“... is that you can kill anyone.’ It’s an accident, of course, that another Corleone is played by Robert De Niro, the first of the ludicrously quarrelling men in Killers of the Flower Moon. There is one principle that underlies all these cases. Killing human beings is part of ordinary business practice. Problems may arise ...”

“... Writing in 1842 to his friend Alfred Domett, who had emigrated to New Zealand, Robert Browning enclosed ‘Tennyson’s new vol. and, alas, the old with it – that is what he calls old’. Browning was referring to the two-volume Poems of 1842, whose first volume consisted of heavily revised versions of poems published in 1830 and 1832 ...”

“... Pro Milone in defence of a man rightly accused of murdering the ex-mistress’s brother. It may seem a bit odd that a criminal barrister should rise so high in the political firmament, but when we talk about late Roman Republican murder trials we are not talking about gang wars and domestic violence. Given the narrowness of the political elite and the ...”

“... some years ago; the bitter taste still lingers on, and I have a grudging sense that Jane Fairfax may not be quite as thin a dish of gruel as that. Instead it has an unappealing, mixed-up wrongness of flavour. It wants to be both like Jane Austen (to substitute for the real thing) and to revise Jane Austen (to be a real thing itself). Aiken disastrously fails ...”

“... Yet the click might also seem liberating, empowering even, to the person doing the clicking. Robert Reich’s book is about the consequences, for our work and our lives, of the so-called new economy and – more subtly – the habits of mind and values encouraged by its supporting technologies. Reich is an economist who has held office in three US ...”

“... removal centre at Gatwick, then to Brighton, then to Suffolk. Grace and her children, Sacha and Robert, get swept along in the car after one of Smith’s characteristic accidental encounters, on Brighton beach. A long central section, a third of the novel, takes place in the past, where we return with Daniel to his wartime internment as an enemy alien on ...”

“... theory. They are, as Paul Ricoeur says, ‘social poetry’, a poetry which, in the end, ‘may dissolve politics’. And like all poetry they reject precise literary definition. For the historian of political thought this poses quite serious definitional problems, problems which Krishan Kumar’s book does little to resolve. The Golden Age, the Land of ...”

“... for ‘nine-tenths of the reading of the reading public’. When, in 1928, Laura Riding and Robert Graves’s Pamphlet against Anthologies charged the genre with reducing poetry to a ‘packet-commodity’, the only alternative that they proposed revealed just how inescapable the anthology had become. The ‘full Corpus’ that could drive anthologies ...”

“... Duhem, the historian can never suppress his astonishment. But the sociologist could and did. Robert Merton argued that independent simultaneous discoveries should be pereceived as the rule, not the exception. It was the singletons, not the ultiples, that required explanation. Among the more plausible arguments in defence of his inversion, Merton observed ...”

“... by an independent commission for improving the quality of publicly funded advocacy, but Theresa May sacked him before he could put them into practice. Liz Truss showed barely any interest in the job. David Lidington came and went without a trace in just seven months. David Gauke, a relative fixture with a term of eighteen months, had to renationalise the ...”

“... came to power 20 years later, he formally rehabilitated Bukharin. Not Trotsky, however (though Robert Service oddly implies the contrary): like most other Soviet Communists, Gorbachev still had the instinctive revulsion against him acquired in his youth. Even in 1987, he still regarded Trotsky as the quintessential anti-Leninist, though he did allow him to ...”

“... such a culture, when it is officially sponsored by even the most benevolent and enlightened state, may easily serve to maintain a very non-utopian status quo. If there is an embarrassing absence of utopian imagination in a book that loudly decries the failure to think boldly about a different future, there is no dearth of attempts to do so in the recent ...”

“... modern sensibility.’ He cannot get over the idea of Thomas’s modern sensibility (whatever that may be exactly) and uses the phrase three times more in the same chapter. And his language becomes positively untrained: Thomas is ‘exquisitely sincere and sensitive’; his poems ‘seem to happen’. Yet as soon as he gets on to the Sitwells the cogency and ...”

“... genres. True, Fahrenheit 451 seemed to prove that Science Fiction was outside his range: but there may have been personal strains on Truffaut then – including that of filming in England, with uneasy backing and a perhaps too-pat idea. Tirez sur le pianiste, his second full-length feature, had actually been enrichedby mixing slapstick, melodrama, romance and ...”

“... presiding presence; his poetry is the bar before which other poets –Auden and Eliot, Hardy and Robert Lowell and Browning. Pound and, yes, Hill – are brought to judgment. This is not overt. Robinson can’t, any more than the rest of us, come on like a latter-day Leavis, a fearlessly normative critic; instead, psychologists and moral philosophers are ...”