At the Villa Medici
Peter Campbell: 17th-Century Religous Paintings, 30 November 2000
“... and prefigured in the stories of the Old Testament, hidden again in his incarnation, and held to be present in the Eucharist. He is the object of a form of worship in which rational thinking supports an intense spirituality.Some of these pictures – above all those of Philippe de Champaigne – seem to be direct illustrations of Pascal’s paradox ... ”