller – had done some service and wanted to write literary masterpieces filled with the perfumes of combat.* It is only in more recent times that the task of writing novels about battle has fallen chiefly to bad writers. It might describe changes ...”

“... as there was to the numerical patterns that Russell Crowe’s character, the mathematician John Nash, saw in magazine articles and Dow Jones reports in A Beautiful Mind. Nash in his illness started seeing the patterns and the threats they conveyed everywhere. He had no reality check, no filter and no way of ordering ...”

“... I was hired​ as an assassin. You don’t bring in a 37-year-old woman to review John Updike in the year of our Lord 2019 unless you’re hoping to see blood on the ceiling. ‘Absolutely not,’ I said when first approached, because I knew I would try to read everything, and fail, and spend days trying to write an adequate description of his nostrils, and all I would be left with after months of standing tiptoe on the balance beam of objectivity and fair assessment would be a letter to the editor from some guy named Norbert accusing me of cutting off a great man’s dong in print ...”