At Tate Britain
Peter Campbell: How We Are, 5 July 2007
“... girls look less mad than trapped; they could be acting the part of one of Dickens’s wild, angry young women. Forbidden and shocking images proliferated. Pornographers found photography a lucrative medium (although there is nothing of that here), while social reformers made it a persuasive one. In Thomas Annan’s Close No. 118 High Street, from an album ... ”